I have something you don’t, board game edition

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According to the UPS tracking website, sometime today a person in a brown uniform will pitch a box at my front door and run off without seeing where it lands, and inside that box will be a copy of Race to Adventure.

That’s my Kickstarter reward arriving, but the good news is that you can order one for yourself if you like. If you don’t know what that is, it’s the board game based on the rpg that also spawned my next novel, KING KHAN which means that the protagonist of my book should be a playable character.

FYI.

B&N flails, fails with new NOOK Press initiative

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Like a lot of authors who self-publish, I have work available on B&N’s website for the Nook. However, while they have made a single good decision (“Nook” is a great name for an ereader) they have consistently making terrible decisions ever since. Now, they’re turning their Pubit! program into Nook Press and it looks like they have made some awful choices.

Why do they want to make “100%” of my book available for free to people who log in to the wifi at B&N? Why not just a sample so they could, you know, sell the book? I would much rather limit the amount of my IP that’s available than their limit of 1 hour’s access.

I have to admit: it bugs the shit out of me that booksellers can change my prices at their whim. Yes, a store has the right to set it’s own prices, but if a store wants to sell a book for one penny, they still have to buy it at the publisher’s price. With ebooks, they’re the ones who are deciding MY price. That’s ridiculous.

As for the FastPencil stuff, I’m not sure what B&N is trying to do there. Do they want to be the new Wattpad? For those who don’t know, Nook Press is offering an online community space that includes a word processor. That’s right, they want to be the place where you WRITE your book, not just sell it.

What’s more, you can invite “collaborators”–other readers, editors, who knows?–to read and mark up your manuscript. So it will be a space where you can find editors, or crowd-source your copy editing, or get blurbs.

I’m just hopeful that there will be a way to turn off those invitations; based on my reading so far, that’s not possible.

Finally, you can’t update your files once they go on sale. You can only pull them completely and reload them as if they’re brand new. So, let’s say that a reader sends you a note about a couple of typos you missed, or maybe you have an “Other books by Hope Ful-Author” section that you want to update with your latest releases: you can’t change the book without also losing the sales ranking, every review it had received so far, and breaking every link to it from outside sources.

That’s so stupid it goes beyond stupid. I can understand why they want to take all pricing power to themselves, as unfair as that it. I can understand why they might think it’s a good idea to let readers hang out in the store and read ebooks. I can even understand why they let themselves be convinced by some consultant that they needed to make themselves a social media type community.

But why would you make self-publishers break every outside link to your product just to replace a file?

You know what they should have worked on? They should have fixed their search engine. The last time I looked at a Nook, you couldn’t search by author–typing in my name did a keyword-type search that showed you Michael Connolly’s Harry Bosch books before you found any of mine. Maybe that’s been fixed; I don’t know. One thing they’re still doing wrong is that there’s no way for me to claim my own books. There’s a photographer in Maryland who published under the same name as me, and his work appears next to mine when you click on my name on their website. Why is there no way for me to identify my own work and exclude his, for our mutual benefit? Amazon allows it.

I don’t know, you guys. It’s been a long time since I learned of a piece of news in publishing that has made me excited for the future.

Public complaints alter Night Shade deal and demonstrate power of speaking out

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Charlie Jane Anders over at io9.com has an update on the proposed plan for Skyhorse and Start Publishing to buy Night Shade’s author contracts. Short version: they’ve improved the terms of their offer.

It’s still not great, but it’s better. It’s much better, and the reason it became better was that writers talked to each other about the problems and they shared their concerns publicly. Just like with Hydra.

This should happen more often. What’s more, there ought to be a formalized way that, say, a writers organization could tackle it.

Scott Turow is afraid, you guys! He’s afraid!

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Many authors are taking a kick at Scott Turow’s NYTimes opinion piece called The Slow Death of the American Author. Yeah, it’s easy to roll your eyes at a guy who badmouths libraries and/or fantasizes about the ways libraries might damage authors and publishing. Turow seems to think that borrowing ebooks “to anybody with a reading device, a library card and an Internet connection” is somehow harmful. If only we forced people to physically go to their local branch!

Not all that long ago, I heard a rep for a publisher–Penguin, maybe?–complaining about library electronic lending by imagining a future with a single national library that would pay for a single copy of an ebook and begin lending it to the entire nation simultaneously.

Obviously, that’s a silly dystopian “If This Goes On!” style situation that would better suit the old ASFM issues I used to subscribe to, not anything like the situation we have now. I’ve always thought that people who argue against some terrible future outcome always did so because they didn’t have a sensible argument against what was happening right now.

However, that’s a digression I didn’t want to take. The problem with Turow’s argument here is that he’s lamenting the breaking of a system that can never be repaired and reinstated, even if we wanted to. The old paradigm that a reader had to go to a store or library to find a book available only through a publisher was a closed system. It was “safe” in the sense that, when a writer was getting screwed, they knew pretty much where the screwing was coming from and knew what kind of screwing to expect. Delayed royalty payments. Selling stripped books. Publishing in a market without the rights. They were bad things, but they were the sorts of bad things you could expect.

