And if you like it, please share.
Anyone following my blog knows that The Way into Chaos is a finalist in the SPFBO, the Self-Published Fantasy Blog Off. If you know what that is, you can skip the rest of this paragraph. If not, it’s a contest where 300 self-published fantasy novels are split among 10 review bloggers. Each picks one standout for the final round, then all ten reviewers read the finalists and rate them. The book with the highest score wins the blog off.
Well, the finalists have been chosen, and for a limited time, you can enter to win all ten. Just drop a comment, with some sort of contact info, here.
Hey, free books! And if you’ve meant to try some indie novels, this is your chance.
Writing in this space, I’ve been pretty clear about my own ambitions. It’s not just that I want to be read by millions of people, I also want to fundamentally change things. I hope to be one of those writers that people point to when they talk about how fantasy fiction has grown and evolved.
As ambitions go, it’s beyond me, really. I knew it was wildly unlikely when I started writing, and it seems more unlikely by the day. Still, it’s the goal that directs the work I want to do.
But a few years ago, I read Ursula K. Le Guin’s “Solitude” and I was humbled and intimidated. Most of the time, when I read an amazing story, I find it inspirational. I want to learn from it and do better. But with that one, I just felt small. Everything in that story just fell together in the right way, and it made me feel like a little boy trying to teach himself to write.
Ursula K. Le Guin passed away today. She was a writer who matched and surpassed all the foolish ambitions I have made for myself, and although all of us pass on, her work will be talked about for years to come. It’s time now to thank her for living the life she led, and for doing the work she did.
She was read by millions. She fundamentally changed things.
making horror movie sound effects is a true art in itself. pic.twitter.com/RU7c1zKl2t
— Physics Fun (@PhysicsVideo) January 22, 2018
1) First, though, did you know that my brother-in-law teaches jazz drumming at a university in Europe? If you like Jazz, check out this interview he did with jazz writer Debbie Burke: Hard Bop Noir from the Michael Lauren All Stars.
2) Just before Christmas I pointed out that The Twisted Path had 18 reviews and I was hoping readers would drive it up to 25 so it would be favorably considered by Amazon’s algorithms, with the hope it would eventually make 50. As I write this, the review count is 66. Thank you all.
The number of reviews for Bad Little Girls Die Horrible Deaths: And Other Tales Of Dark Fantasy stands at 14, up from 11 two weeks ago. It’s just a short fic collection, but if you read it and liked it, please post a review.
3) The Twisted Path, at less than 25K words, is about a quarter the length of Twenty Palaces. Actually a little more. I know what 20P earned in its first three months, and I was hoping to make about a third of that with the new novella, despite the lower price. It’s not exactly science, but I wasn’t sure how much enthusiasm there was for Ray Lilly’s return and I wanted to set some sort of benchmark to see how well it was working.
It’s been less than a month and I haven’t hit that benchmark yet, but unless things go very screwy, I expect to. To be clear, sales haven’t been through the roof and I’m not saying I’m swimming in gold coins like Scrooge McDuck. The financial considerations here are fairly modest and I expect them to remain that way. Still, if things keep going at this pace, the door is wide open for more Twenty Palaces in the future. However, I won’t even begin work on that until I turn in my current work-in-progress (Working title: Open Enter) to my agent.
4) Speaking of sales, BoingBoing gave a terrific review to The Twisted Path. Check it out.
5) Finally, on a more personal note, we have hit the darkest, coldest part of the year up here in Seattle. Yeah, the days are growing longer, but even a few weeks after the solstice, we’re only getting 8hrs and 45min of sun. Most of that, I spend indoors on a computer, tapping out fiction. The cold and the dark make this a difficult time of year for me, but for the first time I’m armed with a quality SAD light. I’m going to make a commitment to myself to get out more, talk to people outside my family, and stay off Twitter. With luck, I can make it to April without too much unhappiness.
Thank you all once again.
… Who happens to be me.
I listened to part of it last night. At one point, I brought my son into the room, played about fifteen seconds’ worth, and said: “Is this how I sound in real life?”
Him: “Yeah, Dad. That’s you.”
Me: “It’s a miracle your mother ever gave me the time of day.”
Him: “Yeah, Dad.”
So, check it out. I talk about the successes and failures of Twenty Palaces, the various seeds that became The Great Way, and a number of other things.
Apparently, I talk earnestly about my work, and am honest and open. Which is how people should be, I think, if they’re going to put a microphone in front of their faces and recording the things they say. Otherwise, what’s the point of making speech noises?
1. Interesting etymology of holiday terms. Video.
4a. Holiday beers.
6. I judge adaptations of A Christmas Carol by the way they depict the ghosts, and this right here is the perennial winner:
7. Last (and you knew this was coming), if you need a last-minute gift, ebooks like my new Twenty Palaces novella, The Twisted Path, are cheap and easy to deliver.
I think that, if I group my reviews together, I can keep them short. So I’m going to try that.
Everyone who creates a fantasy with a contemporary setting has two major issues they need to address. Okay, it’s more than two, but as far as I’m concerned, these are the biggest.
First, the stakes are bullshit.
Second, monsters are not effective stand-ins for victims of injustice.
The first is pretty straight forward, I think. In the normal course of things, I care as much about who becomes the next arch-duke of the sewer goblins as I do about whether some complete stranger I’ll never meet is going to wear a blue hat or a green one. It’s made up. It’s not connected to me. I just don’t care.
