4) Creating unconscious emotional responses with shapes. Video.
Today I finished listening to my first audio book.
It was the unabridged Fellowship of the Ring, read by Rob Inglis, and I enjoyed it. A lot.
I didn’t expect to. When the audio book for Child of Fire came out, I found it impossible to listen to it. The narrator’s voice was fine–excellent, even–but it was completely different from the voice I heard in my head when I was writing it, and the dissonance was unbearable.
And the format itself seemed utterly wrong for me. I love to drive but I don’t have a car so I never do. I don’t have a phone to carry with me when I walk. My apartment is tiny, so when would I be able to listen at home? Besides, no skimming? No reading quickly through the exciting stuff?
Hmf, I said.
Then I heard a piece on NPR where a woman said she listened to Rob Inglis’s reading of LOTR every year, and I found it at the library. The first book was 19.25 hours long on 16 CDs!  And I just happened to get my copy of Obduction from Kickstarter.
A quiet, Myst-style game and an audio book through the headphones seemed like a perfect combination.
And I loved it.
The game was done before the audio book and I’ve been having trouble squeezing time to listen, but all the things I thought would be bugs turned out to be features. As annoyed as I was when I read Tolkien’s description of hiking through rough terrain (was this really the sort of challenge you want to devote page space to?) being forced to listen to it had the opposite effect. I could visualize the scene. I didn’t feel impatient because I couldn’t skim ahead to the next plot point. Taking away that small measure of control was surprisingly relaxing.
Anyway, I have never enjoyed Fellowship of the Ring quite so much before (although I still say Fuck Tom Bombadil) and I’m wondering how I can find 17-odd hours for the next book. I can’t. It just won’t fit into my life, but I wish it did.
Until I get a car, maybe.
[Update] I forgot to mention that the third book in my Great Way series comes out today in audio book. If you subscribe to Audible, you can listen free. If you bought the Kindle version from Amazon, the audio version is startlingly affordable. The series begins here.
 Don’t laugh. I’ve just had to order a new CD player online, because our old one is going wonky and my wife doesn’t want to have to fuck with a computer to play her music while she paints.
I’ve created a new page on my website for recruiting reader-resources. Basically, it’s for folks with an expertise in some field who wouldn’t mind if I asked them a question about it as part of writerly research.
I signed with my agent in 2007, landed a publishing contract in 2008, and published my first novel, CHILD OF FIRE, in September 2009. That’s almost exactly seven years ago.
Since then, I published two more books with Del Rey, wrote and published a game tie-in novel for Evil Hat, and self-published six more novels and collections.
Yesterday, I earned my first royalty from a publisher for one of my novels.
My agent’s foreign rights division cleverly sold my self-published trilogy, The Great Way, to German publisher Blanvalet. Along with the on-signing payment for that deal (delayed due to international tax paperwork, and my struggles with same) they sent the royalty payment for The Way into Chaos — or, I should say, “Die Pforte Der Shatten“, which if translated would probably be a far more commercial title than I chose.
Not that this was my first foreign rights sale. Child of Fire and the other Twenty Palaces books have been published in Russian, German, French, Polish, and some others I’m forgetting. However I don’t recall getting any payment beyond the advance.
But wait! you ask. If I have six self-published novels, haven’t I been getting royalty payments from Amazon, et al?
Nope. No matter what terminology they prefer, Amazon takes a commission from sales, they don’t pay royalties.
Anyway, seven years to this milestone! The amount is almost but not quite enough to cover a week’s groceries, but I’ll take it.
Publishing is weird.
Book two of The Great Way will be available next Tuesday, the 30th of August. You can pre-order right now.
If you’ve listened to book one, please leave a review on the Audible.com page. It helps.
Back in 2013, when I was looking at stretch goals for for my Kickstarter project, a number of people asked for audio books. I didn’t go that route, mainly because I don’t know much about them. I don’t listen to them and I don’t know much about how they’re made except that it’s expensive and it sounds terrible if it’s done badly. Frankly, on top of everything else, it was too much.