Now it’s different: selling used ebooks, piracy in easily-accessed international sites, and more are new (potential) dangers to authors’ careers and income, and the courts are too ponderously slow to keep up with internet era advances in information sharing. However misguided Turow is about libraries, he’s not wrong to worry about major corporations like Google and Amazon squeezing dollars out of writers’ work without compensation.

Yes, Google only shows parts of an “orphaned” work when you search for it, but they’re still selling ad space on works in copyright without sharing revenue. As for Amazon, everyone including their big boosters is waiting for them to start leaning on authors they way they are on other vendors they do business with, as I’ve written about on my blog many times.

The usual response to these sorts of concerns is to say that obscurity is a bigger danger than piracy, and that’s true, but the answer to that is not to close our eyes and think of England while Google earns revenue from our work while paying us in “exposure.”

Unfortunately, Turow is the wrong spokesman for these concerns: he’s afraid of everything new. He found too much success in the narrow waterslide track of Old Publishing and he sees every new development as a crack that might make the whole thing collapse into the pool below. Yeah, it’s a new world with new opportunity, but we need someone willing to fight back when creators’ rights are threatened.

Randomness for 4/8

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1) Homemade “Romance Pants”. Has to be seen to be believed.

2) Ten of the Most Beautiful Libraries Ever Built (in Minecraft).

3) The 12 Most Controversial Facts In Mathematics. I dunno how I feel about the title but the article is cool.

4) “Are you a ‘Single Interested in Michael Crichton?’ Meet the love raptors stalking OkCupid.”

5) 15 Mid-Century Modern Dream Homes that will Kill Your Children. Via James Nicoll

6) An anti-drone hoodie designed to hide your thermal signature from above.

7) Plewds, Hites, and Indotherms: Terms for the graphic language of cartooning. I’d heard of grawlixes before, but the others were names for things I didn’t even know had names. Very cool.

A Proposal for SFWA and Other Writers Re: Publisher Bankruptcy

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One of the worst things about the Night Shade business is that a publisher going into bankruptcy takes all their books with them. Even if a writer’s contract specifies that the rights revert to the author upon bankruptcy, that clause can’t be enforced because the bankruptcy court seizes those rights as one of the few (if not only) asset the publisher has.

It’s a little more complicated than that, as stated in the link in my previous post on this subjects, but that’s the basics. If a publisher goes bankrupt, in all likelihood a writer’s publishing contracts will be sold off to a third party without any input from the writer.

That’s just a matter of the law, though, isn’t it? Couldn’t legislation change that?

This is something I’d like to see SFWA (and other writers groups, and writers in no group at all) take up. Surely there are legislators on the federal level who are sf/f fans. Does anyone know who they are? Who their favorite writers are? I would bet that a contact from a writer they admire might persuade them to introduce legislation protecting right of reversion contracts.

The Night Shade mess, and other things worth blogging about

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1) I am not and have never been a Night Shade author, but it’s been widely known for quite a while that the publisher has been in trouble and has been working with SFWA to do right by their authors. Word about the new deal they’re offering authors has finally gone public in a public post (now deleted) on Jeff VanderMeer’s Facebook. For the click-phobic, NS intends to sell their contracts to another, more stable publisher, and not all of the contract terms are 100% wonderful.

What little I know about it is all second-hand, but a number of authors, VanderMeer included, want NS to revert the rights to their books before declaring bankruptcy. Unfortunately, that won’t work. The right to publish books is the only asset a publisher has and bankruptcy courts don’t play along when an entity sheds its assets right before telling their creditors they’re going belly up. In fact, it’s fairly common for publishing contracts to have a clause in them that would revert all rights to the author in the event of a publisher bankruptcy, but those clauses are typically overruled in bankruptcy court.

As far as getting rights back from a publisher swirling the drain, that last link is worth reading through to the end. I am not a lawyer, but it seems like a good place to start before getting actual legal counsel.

If there’s one thing I know about a terrible, messy situation like this, it’s that the proposed deal will be a benefit for some and a misery for others, depending on whether books have been turned in, how much money is owed, etc. Night Shade authors are getting together in a closed forum to discuss the issues and I wish them all the luck in the world. None of this is easy.

2) Writing has been at a near standstill while my kid is sick. He had two straight days of vomiting and was finally able to keep down a fair quantity of fluid last night. Today he’s still sketchy but basically okay. I’m glad the Cartoon Network has added so many of their shows to Netflix. We’ve also been watching the Naked Gun movies and, when his belly hurts too much to laugh, the most recent NIKITA tv series.

Of course, the real crime here is that he has no interest in superhero shows, so I still don’t get to watch Justice League, Batman Beyond, or Brave and the Bold. Man, the sacrifices we make for our kids.

