Publishing Career Firsts: A Royalty Payment for a Novel

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I signed with my agent in 2007, landed a publishing contract in 2008, and published my first novel, CHILD OF FIRE, in September 2009. That’s almost exactly seven years ago.

Since then, I published two more books with Del Rey, wrote and published a game tie-in novel for Evil Hat, and self-published six more novels and collections.

Yesterday, I earned my first royalty from a publisher for one of my novels.

My agent’s foreign rights division cleverly sold my self-published trilogy, The Great Way, to German publisher Blanvalet. Along with the on-signing payment for that deal (delayed due to international tax paperwork, and my struggles with same) they sent the royalty payment for The Way into Chaos — or, I should say, “Die Pforte Der Shatten“, which if translated would probably be a far more commercial title than I chose.

Not that this was my first foreign rights sale. Child of Fire and the other Twenty Palaces books have been published in Russian, German, French, Polish, and some others I’m forgetting. However I don’t recall getting any payment beyond the advance.

But wait! you ask. If I have six self-published novels, haven’t I been getting royalty payments from Amazon, et al?

Nope. No matter what terminology they prefer, Amazon takes a commission from sales, they don’t pay royalties.

Anyway, seven years to this milestone! The amount is almost but not quite enough to cover a week’s groceries, but I’ll take it.

Publishing is weird.

The Way into Audio

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Back in 2013, when I was looking at stretch goals for for my Kickstarter project, a number of people asked for audio books. I didn’t go that route, mainly because I don’t know much about them. I don’t listen to them and I don’t know much about how they’re made except that it’s expensive and it sounds terrible if it’s done badly. Frankly, on top of everything else, it was too much.

At the time I said I hoped that an actual audio book publisher would step forward. And they did:

In case that iframe doesn’t show: The audio book is up for pre-order through Amazon. And also on Audible.com / Audible UK.

The release date is August 9. Book 2 releases later in August and Book 3 in September.

Also! The books will have “Whispersync”, which means that, if you also buy the Kindle edition from Amazon, you can switch back and forth between ebook/audio book without losing your place. Which is a pretty cool thing that I knew nothing about before now. Also, owning the Kindle edition lets you buy the audio book at a reduced price. Check it out.

If you’re one of the folks who was hoping for an audio book, here you go.

Can I get these Polish cover designers to do ALL my books?

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The Polish edition of Child of Fire is out, and look at how amazing it is.

If that image doesn’t show, you can also find the cover at this link.

In a time when covers (especially urban fantasy covers) seem to share all the same design elements, this is genuinely exciting.

BTW, I originally found the cover on Goodreads, but I couldn’t find a simple way to share it without being scolded to linking to my own work, so Amazon it is.

Randomness for 6/14

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1) This is strangely affecting.

2) Should you fuck this rock? Science says no.

3) Cinema audiences reproducibly vary the chemical composition of air during films, by broadcasting scene specific emissions on breath. Another reason for social animals to see movies in a crowded theater.

4) The Trailers for Ghostbusters (2016) and the Art of Editing Comedy by the creator of Every Frame a Painting.

5) The 35-Year-Long Hunt to Find a Fantasy Author’s Hidden Treasure.

6) Traffic-weary homeowners and Waze are at war, again. Guess who’s winning? Filed under: The Future Is Stranger Than We Expected

7) An amazing infographic.

State of the Book/State of the Self

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[I wrote this on Saturday night, before news struck of the deadliest mass shooting by a civilian in this country’s history. Rather than let it go live at the scheduled time, I’m just going to post it later in the week, along with my wish that sensible gun control be enacted in this country, starting with a lifting of the ban on CDC’s ability to study gun violence.]

You’ll be reading this tomorrow, but I just tweeted this:

If you’re not a long-time reader, let me explain: When I finish a draft of a novel I treat myself to a bottle of Arrogant Bastard Ale.

Which means that I’ve wrapped up the zero draft of ONE MAN, and what a fucking relief it is. I started this book in March of 2015, according to the creation date of my Scrivener file. That’s a long time for me, even if you count the amount of time I spent traveling on vacation and taking a digression to work on side projects, like The Way into Fate, the rpg game supplement that closed out my Kickstarter campaign, and short fiction, too.

So, that’s a long haul, and I’m still not done. I have a list of 90-some changes that need to be made, from small ones like adding a couple characters to a scene or changing someone’s name, to systemic ones like giving certain characters their own slang. Then, once those changes are done, I have to manage the numerous comments I’ve left myself recommending I check various details in the book. Then, once THAT’s done, I have to reread the whole book, smoothing out the text, searching for word echoes, and generally prettying things up. If I were sensible, I’d do that twice.

Only then will this draft be truly done and ready for my agent to read. If you’re waiting for THE TWISTED PATH, which is the next Twenty Palaces story, you’ll have to wait until then. Sorry. Gotta get this book on the market.

Personally, I’m relieved to have accomplished even this much. This has been a difficult book, and I’m not entirely sure why. It’s a fantasy with a made-up setting. It’s a crime story. It has a bunch of POV characters. It has stakes and magic and betrayals and secrets.

And if this book flops, too, I’m going to have to rethink my whole approach to writing.

They say ideas aren’t worth much…

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and “they” are correct!

Long time readers know that I give away story ideas on my blog (the ones I’m never going to write, I mean) under the tag “seeds”. And you might remember last year when I mentioned that writer Stephen Kotowych took one of those ideas, wrote it up, and sold it to an anthology called Caped.

