4) Creating unconscious emotional responses with shapes. Video.
A few years ago, I picked up a copy of The Return of King Doug from my library, read it, loved it, returned it, and promptly forgot the title. No amount of Googling could call up the book again. “Satirical portal fantasy child…”
Here’s the basic plot: the centaurs, sentient trees and elfin creatures of pseudo-Narnia are gathered for the final battle against the Dark Queen. And they have a hero with them, one the prophecy says will lead them to victory! It’s a human person, named Doug. They put a crown on him, hang their most potent magical bauble around his neck, and declare him king.
Doug is eight years old. He’s happy to be made king, but once talk turns to the bloody battle at 100-to-1 odds to take place in the morning, Doug does what any sensible kid does. He runs all the way away, returning through his magical well to his grandmother’s place in the Poconos. And he brought the bauble with him.
Cut to mumble-mumble years later, Doug is all grown up, divorced with a kid. Years of therapy have convinced him that his adventure was fantasy, but he can’t get his own life together. Then his parents talk him into returning to the old cabin, and his son finds the bauble and falls back into pseudo-Narnia, and…
And you know what will happen. The prophecy he was unable to fulfill as a child will be fulfilled now that he’s an adult, and we’re going to get a satirical tour of fantasy land while we’re at it.
It’s a fun book, and I enjoyed it, but not because the plot was unpredictable. The basic outline of the story was right there, and the only surprises came from the details.
That same weekend, my wife said she wanted to see KUBO AND THE TWO STRINGS, largely based on the beautiful animation in the commercials. My wife has no interest in fantasy (the only fantasy novels she reads are mine, and the only fantasy movies she sees are the big popular ones or the artsy ones) but she has a long history with animation so, of course, we went.
You should go, too. See it in the theater, and stay for the mid-credits stop-motion clips. It’s gorgeous and affecting, and while Laika’s previous films have been interesting but significantly flawed, this one is a real achievement.
It’s also utterly predictable. Once the first act ends (and this is a spoiler that isn’t really a spoiler) the plot turns into a Quest for the Plot Coupons, with the caveat that the Plot Coupons can’t solve the Plot, only the protagonist’s pre-existing self can do that.
And telling you that doesn’t spoil a thing, because the real joy comes from the details. It’s in the way the characters are portrayed, and in the specifics of the tasks they take on. Finally, when the expected ending arrives, all those little details have fleshed out the story so completely that the denouement carries weight. It satisfies.
This is a lesson that I just can’t seem to learn. No matter how many detective novels I read or action films I watch, I’m constantly trying to reinvent the wheel. I keep making things from scratch.
There’s joy in making stories from scratch, but so many missteps, too. Sometimes I think that what I really need to do is start with a Farmboy of Uncertain Parentage and spiff it up.
Not that I really will. It’s just interesting to think about.
2) The best way to perform a “USB drop” hack. Technical, but interesting.
5) I don’t normally care about this sort of thing, but this mashup trailer combining The Dark Knight with Scott Pilgrim vs The World is a Batman movie I’d like to see. Video.
Some time ago, on Twitter, another author was asking for Netflix movie recommendations, and I suggested THE HOST, a South Korean monster movie/family drama. I said the movie “didn’t need to be forgiven.”
That phrase surprised me, even though it was the one who typed it out. It sounded right when I said it, but I wasn’t sure what it meant or where it came from. Then it reminded me of something that happened when I was a kid:
In grade school, my second-favorite afternoon show was the Wee Willie Webber Colorful Cartoon Club. Basically, Wee Willie Webber got up in front of a camera, did a dumb joke, and said: “An now… Marine Boy!” and then an episode of that show would play. Some of the shows were racist as hell (every kid in my class loved Chongo on Danger Island but yikes) but it was running and fighting and slapstick and magic spells or whatever, so I loved it.
In the second grade, Wee Willie planned to hold a live event where he would play an episode of Ultra-Man, and I talked my parents into taking me. I was seven, and I sat in a huge crowd of kids in a shopping mall somewhere (not a theater) while they projected an episode of the show onto a little screen.
Now, this was 1973, and there was no pause button. I had never stopped a show in the middle in my life. But Webber shouted for the projectionist to pause the episode right in the middle of the fight, when Ultra-Man had his back to the camera.
“There it is, kids. Can you see it? That’s the zipper on the Ultra-Man costume.”
Which was a dick move. The costume was designed to mostly hide the zipper, so I’d never noticed it before, but of course I already knew they were just dudes in suits. The four-legged monsters went around on their hands and knees! Of course they were guys in suits!
