Continuing my Binge-demic posts, let me move backwards to the show I watched before Veronica Mars.
It’s weird that this show has a 100% rating on Rotten Tomatoes.
Not that it’s bad. It’s not. You could even call it pretty good. Still, a hundred percent? If I had to guess, it’s a distortion created by the fact that the show predates the site, but a number like that promises more than Strange Luck can deliver.
Simply put: It’s the 90’s, and every place anyone goes to is actually Canada, where they hose down the streets at night so the puddles reflect the multi-colored lights. Chance Harper is a freelance photojournalist who drives all over the city in his beater, snapping pictures of the stories he stumbles across. And he tries to help people.
As the sole survivor of a plane crash–in fact, he had no injuries at all–Chanse has been cursed by powerful luck. Not good or bad, but powerful. Where ever he goes, weird and/or dangerous shit happens, and he does whatever he can to help (and get a shot he can sell). To quote main character: “If I go to a restaurant, somebody chokes. If I walk into a bank, it gets robbed.”
I’ve said one thing over and over in in these posts: one of the most important aspects of these shows is the relationships between the series regulars. Strange Luck has only two regular supporting characters: his ex, the hot newspaper editor who buys Chance’s photos and the hot owner/operator of his favorite cafe who has a crush on him. And they’re both fine, although the cafe owner gets more interesting story lines.
Anyway, there are a lot of pitfalls for a show built on a premise of coincidences, but Strange Luck avoids all of them. It’s too bad it only lasted one season. With a larger, crunchier supporting cast, I think it would have done well. Past time for a remake, I think, with shorter seasons and the obligatory modern mythology.
Finally, at least one person has asked me how I watched the show, since it’s not available anywhere to stream. Sadly, I had to go to YouTube. It wouldn’t be my first–or my fifth–choice, but it wasn’t available elsewhere.
KIPO AND THE WONDERBEASTS
I knew what I was hoping for when I put on this show (based on online recommendations–all the new shows that I watch, esp the cartoons, drop into the schedule because people rave about them). I expected what I got. But I didn’t expect I would get so much, or that it would be as fun and charming as it was.
Let me clarify: I expected a kid-friendly apocalypse, unusual “monsters”, and a heroine who makes the world better by doing what everyone around her thinks is impossible: finding common ground with her enemies. What I got was exactly that, but in a charming, inventive, and enjoyable way.
BREAKING: Cartoons are so much better now than they were when I was a kid. Maybe it’s because modern shows have to compete with video games, so they can’t half-ass it the way they used to? Or maybe the half-assed cartoons are still out there, invisible to an old like me because they’re aimed at very young viewers, but modern creators trust older kids with more complex story lines?
But there’s no way that kid-me would have been offered a show with astronomy-loving wolves lead by a wolf named Billions (voiced by John Hodgman) and a second wolf named Billions (voiced by GZA). Nor would I have gotten a surprisingly good song listing everything the wolves have learned about the stars.
The visuals are solid. The circle of regulars have great relationships. The music is a goddam delight. If you have any stomach at all for kids animation, check this out. The third and final season comes out in less than a month.
BLACK LIGHTNING S3
I was going to keep this to two shows per post, but what the hell.
I also binged the latest Black Lightning season once it hit Netflix. Here’s the thing about this show. The actors are great. The premise of a family with several members having/struggling with superpowers is absolutely solid, and the series regulars have that powerful web of relationships I keep talking about.
Also, the overall plot of the season, involving a government crackdown on the small city of Freeland, where the show is set, is just right for this particular political and cultural moment.
I’ll admit that I’ve mostly given up on the DC superhero shows. At least, the 20+ season, one-a-week broadcast shows like Arrow, Supergirl, or The Flash. Those shows started off with a touch of joy to them. Even Arrow, which was grim from the start, had moments where Oliver used his skills in a way that gave the audience a little thrill. After all, part of the appeal of the superhero genre is power fantasy.
New shows like Stargirl brim with that sort of joy. Doom Patrol subvert the power fantasy expectation in funny and interesting ways. Black Lightning has always done a good job managing the precarious balance between enjoyable power fantasy and credible threat to the main characters.
This third season, with its government occupation, illegal experimentation, and foreign superpowered commandos, leans heavily toward the latter.
Still solid, though. I’m waiting for season four.
Also, in case you didn’t know it, there are only a few days left to pick up ONE MAN, my dark fantasy crime thriller, as a $1.99 Kindle Monthly Deal. If you like books about desperation, magic, intrigue, expeditions to mysterious islands, giant skeletons, people living inside giant skeletons, creatures made of burning iron, vampire hobbits, and also the fear of failing the one person in the whole world who relies on you, take advantage of that deal right away.
Also, redux, the audiobook for Circle of Enemies drops on the 29th. More on that, including links, when I have them.