Trying to fix the store

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The tech support guy who has been who has been helping me tells me that my online store should be fixed. For the past few weeks, the store has processed payments but the response from PayPal that says “This person has paid. Let them download the story.” has not been getting through. That should be fixed now.

Is there anyone out there who would mind buying a story to make sure it works? “Lord of Reavers” is an original novelette for only a buck, and it’s never been published anywhere but online.

Okay! Not working at all, still. Thanks for trying, folks.

For the time being, when someone buys a story from the store, I’ll be emailing the file as soon as I can. Sorry for the problems.

Don’t Read This Book

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So! You can now pre-order the anthology Don’t Read This Book in softcover. If you do, you’ll get the electronic version immediately. As in, right now.

If all you want to buy is the ebook, you’ll have to wait for the release date. (Thems the rules, apparently.)

Find out more.

For those who haven’t been following along, the stories take place in the setting of the rpg Don’t Rest Your Head, about ordinary people who find themselves trapped in a world of literal nightmares, and risk losing their lives if they fall asleep.

It’s edited by Chuck Wendig, and here’s a list of contributors:

Stephen Blackmoore
Harry Connolly
Rich Dansky
Matt Forbeck
Laura Anne Gilman
Will Hindmarch
Mur Lafferty
Robin D. Laws
Ryan Macklin
C. E. Murphy
Josh Roby
Greg Stolze
Monica Valentinelli

They were nice enough to place my story at the very end; I guess they liked it. Me, I’m just pleased to be included with all those terrific writers.

I’ve been meaning to write a full post about my short fiction: what I’ve done, what I’m selling and where it’s available. Putting that together has been on the list of super-important things for months.

Anyway. Check it out. It’s a terrific book.

Tor and Forge drop DRM

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So, yeah, it’s a big deal. Tor/Forge aren’t the first publishers to sell their ebooks without DRM–Baen and Angry Robot have already been doing it for a while–but Tor/Forge is absolutely the biggest. Tor is part of Macmillan, one of the “Big Six” out of New York, and what’s more they’re privately-held. No shareholders to worry about.

If you’ve been reading Charlie Stross on the subject (and you should have been) you know that removing DRM is the best way to prevent online ebook sellers from establishing a stranglehold on the market. If readers can buy books from any store and read them on their preferred device, they will. What’s more, they won’t lose their entire libraries (or be forced to torrent them) once their personal devices become obsolete.

Anyway, Stross had an opportunity to write an essay to the CEO of Macmillan about the benefits of dropping DRM, and he’s posted it on his blog. I realize that there have been many voices within the Big Six publishers who have longed for an end to DRM, and there has been years of work moving the Overton Window on this subject.

But I wouldn’t be surprised if history remembered Stross as the decisive force for change, whatever he says in his post.

Going offline

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I’m going to turn my computer off for the rest of the evening. It’s World Book Night, supposedly, so no Twitter, Netflix, email, whatever. Just my family and their books.

See you on the far side.

Blame yourself, shame yourself

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Yesterday on Twitter I was talking about the importance of taking the blame for every failure and rejection. Today I feel like talking about the shame of revisiting work.

There’s not a lot to say, though. After I send something off, I hate to revisit it because I know I’ll see things I want to change. Not little tweaks, either, but places where I use a pronoun with an unclear (to me) antecedent, or text that seems too rushed, or a scene without enough description of the setting.

I just did it last night. Nothing big, you understand. Just a quick little nothing. But looking at it now just makes me feel sad and useless[1]. (Not that I have time to redo it.)

Which is the perfect way to start a writing day! Actually, yesterday was pretty good if a bit tough. Today will be even harder, but I’m hoping to surpass myself. I really really need to finish this book.

[1] Usually when I post something like this, I get people dropping me notes of encouragement or whatever. Thanks, but it’s not necessary.

For this one, you should read the comments

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NPR does a story about the “formula” for bestsellers (pfft! Don’t even), and the comment section turns out the wackiness.

I’m writing an international suspense novel about a vampire wizard from India who is a descendant of both Jesus and Mohammed, and who leads a secret elite team of spies fighting the worldwide crime syndicate. This individual can have out-of-body experiences, visit heaven, or change sexes at will, has a cool costume, and can fly.

John Carter of China

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So, Forbes is reporting that JOHN CARTER has earned back its budget overseas, partly by topping the box office for two weeks in a row in China.

Of course, there’s still the marketing budget, but never mind about that. DVD preorders are strong and I like to imagine that quality will out.

But this does give me an excuse to revisit the film, just a little, in a way I couldn’t before.

After seeing it a few times, I think I might have worked out one of the reasons people didn’t go for it in large numbers. The ending. [Spoilers, obvs] In most movies, the big fight scene/marriage would be the end of the film. It feels like an ending.

Then you cut to Dejah waking alone in bed, and Carter walking around the tower deciding to throw away his amulet (wouldn’t it have been nice to take Dejah to Jasoom at some point to see the sailing ships, assuming she could survive in Earth’s gravity?).

Then he’s back on Earth, and we return to the journal and ERB, and…

Okay, here’s where I make a confession: One of the tropes I completely fucking hate to see in a book or movie is “Death will reunite you with the ones you love the most.” I seriously hate it, because to me it seems to be objectively pro-suicide.

