“We’re entering the era of the social artist.” (Warning: ranty)

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If I paid any attention to the internet and the general zeitgeist, I’d think I was screwed.

Obviously, I’ve been working pretty hard on this new book, and epic fantasy it tough right now. So is urban fantasy. And what makes it even harder? Well, this is the era of the social artist.

That link gives the background to the latest overnight Kickstarter success story, which of course wasn’t overnight at all. We live in an era when artists of every kind are deeply engaged with their audiences–in fact, where artists are supposed to cultivate a fanbase by giving of their personal life and their privacy, and where the fans get to be right up in close to the artistic process and really feel part of things.

But I’m not doing that.

I have nothing against Palmer: I think she’s talented as hell, I like her music, and I admire what she’s done with her career. Unfortunately for me, I’m not her and I could never be like her. Nevermind that she’s making music and I’m writing books; I don’t want to share that much with you. Seriously. I have my private life and I like it that way. She can say that The ivory tower of the mysterious artist has crumbled she’s welcome to, but I’m not interested in the alternative.

On the days I write, I will often not talk to any living person outside my family except to order a coffee (although the local librarians have learned my name so we will exchange pleasantries occasionally). That’s fine. I like that. It gives me focus and it saves my energy. But I can’t be on Twitter several hours a day, and I long ago gave up the idea that this blog would be a nexus of activity.

But apparently this is what people expect now. I sometimes get emails from people who claim I make it hard to contact me. Yes, my email is on my website, but it’s a little buried. Yeah, comments are off. But I still have LJ, Facebook, and Twitter. Anyone who wants to can contact me there. Or they could turn up my email address. I do respond to everyone, even though that is not enough for some people, apparently. Once you get enough blog posts and Salon articles about the Way Things Are Done Now, everyone starts to expect it. I get readers telling me online, in their most patient tone, what’s expected of me as an author.

But I can’t be everyone’s friend. I’m just not made for it. Yes, I went to a convention once, as a member, and hung around for a few hours. No, I’ve never done a reading. No, I don’t have some kind of crippling anxiety that makes me a gibbering wreck in public. The truth is that I’m not that glib, not that clever, and I don’t back and forth with strangers very well.

And when you compare that to this article in the Guardian which dropped this little bombshell:

Because what fans want above all else – what in fact defines the very essence of fandom – is ownership of that which we adore.

Well, fuck that.

Here’s the thing: I don’t much like the idea of fans taking ownership of the things they like, not in the way that article states it. I’ll talk about this in the future maybe, but my ivory tower comes with a pleasant little desk and I like to sit at it and think about characters and sentences. When I go on Twitter I’m not planting bamboo, I’m hoping that someone posts something that will make me laugh. And when they do, I feel no obligation to run out and buy whatever stuff they made.

Yeah, sometimes I feel invisible. Sometimes I think my reticence is the reason the Twenty Palaces books got cancelled. Maybe that’s true (people have certainly tried to convince me so) but I seriously doubt it. I shake that kind of thinking off, because the only actions I do that really matter are the words I put on the page.

So here’s the deal with me, okay? I will write books. Sometimes they will not be very pleasant or happy, but they will always be the best I can manage. You, if you want, will read them. We can share funny stuff on Twitter, or you can drop me a note about whether you liked it on Facebook, or we can discuss whatever on LiveJournal. That’s all cool.

But I won’t be cultivating you. I won’t be growing your numbers like flies drawn in to a trap. And in return, you’ll understand that I’m just this guy with a job he really likes, and that I keep a certain distance because I have to guard my time and energy for my family, my health, and my work. I don’t have an assistant to read my emails or search my spam filters. I don’t have an interesting life.

And that’s all. If my books alone aren’t enough to make me successful, then I don’t think it’s worth having.

Randomness for 5/10

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1) The 37 Saddest Failed Kickstarters.

2) Top 10 banned or censured rpg products.

3) Six Common Movie Arguments That Are Always Wrong.

4) Greatest. Romance novel cover. Ever.

5) How much damage did the Chitauri do to NYC?

6) Where do the Avengers eat Shawarma? (Actual location for that shoot)

7) Guy builds an RC flying, fire-breathing dragon.

Against Chairs

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I hate to piss on the party, but chairs suck. All of them. No designer has ever made a good chair, because it is impossible. Some are better than others, but all are bad.

h/t to Ezra Klein.

Randomness for 5/5

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1) Avengers Mashup Movie Posters

2) Hard to believe it’s been 20 years.

3) Planet of the Apes Dance Remix. Video. Pure Awesome.

4) Mark Waid’s Thrillbent is live.

5) Bed Cartography. Not that this has any relevance to my life, not at all.