Well, now that story has made the short list for the Prix Aurora Awards under Best English Short Fiction.

First of all, congratulations to Stephen; the idea of superpowers that spread virally through punching is a fun one, if I say so myself, but it’s worthless on its own. Execution is everything.

Second, I have no idea how the Prix Aurora works, but if you (yes, you, the person reading this) have a vote, why not vote for Stephen’s story, “Super Frenemies”.

Third, it’s an interesting world, and getting more interesting all the time.

Have a Nook? In the UK? Back up your books

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If you’re in the UK and you have a Nook (there must be at least ONE of you out there) be sure to back them up. Nook is pulling out of the UK market and relying on a third-party to take over for the Nook books people have already bought.

Personally, I don’t put a lot of trust in maintenance arrangements with third parties.

Details here.

Authorial Self Sabotage: first in an informal series

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The common wisdom is: if you publish in the genre, go to conventions. Here:

Now, to clarify (because this has bitten me in the ass before) I’m quoting Kameron Hurley to talk about her assertion, not to blindly agree with it.

I’m going to relink the article she’s linking above because it’s worth reading, and I’m going to quote it, too.

Check this part out:

Here’s another wrinkle: at least in SFF writerdom, there is really no meaningful distinction between friends and colleagues. Which, sure, is true of a lot of fields. But these relationships are particularly close, and the professional utility of these friendships can be very high. There are costs to missing out, to not being at the right place at the right time to meet the right person. Missed connections are a real thing. Because here’s another wrinkle: it’s not just about being talented. It’s about being noticed.

Which calls back to some other, previous posts of mine about luck. (Don’t roll your eyes, people, I’m going to be brief this time.) If you maximize your interactions with other people and with new experiences, and you remain open to new opportunities, you increase your chances of a “lucky” break. That’s why people who say you can’t control luck are wrong. You can’t control luck in any specific situation, but you can increase the chances that something lucky will happen over the long term.

Therefore: conventions, where you meet colleagues who become friends. The benefits of that are unpredictable but they’re there. The costs are there, too.

See this post by Chuck Wendig listing the upside and downside of attending. As Chuck says, the point is to meet people you like and be liked in return. It’s a professional opportunity to make pals, not to cynically acquire names and resumes who will give your career a lift. Chuck also makes an extensive list of the downsides, one of which is cost. Marko Kloos broke down the cost of attending Confusion, an event he really enjoyed and which is apparently the cool new thing.

Clearly, $1,888 isn’t chump change, and it’s clear that no one is going to make back that money on the weekend itself. The money I just paid to Bookbub was not tiny, but the extra sales more than made up for the cost. But that’s short-term thinking. That almost-nineteen hundred dollar ConFusion expenditure will pay off, if it pays off at all, in the long-term benefits that come from the friendships formed at the event.

For example: we’ve all seen writers pushing their books on social media, and most of us know that, while it works once in a while, it’s not an effective way to sell. You reach your core followers, they buy the book, and the positive effects of future promotion nosedives.

But being promoted by other writers to their followers, with a personal recommendation? That’s gold. Meeting an editor who remembers you as smart, funny, and sensible the next time your agent submits your work? Making a good impression on a handful of fans who decide to try your books, then love them so much that they evangelize for them? Also gold.

And it can’t be predicted or forced. It’s like the old saying: “If you want to find someone to love, be someone worth loving.” Authors just have to go, spend the money, the energy, and the time, and hope good comes of it.

For those who have found benefit that way, great. I’m glad Kameron Hurley’s career is doing well and I hope she becomes a best-seller (or whatever her goal is). But it’s important to be wary of Survivor Bias. My own experience at big meetups is not all that positive. Usually I leave feeling that I should have spent that time writing.

And then there’s this:

No conventions. Hear that? They don't attend many conventions

Excerpt from ‘The Career Novelist’ by Donald Maass

That advice is more than 20 years old and it’s the exact opposite of what authors are told now. Conventions may have been around for a long time, but could things have changed so much?

I’m open to the possibility that social media magnifies the effects of creating a F2F friendship with your colleagues; it’s possible that folks who witness fun and funny online exchanges between pros would be willing to sample the work of a whole clique. I also suspect that’s where “cool kids” rhetoric comes from (as in “I’ll never be one of the cool kids”). In social media, casual expressions of camaraderie are a public act and it’s easy to feel excluded when it looks like everyone but you gets to take part in the fun (Not to mention getting the reviews, the blurbs, the nominations…)

Then again, what looks widespread and pervasive on social media is usually neither. The ongoing drama in one person’s circles goes completely unnoticed by the world at large. And those people that look like they’re among the “cool kids” are struggling with their books and their insecurities just like any other writer. The only difference is that their circle of friends has a high(ish) profile.

Still, the idea that long-lasting sales comes to those who don’t waste time on the social stuff is very very tempting.

Back and forth. Back and forth. Is it worth the time and money? How many cons does it take to start making friends? Is it even worth it for me, a guy who hates to be jostled, who can’t hear in noisy environments, and is terrible at recognizing faces? (also names?)

Maybe it would be worth it, but feh. I’m terrible at that stuff. We only get 52 weekends a year, and I don’t want to use one of mine on socializing when I could be working on a book.

I could be shooting myself in the foot with that decision, but it wouldn’t be the first time.