If you believe that you are on my email newsletter list and you did not receive the email I just sent out (and it’s not in your spam trap), let me know. I’ll put your name in asap.
And now I collapse from exhaustion.
Today is the last day to eligible-ize yourself to win a free book–all you have to do is sign up for my I-have-a-new-thing-out newsletter. Details here.
For those of you concerned about being spammed with my newsletter, let me mention that later tonight, when I send out the message about the new book giveaway, it will be the first ever issue of this newsletter.
In other non-news, since my wife has to work on Sunday and my son has a tournament on Saturday, today is my Father’s Day. We’re celebrating by having breakfast at a restaurant (I love restaurant breakfast, for serious) and having burgers for dinner. With buns. I know, crazy, right?
I’ve asked to have the Chris McGrath prints of my Twenty Palaces cover art either framed or matted as my Dad’s Day gift–like most people, I don’t need more stuff. However, my wife and son have been eyeballing a flat screen TV for our Netflixing. Nevermind that I think our 19″ CRT still works just fine; they have the temptation and I may be the excuse.
Anyway, I’m going to do a bit of work in the Star$$ until they get here, then they’ll leave and I’ll work some more. Work! It’s what’s for dinner.
Also, having finished, sent off, and celebrated Epic Fantasy With No Dull Parts, I finally felt as though I had permission to play a bit of computer game.
Now, I’m not exactly Mr. Moderation, so I don’t play all that much. I tend to get stuck in games, trying to do one more thing one more thing. Of course, the games are designed to make you do exactly that, which sort of sucks. As a result, I have to keep away from them for the most part if I want to create books, stay married, pay rent, move my body, and/or feed myself.
But sometimes, I say what the hell. Last night after I did the dishes, I turned on Neverwinter Nights. (It was an Oppressmas gift.) I turned it off at 4 am.
It’s possible that my wife is correct when she points out that these games aren’t good for me. And that I’m a boring husband when I play. Worse, I still couldn’t find that third werewolf. And why am I carrying around this troll head? I know someone wants it, but…
Anyway, I will now get back to formatting my son’s 10K comic fantasy for publishing on the blog while I wait for the fam. Have a great day, everyone.
All around cool guy Saladin Ahmed is giving away a Sword & Sorcery tale on his website, with a request for donations. Times are tough for a lot of people, but as someone with out-of-date prescription glasses, I can tell you how incredibly hard it is for a writer who struggles to see text.
Give the story a read and, if you like it, send a couple of bucks his way.
In other news, I just paid for the right to publish my son’s first “novel” on my blog. It’s a comic fantasy called “The Twin Swords of Zordain,” and it’s almost ten thousand words long. I haven’t decided if I’m going to post it all in one post (behind a cut, obviously) or break it up.
I just need to format it a bit and I’ll post it.
As I mentioned yesterday on Twitter, I finished Epic Fantasy With No Dull Parts yesterday and sent it off to my agent. This is a big deal for a lot of reasons and I have so very many things I want to say about it, but at the moment what I feel is a genuine relief. Anyway, let me skate over some of those topics.
1) No dull parts? God, I hope so. There’s one scene where they eat kabob that could maybe go, but…
1A) After sending to my agent, my son immediately found a grammar error on page one. It’s too late to do anything about it now, but, shit.
2) It’s 136,000 words long. That’s HUGE! Take a look at the printed manuscript with a life-sized Batman statue beside it!
I’ve never written anything that long before. All the Twenty Palaces books were 90- to 105K words. Weirdly, as I wrote, plot elements ended up taking way, way more space on the page than I’d expected. It’s epic, right? Epic is big? Well, I’d promised to make this a stand alone novel, but I’m breaking that promise. It’s going to be two books. (But no more! I’m serious!)
3) I started it on October 7th by doing the exercises in Adventures in Fantasy by John Gust. It was a homeschool project for my son, and he wouldn’t have done it without me. Actually, it turned out to be fun for us to do the exercises together. Being me, I had to mess around with the plot format, which I’m sure is a gigantic surprise to everyone.
However, when I sat down with my agent last summer, she told me that it would be good to be more prolific without a loss in quality. Two books a year, people, that’s what she suggested. That’s what I was aiming for.
Obviously I didn’t manage it, because this was just over eight months to finish. In my defense, the death of my father-in-law shut off all productivity for weeks and it was tough to get my momentum back. Still, only 8 months!
4) I was still late with it. Most of you reading this have probably watched Neil Gaiman’s 2012 Commencement Speech, in which he talks about freelancers staying in business if they have two out of three things: they do good work, they’re easy to get along with, and they meet their deadlines. Me, I’m afraid to admit that I’ve had problems with deadlines.
I’m not talking about externally-imposed deadlines, either. I find it incredibly difficult to judge how long a particular job will take. I promised my agent that I would send the revised manuscript to her in early May. This is mid-June. Not cool.
