I hate you, unexpected plot twist

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One of the characters in EPIC SEQUEL WITH NO DULL PARTS has insisted on an unexpected turn of events, and I’m about to write that scene, and I’m stuck. And I hate it. And I’ve wasted most of the day working on it.

And that sucks.

Basically, I need to work out an entirely new magic system for some new characters. It needs to follow the basic rules of what I’ve already done and violate those rules, too.

Which I hate.

More thinking and list-making to come.

One year anniversary of the end of 20 Palaces

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I’m writing this ahead of time because I expect to be hanging with my son at the tournament when this posts, but today is exactly one year since I announced that Del Rey would not be picking up any new Twenty Palaces novels and that I was putting the series on hiatus, with all the ominous implications of the word.

And that fucking post is still the most popular thing on my blog. More people have read about my failure than ever read my books.

What has changed since then? Well, A Key, An Egg, An Unfortunate Remark is on indefinite hold. The book itself is a major misfire–not in concept but in execution. It needs a massive rewrite before it’s ready to be shown anywhere and that’s not a very high priority for me right now.

What about Epic Fantasy With No Dull Parts? aka A Blessing of Monsters? Well, shit. We’ll see, won’t we? One big change is that I seriously underestimated the amount of story there; what I’d planned to complete in one volume is not, in fact, complete after 140K words. So it will become two books. Possibly three. We’ll see what my publisher says, assuming I find one for it.

As for me, I’m working on a Twenty Palaces short story, which won’t be told from Ray’s POV. I’m hoping to have it finished soonest so I can get to work on Epic Sequel With No Dull Parts. I’m still waiting on editorial notes for King Khan, the game tie-in book I wrote for Evil Hat’s Spirit of the Century role-playing game, and that will likely be the only book release for me in 2013.

I know. 2012 saw only two anthologies: Don’t Read This Book and Tales of the Emerald Serpent, and next year will almost certainly be a single game tie-in novel. I like all of that work and I’m proud of it, but I need to put out original novel-length fiction if I want to keep my career going.

Look at this piece of art

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I ended up doing a fair bit of blogging over the weekend. Most of it was jokey, silly stuff, but not all. There’s at least one post about failing at writing.

I mention it because I know people like to read about my shame.

What I didn’t mention was that I turned in KING KHAN to Evil Hat. The first round of (minor) revisions have already come back and I’m working on those today.

In the meantime, I have something nice for you guys: My in-laws are artists, in case you didn’t know, and my sister-in-law has just started a tumblr for her work. Check out the first painting she’s showing there.

I have failed my book in the worst possible way

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Today was supposed to be a chill fucking day. My agent has the revised version of EPIC FANTASY WITH NO DULL PARTS. Last night I sent KING KHAN, my game tie-in novel, to Evil Hat. I hope they like it because Christmas is coming and I could use the money. Next I’m supposed to work on EPIC SEQUEL WITH NO DULL PARTS and a Twenty Palaces short story I’ve been kicking around.

But today was for relaxing, people. Today was meant to chill and read through an old manuscript.

It was just about a year ago that I put the “final” touches on A KEY, AN EGG, AN UNFORTUNATE REMARK and sent it to my agent. After reading my revised draft, she didn’t want to try to sell it; she didn’t think it was ready.

Some writers would be all outraged by that, but I shelved the book and worked on something else. I knew I could revisit it later after taking some time away from it.

Today, I took a printed copy out to the coffee shop to give it a read.

It’s really a failure. Like, full of an amazing amount of fail. It’s so off that I have a hard time reading it. It’s embarrassing.

What happened is pretty clear: I had something in my head that did not get onto the page. The tone is wrong, the POV has no specific voice, the important emotional moments glide right by without any effort to acknowledge their power…

Fuck. I had this idea for a book in my head and I thought I was writing it. I wasn’t. Maybe I loved the idea of the book too much, because I didn’t take the time to address the problems those ideas would present. Maybe I’m hadn’t studied other works with that tone carefully enough.