6) Alien vs. Predator, the infographic.

7) D&D co-creator Dave Arneson’s personal collection and archive to be auctioned.

Randomness for 4/30

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We’re game-heavy this time. Must be some sort of sign.

1) This sort of thing makes me miss gaming.

2) Father takes crazier, funnier pictures of his kids than I ever could of mine.

3) A water slide so dangerous it was shut down immediately.

4) Should I check email? A flowchart.

5) How to escape from zip tie “handcuffs”.

6) A fantastic D&D blog. I’ve added this one to my reading list. I especially liked “Items of Moderate Interest in the Ogre-King’s Hoard.”

7) What’s it going to take for the Don’t Read This Book anthology (which I am in) to turn a profit? A little publishing transparency from Fred Hicks.

Don’t Read This Book

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So! You can now pre-order the anthology Don’t Read This Book in softcover. If you do, you’ll get the electronic version immediately. As in, right now.

If all you want to buy is the ebook, you’ll have to wait for the release date. (Thems the rules, apparently.)

Find out more.

For those who haven’t been following along, the stories take place in the setting of the rpg Don’t Rest Your Head, about ordinary people who find themselves trapped in a world of literal nightmares, and risk losing their lives if they fall asleep.

It’s edited by Chuck Wendig, and here’s a list of contributors:

Stephen Blackmoore
Harry Connolly
Rich Dansky
Matt Forbeck
Laura Anne Gilman
Will Hindmarch
Mur Lafferty
Robin D. Laws
Ryan Macklin
C. E. Murphy
Josh Roby
Greg Stolze
Monica Valentinelli

They were nice enough to place my story at the very end; I guess they liked it. Me, I’m just pleased to be included with all those terrific writers.

I’ve been meaning to write a full post about my short fiction: what I’ve done, what I’m selling and where it’s available. Putting that together has been on the list of super-important things for months.

Anyway. Check it out. It’s a terrific book.

Tor and Forge drop DRM

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So, yeah, it’s a big deal. Tor/Forge aren’t the first publishers to sell their ebooks without DRM–Baen and Angry Robot have already been doing it for a while–but Tor/Forge is absolutely the biggest. Tor is part of Macmillan, one of the “Big Six” out of New York, and what’s more they’re privately-held. No shareholders to worry about.

If you’ve been reading Charlie Stross on the subject (and you should have been) you know that removing DRM is the best way to prevent online ebook sellers from establishing a stranglehold on the market. If readers can buy books from any store and read them on their preferred device, they will. What’s more, they won’t lose their entire libraries (or be forced to torrent them) once their personal devices become obsolete.

Anyway, Stross had an opportunity to write an essay to the CEO of Macmillan about the benefits of dropping DRM, and he’s posted it on his blog. I realize that there have been many voices within the Big Six publishers who have longed for an end to DRM, and there has been years of work moving the Overton Window on this subject.

But I wouldn’t be surprised if history remembered Stross as the decisive force for change, whatever he says in his post.

Hey, Artists!

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Want to be an artist for the next edition of D&D? Take their art test.

This would be an opportunity to show some diversity in their characters, if that’s your thing.

Kickstarter follow ups

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The Tales of the Emerald Serpent anthology is over and it’s fully funded:

(Let’s see if iframe will work in WordPress.)

Thanks to everyone who pledged. I know a lot of readers were unhappy that the benefit level for a physical book was so spendy, but when the book itself comes out I’m sure you can pick up a copy at regular book price.

The Dinopacalypse Kickstarter is nearly over…

and is running out of stretch goals. The benefit levels are pretty reasonable, too. At this point you can get ebooks of several of those novels for a paltry pledge. Take a look.

Finally, here’s a project I’m not involved in at all, except as a backer:

Sentinels of the Multiverse is my new favorite game to play with my son, and they made their goal for the new expansion set AND the second edition of the basic game in one day. That’s how popular this game is becoming. Personally, I’m hoping that they make their stretch goals so we can get the “promo cards” that let us change the way games are played.

Anyway, I’ve been recommending this game (as often as I do such things) but at this point I think it would be best to pick up the second edition. It will have better game balance for the villains and will make record-keeping less of a chore. And the Rook City expansion means tougher fights.

Added later: iframe doesn’t work in the cross-poster, so I’ve added links in the text.

For this one, you should read the comments

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NPR does a story about the “formula” for bestsellers (pfft! Don’t even), and the comment section turns out the wackiness.

I’m writing an international suspense novel about a vampire wizard from India who is a descendant of both Jesus and Mohammed, and who leads a secret elite team of spies fighting the worldwide crime syndicate. This individual can have out-of-body experiences, visit heaven, or change sexes at will, has a cool costume, and can fly.