But I loved the show anyway, because if Wee Willie was my second-favorite, Ultra-Man was my first. I was nuts for giant monster movies of any kind, even shit like Johnny Sokko. And it was a dick move for Webber to give seven-year-old me yet another thing I would have to forgive.
So, forgiving movies and TV shows is about all the things that you have to let slide if you want to keep enjoying what you’re watching. Monsters who are really just guys in suits wrecking a model city? Let’s pretend not. Did Wesley really spend five years murdering innocent people as the Dread Pirate Roberts? La la not listening! Is Neo really going to gun down all those cops and security guards just because they work for the wrong people?
In fact, why are those people dead at all? The gunfight happened in a simulation; couldn’t the evil computers just blah blah blah.
Movies and TV shows are full of plot holes, unconvincing performances, boring sequences, cringe-worthy special effects, and other errors that have to be overlooked in order to enjoy them. We have a good time despite those problems because we choose to minimize them while we watch.
Some shows have to be forgiven for more serious issues. As much as I’ve enjoyed the recent run of Marvel movies, it’s ridiculous that they haven’t come out with one with a female superhero as the lead before now.
I’ve also been hoping we could get another Remo Williams movie, but that doesn’t mean I think it’s a good idea to cast Joel Gray in yellowface as the Korean teacher, Chun. That’s a terrible idea. An amazingly terrible idea. Having said that, I also recognize that it’s Gray’s performance that makes that movie so much fun. RW:tab was a bore until he was introduced. He shouldn’t have been there, but he’s the one who made that movie work.
Finally, I’ve been recommending that people should watch The Man From Nowhere on Netflix because it’s amazing. Unfortunately, it has only four parts for women, three of which are vanishingly small. The last is for the little girl who needs to be rescued.
Another problem with the film: Manpain.
Despite all that, I found the movie incredibly affecting, and I’m hoping to create a similar feeling in the book I just sent to my agent. I love that movie. That movie has problems.
Now, I am absolutely not saying that a plot hole about the Dread Pirate Roberts is equivalent to casting a white actor to play an Korean character. They aren’t equivalent at all.
It’s in our responses where the similarities lie. You’re watching something on screen, and then [thing] is there. Suddenly, you have to choose whether you want to Nope all the way out of the show or shrug it off and continue watching. Maybe the flaw is something incredibly minor, like costuming choices, but you nope out because the show has literally nothing enjoyable in it. Maybe the flaw is a massive dose of racism or sexism, but you keep watching because other aspects are so good, or because the show is old enough that you were expecting it, or because noping out of a show for this sort of flaw means you’d never get to enjoy anything in the genre.
Of course we can’t expect everyone to have the same tolerance for a particular flaw. Lots of folks reading this, after what I’ve said about The Man From Nowhere, will think ‘Meh. Not for me.’ And that’s cool.
That goes for Remo Williams, too, or for any film. It’s easy for me, a middle-aged Irish-American, to say I “forgave” the shitty choice of casting Joel Gray as a Korean. I grew up with that stuff. Tony Danza playing a Japanese guy on Love Boat? I watched that as a kid without understanding why it was a bad idea. It doesn’t have the same meaning for me that it would have for others.
And forgiving a show for its flaws is something that happens in the moment, while the show is still playing. It doesn’t require the audience to defend those choices later, or be silent about them. If we want to change the world for the better, we must speak out. The fact that I didn’t turn off The Man From Nowhere when I realized how few female roles it had doesn’t disqualify me from saying “Women deserve fair representation.”
Speak out. Be heard. How to be a fan of problematic things is recommended reading on the subject.
So then: Forgiving our entertainments so we can enjoy something. We’ve all done it. It’s a rare treat when we don’t have to.
And, obviously, my goal is to write books that never need to be forgiven, even though I’m sure I fall short.
On a personal note: on Sunday I finished revisions on One Man, and spent the rest of the day watching crime thrillers and drinking fancy beer. Monday, was the first day for work on The Twisted Path. (That’s the new Twenty Palaces novella I promised to work on.)
To start things off, I cracked open Circle of Enemies again. I haven’t looked at it since 2010, and I wanted to reacquaint myself with Ray Lilly’s voice. What I really did was remind myself of how many little details I’ve forgotten over the past 5+ years. I’ll keep at it, while continuing to take copious notes.
1) The late great Jim Henson gives a puppeteering masterclass. Video.
2) Inside Portland’s Mystery Hole. #NotPorn
3) Exploding glass filmedin 343,000 fps slo-mo. Toward the end, this gets to be like the drug effects in DREDD.
4) A split screen comparing Los Angeles of the 1940’s with Los Angeles now. Video.
6) LA earthquake creates a seiche, a (potentially destructive) wave frequency that amplifies waves and ripples. Video.