Maybe the problem was all that and more. I’m going to have to think on this carefully. Someday. For right now I’m putting this book aside and working on something else.

Damn. Just when I become too confident, I find new reasons for humility. What the hell. It’ll just make me a better writer tomorrow.

What we talk about when we talk about gorillas who teach at Oxford

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Over on the LiveJournal version of yesterday’s post, I had someone say they were surprised to hear that I was working on a project called KING KHAN. I thought, Have I not talked about this?

Let me give you a quick rundown on this project, what it is and what it will be.

Back in April, indie rpg company Evil Hat was having a pretty good run on a Kickstarter. They were trying to fund a trilogy of books based on their Spirit of the Century game, which is a pulp-adventure game with an emphasis on the 1920-30s, and it was doing well enough that they set some stretch goals. One of those was for me to write a book featuring a particular reader favorite character: Professor Khan, an intelligent gorilla who teaches at Oxford.

After some discussion, we decided that I was going to write a book that had Professor Khan visit Los Angeles in the studio era. There’s a mysterious death, a stolen weird-science maguffin, and lots of high-strangeness of the lightning gun/shrink beam/hopping ghost variety.

And it’s funny. At least, it’s supposed to be funny. There’s action, naturally, but I’m hoping the characters and situations will be amusing and uplifting. Did I mention that it stars a gorilla who teaches at Oxford?

Anyway, I’m nearly finished with the first draft (it’ll be a short book, probably 70K or less) and, after a polish, will send it off and get back to EPIC FINALE WITH NO DULL PARTS. No rest for the weary.

I write with Scrivener, too

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Charles Stross blogged about writing a novel in Scrivener and I thought it was an interesting read. Okay, I skimmed the part where he talked about LaTeX because Jesus, what the hell is that even and I pretty much don’t need to know.

Anyway, he’s right about many things: there is no way to do the track changes thing that people use MSWord for. That means I either have to a) switch over to Scrivener to type out all the changes I want to accept in MSWord, or b) import the edited Word document into a new Scrivener project (or into the old project, which I haven’t done because .scriv files are already HUGE), or c) accept that the .scriv file will not be the most recent file.

I’ve been doing a) which is annoying but feels satisfying, too, like keeping a tidy desk.

Also, I don’t have the same issues with the compiling process. Yes, there’s a helluva learning curve. Yes, it’s annoying as hell. Still, with enough trial-and-error I was able to create a handful of very clean epub files, without any hand-coding at all.

The floating word count window? AWESOME. I seriously love it, especially the way I can set a due date for the draft and it will tell me how many words I have to do per day to make that goal. I can even go in and mark certain days of the week as non-writing days. That’s good. I wrote about that some time ago: You can see the progress bar in this screen cap post.

Something else I like is that I can import web pages into the research section. I can dl the Wikipedia page for “Pansy Craze” or “Samurai” then while I’m writing (my internet is always disabled when I write) I can easily

Finally, one thing Charlie doesn’t mention is one of my favorite things: Custom Meta-data. See, when I was writing the Twenty Palaces books, I drove myself to exhaustion trying to keep track of what Ray had in his pockets: Did he have money? How much? Did he still have a gun? Whose was it? Had he stolen a car? What make again?

It was crazy-making and involved a lot of tedious fact-checking back through the book. But! With Custom Meta-data I could easily make a line for “Money” and keep track. Or “Gun”

In Epic Fantasy With No Dull Parts, I used Custom Meta-data to keep track of the two protagonists’ time lines. (They diverge late in the book.) That’s the sort of thing that drove me to distraction in earlier work.

Anyway, Scrivener is way too complicated, but I just ignore all those complicated parts I don’t need, just the way I did with MSWord back in the day. Plus, I’ve figured out the search thing that used to make me nuts.