There was a novel–I thought it was written by Dan Simmons but a scan of his bibliography doesn’t show anything familiar–that ended that way. His family died at the start, he traveled around like Kwai Chang Caine until he finally jumps off a bridge and is reunited with his loved ones. God, how I hated that ending! I hated it so much that I felt queasy at the finale of GLADIATOR.

But the ending of JOHN CARTER is pretty similar: the protagonist happily walks into his own tomb and shuts the door, then lies back with the lilies around him. He smiles speaks the words that take him out of the this world and into the one he calls home.

And as much as I love this ending, I think it’s the reason people were soft on the movie. Lawrence Block tells the story of a time he sat on a plane while the man beside him watched the movie BURGLAR, which is based on one of Block’s novels. As he tells it, the man was engaged throughout, laughing often. When the film ended, Block asked him: “What did you think of the movie?”

The reply: “It was okay.”

Block believes it was because the ending was soft. The guy enjoyed the whole thing, but it didn’t have a strong ending so his last experience of it was a let down. And what about the people who see JOHN CARTER, expecting a typical action movie denouement? So many folks complained about the nested flashbacks (always with the tone of “Some other people might find this troubling, but not me) that I think the real source of the objection is that ending, where things feel like they’ve been wrapped up, but there’s a whole frame scene story that everyone’s forgotten about.

Did I mention that I love the way it ends? I love fantasy novels and movies. I love adventure stories. And the end of the movie seems so like the way I enter into a fictional world that it felt like falling into a story all over again. Very powerful. Yeah, the movie is flawed, but for me that ending was quite strong.

And now I’ll stop writing about this movie for a while.

I’m going to write about a gorilla who teaches at Oxford (I hope!)

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It’s true. I don’t know if you’ve been following Evil Hat’s Dinopacalypse Kickstarter, but they started with a goal of $5K and blew through that in no time. This is one company that’s really making Kickstarter work for them.

Anyway, the “stretch goals” (projects they’ll fund if they reach funding levels past their original ones) have been pretty cool. At $15K, they committed to a whole trilogy of Dinopacalypse books…

Wait, I haven’t described these books yet, have I? They’re set in the Spirit of the Century game universe, an early 20th century pulp adventure role playing game in which player-characters who protect the world from conqueror apes using technology from lost Atlantis, thwart the schemes of Doctor Scrooge to steal from the poor, destroy death rays, and otherwise take out mad scientists, world conquerors, and evil sorcerers.

The Dinopacalypse books are about Gorilla Khan, conqueror ape, taking over the world with the help of psychic dinosaurs. Beyond that, the stretch goal for $20K is an Amelia Stone novel–she’s a hero who battles monster gangsters in 1930’s Paris–written by C.E. Murphy herself.

And then there’s the $25K goal, which will get you a book written by me. Yep, if the Kickstarter hits that mark, I will write a pulp adventure novel about Professor Khan, a hyper-intelligent gorilla turned Oxford professor and disillusioned “son” of Gorilla Khan. It’ll be set primarily in Hollywood(land) of the time period, along with some fun pulpy stuff thrown in.

And if Evil Hat reaches its stretch goal of $30K, Stephen Blackmoore, the author of the zombie noir City of the Lost, is going to write KHAN OF MARS. I know.

You can read more about the supporter levels and what pledges get you what swag right here in Update #6. A $10 dollar pledge gets you ebooks for all the novels, but for physical books you should read through the various tiers. You can also see artwork, get cool wallpapers of dudes with jet packs shooting pteranodons, etc, etc. Did I mention that the Kickstarter is already above $22K as I write this? Fewer than three thousand dollars in pledges will get this sucker going.

Anyway, I still haven’t settled on a title for intelligent ape in Hollywood novel. KING KHAN? PROFESSOR KHAN TAKES HOLLYWOOD? I dunno. Maybe, after I finish A BLESSING OF MONSTERS and start working on this, I’ll hold a contest.

I know I’m not one to be all rah rah about the projects I’m working on, but this one is definitely exciting.

The cover for Don’t Read This Book is here

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DRTBCover

Creepy, isn’t it?

If you guys don’t know, the book is an anthology set in the universe of the DON’T REST YOUR HEAD role-playing game. It’s a game in which people fall into a gothic nightmare world where they have limited abilities to control things (like lucid dreams) but the awful things they face are just way, way out there.

My story is called “Don’t Chew Your Food,” about a Food Network TV chef searching for a truth he doesn’t want to find. It was challenging as hell to write, but I really enjoyed it.

Anyway: Cover art! The book will be coming out in a few months, and I’ll be sure to announce it when it does.

More Tales of the Emerald Serpent Teasers

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Last Thursday I posted a snippet of the story I sold to Tales of the Emerald Serpent, a mosaic anthology currently on Kickstarter.

Well, novelist Juliet McKenna has posted a snippet of her own along with a bit of world-building on her blog.

Lynn Flewelling has done the same thing.

There’s also artwork and additional world-building material in the updates section of the Kickstarter.

Check them out, if you’re interested.