There’s no production schedule to ruin, no publishing slots to miss. This is just me, the pages in front of me, and my ability to sensibly judge how much time I need to finish a book.
To remedy this, I’m going to start carefully recording everything I do, writing-wise. Every day of the week, how many hours of writing, how many words I write, how many words I revise. It won’t be a goad to productivity; it will help me understand the way I work right now.
5) Last night, I celebrated the completion of a new manuscript in the traditional way:
My kid took the picture, and he didn’t know to zoom in so the freeze frame of Burn Notice would be cropped out.
Today is for reading and recharging my creative batteries. Maybe I’ll even (gasp!) get to play a video game! I know! Crazy!
6) You know how the latest big thing in fantasy is twisty grim pseudo-medieval political fantasy with very little magic? I didn’t write that. Whether that’s a smart choice or not, I dunno, but there it is.
Bonus last thing: My book giveaway is getting a lot of sign ups. If you missed the post yesterday, I’m giving away a signed copy of an anthology I’m in.
Time for a break from sitting and typing. Catch you guys later.
Update: These books have been released! Read more about them or pick up a copy here:
| Amazon (print & ebook) | Apple iBooks (ebook) | Barnes & Noble (print & ebook) | Books-a-Million (print) | CreateSpace (print) | IndieBound (print) | Kobo (ebook) | Smashwords (ebook) |
Want a free book? Well, I have a free book and I intend to give it away.
My contributor copies for the Don’t Read This Book anthology have arrived, and I’m going to give one (signed by me) away. Anthology, you say? Here’s a list of the contributors:
Stephen Blackmoore
Harry Connolly
Rich Dansky
Matt Forbeck
Laura Anne Gilman
Will Hindmarch
Mur Lafferty
Robin D. Laws
Ryan Macklin
C. E. Murphy
Josh Roby
Greg Stolze
Monica Valentinelli
Chuck Wendig is the editor. The stories are set in the nightmare world (literally) of the Don’t Rest Your Head rpg. Oh look! A picture of the books!
I’m keeping two.
Anyway, if you want to be entered for a chance to win one, sign up for my newsletter by Friday. At that time, I’ll send an incredibly easy question to everyone on the list, and will randomly choose a winner from the responses.
Yes, this is a naked attempt to get people to sign up for my newsletter. Hey, I hope to have even more new books out soon, and I figure that anyone interested in this anthology would want to hear about them, too. Of course, after the drawing you can ask to be taken off the list again. Also, due to the costs of international shipping, this is going to have to be U.S. only.
You have until late Friday to sign up. Free book!
Pixar, right? They make good movies that are affecting and also make sense. Sort of a rare thing now.
Anyway, Pixar story artist Emma Coats has been basic story “rules”.
Now, I’ve mentioned before that there is really only one rule: Be interesting. However! Her advice is pretty good. I especially like #6 and #15, and I’ve recommended people do #10, #12, and #20 already. I should probably be better about #2 and #5.
But it’s good stuff.
Here’s an idea I didn’t really consider when I read and reviewed The Eye of the World: that it’s a meta-fictional take on the fantasy genre.
Aidan Moher linked to my writeup on Reddit and let’s just say the reception wasn’t warm. That’s cool by me; I’m not all that concerned with having everyone agree with me. And while some of the reactions were dumb…
Meta-fiction? Or is that being a savvy munchkin about the rules of your own setting? Or something else?
Obviously I haven’t read the whole series but I’m sure some of you have. What do you think? Comments on the blog are turned off due to spam, but you can reply by tweet, on Facebook, or join the conversations on LiveJournal.
1) Amazon changing its sales ranking algorithms again?
2) Why movies have so many explosions in them, in graph form.
3) This is an animal, not a monster.
4) Proof that anything is more dramatic with a movie soundtrack: Slinky on a treadmill. Video.
5) How fast food serving sizes have grown out of control, in infographic form.
6) 102 Awful Celebrity Portraits, Drawn By Their Fans.
7) Film producer Keith Calder on Scientology and what it feels like to finally stop biting your nails.
Bonus item: “What does Satanism mean to you?” Video
I started The Eye of the World weeks ago, but only just finished it this weekend. A lot of people love it, I know, but to be honest I found it a bit of a slog. However! I am keenly aware that it was incredibly popular at the time of its original release (1990) and continues to be so today after the author’s death.
It’s one of those series people complain about all the time; that’s a sure sign of success. But why was it a success?
I want to talk about what I liked, what I disliked, and what qualities it has that I believe made it popular.
ObDisclaimer: Saying: “These are the qualities that made this book a best-seller” is not the same as saying: “These are the only qualities that make a best-seller.” This may seem obvious, but this is the internet. What interests me here is the way this book is similar to mainstream bestsellers by people like Patterson, Koontz, etc.
Spoilers, obviously. Continue reading