At the time I said I hoped that an actual audio book publisher would step forward. And they did:
The release date is August 9. Book 2 releases later in August and Book 3 in September.
Also! The books will have “Whispersync”, which means that, if you also buy the Kindle edition from Amazon, you can switch back and forth between ebook/audio book without losing your place. Which is a pretty cool thing that I knew nothing about before now. Also, owning the Kindle edition lets you buy the audio book at a reduced price. Check it out.
If you’re one of the folks who was hoping for an audio book, here you go.
The Polish edition of Child of Fire is out, and look at how amazing it is.
If that image doesn’t show, you can also find the cover at this link.
In a time when covers (especially urban fantasy covers) seem to share all the same design elements, this is genuinely exciting.
BTW, I originally found the cover on Goodreads, but I couldn’t find a simple way to share it without being scolded to linking to my own work, so Amazon it is.
3) Cinema audiences reproducibly vary the chemical composition of air during films, by broadcasting scene specific emissions on breath. Another reason for social animals to see movies in a crowded theater.
4) The Trailers for Ghostbusters (2016) and the Art of Editing Comedy by the creator of Every Frame a Painting.
6) Traffic-weary homeowners and Waze are at war, again. Guess who’s winning? Filed under: The Future Is Stranger Than We Expected
[I wrote this on Saturday night, before news struck of the deadliest mass shooting by a civilian in this country’s history. Rather than let it go live at the scheduled time, I’m just going to post it later in the week, along with my wish that sensible gun control be enacted in this country, starting with a lifting of the ban on CDC’s ability to study gun violence.]
You’ll be reading this tomorrow, but I just tweeted this:
Longtime readers know what this picture means. pic.twitter.com/yraODbkcjg
— Harry Connolly (@byharryconnolly) June 12, 2016
If you’re not a long-time reader, let me explain: When I finish a draft of a novel I treat myself to a bottle of Arrogant Bastard Ale.
Which means that I’ve wrapped up the zero draft of ONE MAN, and what a fucking relief it is. I started this book in March of 2015, according to the creation date of my Scrivener file. That’s a long time for me, even if you count the amount of time I spent traveling on vacation and taking a digression to work on side projects, like The Way into Fate, the rpg game supplement that closed out my Kickstarter campaign, and short fiction, too.
So, that’s a long haul, and I’m still not done. I have a list of 90-some changes that need to be made, from small ones like adding a couple characters to a scene or changing someone’s name, to systemic ones like giving certain characters their own slang. Then, once those changes are done, I have to manage the numerous comments I’ve left myself recommending I check various details in the book. Then, once THAT’s done, I have to reread the whole book, smoothing out the text, searching for word echoes, and generally prettying things up. If I were sensible, I’d do that twice.
Only then will this draft be truly done and ready for my agent to read. If you’re waiting for THE TWISTED PATH, which is the next Twenty Palaces story, you’ll have to wait until then. Sorry. Gotta get this book on the market.
Personally, I’m relieved to have accomplished even this much. This has been a difficult book, and I’m not entirely sure why. It’s a fantasy with a made-up setting. It’s a crime story. It has a bunch of POV characters. It has stakes and magic and betrayals and secrets.
And if this book flops, too, I’m going to have to rethink my whole approach to writing.
and “they” are correct!
Long time readers know that I give away story ideas on my blog (the ones I’m never going to write, I mean) under the tag “seeds”. And you might remember last year when I mentioned that writer Stephen Kotowych took one of those ideas, wrote it up, and sold it to an anthology called Caped.
Well, now that story has made the short list for the Prix Aurora Awards under Best English Short Fiction.
First of all, congratulations to Stephen; the idea of superpowers that spread virally through punching is a fun one, if I say so myself, but it’s worthless on its own. Execution is everything.
Second, I have no idea how the Prix Aurora works, but if you (yes, you, the person reading this) have a vote, why not vote for Stephen’s story, “Super Frenemies”.
Third, it’s an interesting world, and getting more interesting all the time.