I’m still working on the first draft for King Khan, and I swear that progress bar thing is really helping my productivity (not to mention the easy access I have to the synopsis). Yesterday’s word count was 3.3K which is huge for me, and today’s was 4K, which is unthinkable. So, you know, pleased.

Willpower is not a virtue

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And by “not a virtue” I don’t mean that it’s a vice or it’s something awful. I mean, it’s not a wonderful thing that people have or don’t have.

Okay, so, I’m an NPR-listener. Yeah, I often hear this expert or that being interviewed… so many of them that they sometimes run together. Sometimes I’ll hear something that sticks with me and I have to go back to find it again. Like this interview with David Eagleman.

What Eagleman said, for those who don’t want to click through to the show, is that our brains aren’t this unified thing. We, ourselves, aren’t a unified identity. Different parts of our brain want us to do different things: Lose weight, exercise, sleep in, work hard, order the fries, watch that TV show… We’re full of conflicting impulses.

This is certainly true of me. I have long battled with myself over all sorts of indulgences, and different parts of me fight in different ways. When I get up early to work on my book, I feel a sense of accomplishment. When faced with the opportunity to eat something I shouldn’t, I feel a sense hopeless despair.

And in recent years, it’s been a tossup which part of my brain[1] would win, except for the despair. Hopeless despair has been a trump card in my life; I have a hard time beating it.

However! Lately I have stopped looking at myself as a complete whole. Lately I have tried to recognize that there are several different personalities living inside me, and that my brain plays dirty tricks on my to make me do things I shouldn’t. In essence, I’m accepting the fact that my own brain is often my enemy.

I’ve talked about this before: It can be hard to say no to food when the despair hits. It can be hard to get up early to work when I know I need sleep, too. But for the past few weeks, I have not been using willpower to win these internal battles. It might look like willpower, but it’s not. What I’ve been doing is keeping my goals in the forefront of my mind and treating all impulses that get in the way as an enemy attack. It’s not willpower to refuse to go over to my enemy camp.

It’s been working, too. For me, I mean. I don’t know how well this would work for anyone else.

[1] If you’re thinking of “parts of my brain” in an anatomical sense, you’re being too literal. I’m talking about competing impulses.

One Thing You Shouldn’t Say To A Writer

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“I’ll never buy one of your books!”

Seriously. Don’t say this.

It used to be that, whenever authors went online, people told them “Be careful what you say! Don’t be political! Don’t be controversial! You’ll drive away readers!” And people believed that, too, until it became clear that it just wasn’t true.

The truth is that most writers don’t care about some stranger who pops up and swears they won’t give us money. That just means they’re part of the largest set of human beings on the planet: My non-fans.

What’s more, it just makes a reader look silly. So if you are never going to read some particular author’s work again, go for it. Hey, blog about it or Twitter about it with your friends. But don’t bother telling the author, because they don’t care.


In other news, life has been determined to interfere with my revisions on A Blessing of Monsters but I’m making headway. In fact, I’d be nearly finished with them right now if I hadn’t come up with a startling new idea that really pulls things together.

Tomorrow is going to be another big working day. I’m tempted to go on an internet fast so I can wrap this sucker up.

I invent a new unit of measurement

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I call it the “bullshit.” As in: “I did one bullshit worth of work on my revisions today.”

Which isn’t fair to my revisions, because I found a minor inconsistency that I needed to hunt down and fix, and that stupid crap takes time. I would have had to fix this at some point, right?

Still, it’s frustrating to have this dumb stuff take so much time especially since it means I can only finish bullshit.

At first I was all “It’s Pixel-Stained Techno-Peasant Wretch Day again?”

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Because I didn’t have free fiction set to give away. What can I say? My son’s “novel” isn’t finished yet and most of my short fiction is already for sale as ebooks, either on my online store (which is still not working ten days after I asked for help from Shopp tech support) or B&N/Amazon.

Then I realized I’m still giving away free chapter of my novels. Chapter one of Child of Fire is here.

Okay, maybe that doesn’t really count. Go easy on me here, I’m behind on my current book.