Worse, when fantasy has a contemporary setting, the plot is always about *preventing* some terrible event. If the heroes aren’t fighting like hell to keep a mcguffin out of the villain’s hands, they’re doing their best to break up a ritual. That makes the most dangerous consequence the characters are facing into a threat that’s never realized.
That’s why, when I was planning Child of Fire, I set it in a small town where the villain is the main source of jobs for the locals. Hammer Bay will die off if the heroes end the bad guy and they lose all those jobs. That’s a stake that people understand and care about. (Also, the ritual happened long before the story started.)
Bright, at least, avoids the shitty ritual climax, but it still trots out a bunch of folderol about a Dark Lord who will return if the villains can blah blah with the mcguffin. It never happens. I knew it wouldn’t happen. I didn’t care.
And do I really need to explain that second pitfall? You don’t illuminate human injustice by dehumanizing the victims of injustice. It’s even sketchy to do it to the perpetrators of injustice, although there are ways to make that work. But the victims? No. Just, no.
As for the movie itself, it’s not good. The end is dull. The beginning is unpleasant because of that second pitfall above. The middle is buoyed by a few interesting action scenes but too much of it is too dark.
The first time I heard Netflix was going to make a Will Smith movie about a cop with elves and orcs, I thought they meant Law & Order: Angmar. That would have been interesting. Once I heard they were going to set it in modern LA I knew it would be crap.
The Final Jedi
I’ve been calling this film by the wrong name on Twitter as a joke, and now it’s begun to feel more right than the right one.
Seeing it a second time was a smart choice on my part (pats self on back). Having the ending spoiled, and knowing who was going to succeed, and which elements that I was originally rooting for turned out to be terrible, made the intent of the film much more clear.
I wonder how many people, conditioned to cheer on the hotshot pilot and the bold plan, were prepared for the way that plot line turned. The more I think about it, the more I suspect that some viewers’ disappointment lay in that unexpected feeling of futility and dismay.
It still feels a little long, but I liked it much more a second time.
I’ve seen this show three times now, and I’m more impressed every time. It very much wants to be divorced from the MCU that it’s nominally a part of, and frankly, that weakens it. It’s hard to imagine these villains in this particular setting operating without trying to recruit superpowered people or acquire high-tech weapons. And frankly, that’s what I was hoping to see.
The show gave me something else: a military/spy thriller about a CIA coverup combined with a drama about veterans and PTSD. And it was beautifully shot and acted.
I’d suggest a few of the roles could have been cast better. The actress playing Medani has the worst accent of all the non-Americans playing New Yorkers, and the guy playing Billy isn’t physically frightening enough to match Bernthal’s Frank Castle. He looks more like a successful divorce lawyer than a
What’s more, unlike most of these Netflix Marvel shows, the pacing is solid. Not breakneck but there are no episodes that feel like treading water.
Turns out, it’s a solid show, but not a Marvel show.
This short (>8min) Vox video on machine learning is terrific. It’s a fascinating look at the way work is being automated.
It also reminds me of last month’s post about the academics who created an algorithm to analyze books to see if they’ll become bestsellers or not. Brief summary: they subjected thousands of books to several kinds of analysis in order to identify traits that the bestsellers had that the non-bestsellers did not. They found nearly 2800 distinct differences.
The algorithm couldn’t create a bestseller, and in their book the academics were clear the technology was a long way off, if it was possible at all.
The video above explains why that is, and why the software’s ability to teach itself is so interesting. Recommended.
Since that last post, the academics who developed the algorithm and wrote the book have opened a consulting service. Of course, right? It’s the natural next step. As an author, I guess I’m supposed to find this threatening/a sham/the end of literature, but I don’t. It’s just information. The only real question is whether it’s good information.
I won’t be worried until the day editors stop reading manuscripts my agent sends them unless they’re accompanied by an Archer-Jockers Score(tm). And I don’t see that happening in my lifetime.
But no, seriously, that’s an interesting video up there.
As I write this, The Twisted Path has eighteen reviews on Amazon. My short fiction collection, which includes a 20P novelette, has eleven. It would be extremely useful if those numbers could be boosted to twenty-five. Fifty would be even better. Amazon has algorithms of its own, and works with a number of reviews that pass a certain threshold get more prominent placing in search results.
It’s all pretty opaque, but what it boils down to is more reviews=more visibility. If you read and enjoyed either of those works, please consider dropping a review for it.
Have you guys heard of this?
Author Mark Lawrence, in an attempt to help self-publishing authors publicize their work, created a Self-Published Fantasy Blog Off. The system is simple: He recruited ten reviewers with blogs, solicited 300 fantasy novels from self-published authors, and distributed them. Each reviewer picks one out of their 30 to move to the finals. Then the reviewers choose a winner.
The Way into Chaos is one of those finalists.
The winner gets an award, but most importantly, a publicity boost, which is a big hurdle for self-published work. Last year’s winner also landed a publishing deal with Orbit.
So, if you’ve been thinking you’d love to try some indie fantasy but don’t know where to start, snag one of these finalists (right after you read mine).
Speaking of snagging one of mine, did you know that I’m trying to revive my Twenty Palaces series with a new novella that picks up where Circle of Enemies left off? Grab a copy today.