5) How God Created Animals. <-- Funny 6) Investigative reporter goes undercover in N Korea to find out the truth about life there, writes book, sees book listed as a “memoir” because the reporter is a woman.
3) Cinema audiences reproducibly vary the chemical composition of air during films, by broadcasting scene specific emissions on breath. Another reason for social animals to see movies in a crowded theater.
4) The Trailers for Ghostbusters (2016) and the Art of Editing Comedy by the creator of Every Frame a Painting.
6) Traffic-weary homeowners and Waze are at war, again. Guess who’s winning? Filed under: The Future Is Stranger Than We Expected
In my last post, I asked people to suggest movie series or TV shows that would be appropriate for a birthday binge-watch. I asked for TV shows, genres, creators, sequels, anything. I knew I’d get a lot of responses, but damn.
Here’s a list, in no particular order, of all the marathon suggestions from Twitter, Facebook, G+, LiveJournal, Goodreads, my blog, and the whispers from the crows that nest outside my bedroom window.
Season 2 of Buffy the Vampire Slayer
The Fast and the Furious
Season 1 of Poldark
Every movie titled CRASH
Movies with Roscoe Karns in a supporting role
Movies starring Warren Oates
Planet of the Apes
Movies scored by Michael Small
70’s disaster films
Ray Harryhausen movies
Val Lewton movies
Top box office movies from the year I was born
Clint Eastwood: bit player
BBC’s The Musketeers
John Hughes Comedies
Jason Statham movies
Older Sci-fi/Fantasy: Dune, Barbarella, Blade Runner, Highlander, Ladyhawke, Beastmaster, Dr.Strangelove, Red Sonja, Secrets of NIMH, & Willow.
Philip K. Dick-a-thon
Whose Line is it Anyway
Monty Python’s Flying Circus/Fawlty Towers
Occupied (a Finnish TV series)
Person of Interest
Tremors movies and TV series
Step Up movies
Avatar: The Last Airbender
Slings & Arrows
Chow Yun Fat movies
John Woo movies
The Lost Room + BBC’s Ultraviolet
Kenneth Hite’s 10 Westerns to Watch
Jackie Chan films
Jet Li films
Donnie Yen films
Shane Black films
Firefly & Serenity
The Wachowski films
John Hughes movies
How to Train Your Dragon
Game of Thrones
Fargo (TV series)
Back to the Future/Jason Bourne movies
Star Wars (Machete Order)
Best of Schwarzeneger
John Cusack movies
Best of [insert decade here]
[New suggestions since this post went live]
Freaks and Geeks
The Prisoner looks like 14-15 hours.
Series 1+2 of Being Human
Con films: Ocean’s 11-13, Lucky Number Slevin, Now You See Me, Catch Me If You Can
There were fewer repeat suggestions than you might think. One thing I didn’t expect was that my wife got involved; she wrinkled her nose at some stuff that I would like, but even though it’s my day, if I can spend some of it with my wife, that’s a plus.
Still not sure what I’ll pick, but thank you all for your suggestions.
My birthday celebration is coming up next month. For the last two years, I’ve taken the day off to watch the extended edition of LOTR and I have loved it, but this year maybe I should try something different.
But what? The Indiana Jones, Terminator, Star Trek, and Mad Max movies have some duds mixed in. The Three Stooges would be too repetitive. Star Wars has those damn ewoks, and I’m feeling like I’ve had enough Batman for a while.
It doesn’t have to be movies, though. I could do season one of Veronica Mars, or all of Jessica Jones, or take a heavy dose of Wallander.
Or, I could choose a bunch of different but related movies: martial arts fantasies, post-apocalyptic movies, or spy films, or something.
So I’m turning on comments so I can ask for help from you, dear reader: If you were to design a binge-watching marathon that ran from 12-20 hours (approximately) what would it be?
Sadly, the Cornetto trilogy is too short. The James Bond films are too long. Most TV shows are too long, especially if they run over several seasons. This website helpfully lists movie and TV lengths, but I didn’t see anything that made me jump up and salute.
Now, obviously I’m asking because I’m looking for ideas. Equally obviously, you probably don’t know me or my tastes. Don’t let that hold you back. I generally hate zombies and Saw-like psychopath movies, but any suggestions at all would be welcome.
I will say this: I’d like for them to be available on Netflix Streaming or on DVD (so my library will have them). That rules out semi-obscure series like the old Zatoichi films.
If I can’t come up with a better idea, I’ll probably be stuck with the Harry Potter films, and who needs that?
What do you say? Any ideas?
This is why I could never be a film director. I’m just not this visual.
I find this stuff super-interesting, though.