3) Speaking of a sick kid, I spent an hour this morning at the grocery store hunting up bad tummy foods like oyster crackers and ginger ale, but one thing I couldn’t find was syrup of coke. All the stupid crap my grocery carries, but I can’t find the one thing that really settles an upset stomach? I left the supermarket confident that I could find a recipe online, and I did. Too bad I don’t keep lavender, star anise, citric acid, etc, etc around the place.

4) This post about humanities PhDs taking a third grade reading comprehension test is right on. When my kid was in kindergarten, they had those silly letter ratings on books. Most of the kids were reading books from A – D mine was reading books rated S. Sounds pretty advanced, huh? Except not, because he was only five and his reading comprehension wasn’t strong enough. Yes to the words. No to the sentences and paragraphs.

The worst thing was reading the teacher who thought kids ought to stay within the stupid letter rating, never going forward or going back. My own kid loves both Ready Player One and Ursula Vernon’s Dragonbreath books. He reaches for more adult fare when he wants to stretch himself (he just bounced off The Road which I knew would be tough sledding). And the idea that kids shouldn’t reread a book they love is poison.

Petition against returnable ebooks

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Over at Change.org, there’s a petition requesting that Amazon end its practice of allowing people to “return” ebooks for a full refund after X days. I thought X = 3 but the petition says it’s seven. Here’s a quote:

Customers know within a certain number of pages whether or not they wish to continue reading the book. Seven days is excessive. There are too many people admitting that they abuse the policy simply because Amazon allows it. This is unfair to authors and publishers because this is how many of us earn our living.

Personally, I don’t worry about these returns much. However, I would support a program that let authors/publishers choose not to sell an author’s work to someone who has bought and returned it before. Want to return my work? No big, but I should have the right to not sell to that person any more.

Of course, if they did that Amazon wouldn’t get their cut, and they aren’t in the business of not selling things.

Randomness for 4/2

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1) The obituary of England’s “King of the Cat Burglars.”

2) The major causes of death in the 20th century, visualized.

3) The Diagram Prize for the oddest book title of the year has been awarded.

4) The anatomy of Goofy, Mickey, Pikachu, and more. Warning: a little disturbing.

5) Paperback covers for Quentin Tarantino movies. Of course, no one does paperback covers like this any more, but they look great.

6) Japanese schoolgirls blast each other with the kamehameha wave, in still photos.

7) How to scramble eggs before you break the shell.

How I feel about the Hugo Awards (spoiler: meh)

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The Hugos are fine. It’s a popularity contest with a small, self-selected sample, and frankly I ignore most everything everyone says about it (except for the juicy melodrama, naturally[1]). They’re not a bad thing at all; it’s nice that people win them and I’m glad they make people happy.

But they have an outsized profile, as argued here. Frankly, I think the guy argues his point too forcefully (“Twaddle”? Please.) but then I stopped trying to drive traffic to my blog a long time ago. He’s right about the awards having a greater significance than they can really support. They’re small groups of people getting together to vote for things they like, which is 100% legit, but should that really be the basis for the most well-known spec fic award in this part of the world? [2]

Anyway, it’s worth reading down to the comments, because one of the authors the OP criticizes, Larry Correia, pops up to justify his behavior (“The smof cabal is against me!” “It’s all just self-promotion!”) and I made the mistake of following a link back to his blog.

Because as disinterested as I am in the usual award stuff, bullshit like this quote below, about Saladin Ahmed, nominated for his debut novel, is toxic:

Saladin’s a nice guy, and beloved by SMOF (we were up for the Campbell at the same time), but I’m predicting he’ll come in last, becasue this is his only book and he’s not built up a huge SMOF backer faction yet, but just having nominated a guy with an ethnic name will make the SMOFers feel all warm and tingly inside and good about themselves, so that’ll be enough for them.

(Tyops in the original)

That’s grade-A horseshit right there. However small the nominating pool was, whatever value should be placed on the Hugo itself, they nominated the man’s book because they liked the man’s book. Attributing it to “an ethnic name” is racist bullshit.

Awards! They bring out the whacky in people. Now I’ll go back to my previous policy of not talking about them.

[1] An awful lot of people hesitate to say a book is awful unless it has won/been nominated for an award.

[2] It’s obligatory for Certain People to respond to any awards criticism by saying “Oh, so the stuff YOU like didn’t make the ballot and that’s why you think everything SUCKS!” It’s an easy response. It’s the knee-jerk response. It doesn’t fit me. To be honest, I don’t think I read a single new book or story last year. Actually, scratch that: I picked up the latest Dresden Files from the library, but I wouldn’t want to give it an award. I don’t really like reading short fiction on my computer, and most of the books I read are a few years old (or more than a few). I’m not what you’d call “up to date” and I don’t worry about it. [3]

So no, this isn’t a complaint about What I Thought Should Be On The Ballot, because I have no idea what should be on there and have higher priorities when I’m reading new stuff.

[3] Also: No, I didn’t release any new work in 2012 that could have been nominated, since that typically has to be said, too.