I’ll be having a book signing on October 3rd, from 11-1, at Magnolia’s Bookstore here in Seattle!
Eeep!
Anyone reading this is invited! Please bring your friends! And your enemies! And your family! Complete strangers also welcome!
I’ll be having a book signing on October 3rd, from 11-1, at Magnolia’s Bookstore here in Seattle!
Eeep!
Anyone reading this is invited! Please bring your friends! And your enemies! And your family! Complete strangers also welcome!
Yesterday, my wife paid for a day sponsorship at our local NPR station, to congratulate me on the release of Child of Fire. (It was supposed to be a surprise, but… oops!)
That pleases me, partly because I love our local NPR affiliate and I want to support them, and partly because it would be cool to hear my name on the radio in some other capacity than “Harry in Seattle writes to us…”
Here’s the interesting thing, though: The day sponsorship messages have to be ten seconds long, and that means 42 syllables. Interesting, huh?
School recalls band T-shirts, stating they promoted evolution.
…
Senior Drum Major Mike Howard said he was disappointed when he had to return the shirt.
“I liked the shirt because it was unique,” Howard said. “The theory of evolution never even crossed my mind.”
Two books. First is Spirit Gate by Kate Elliott. One of the reasons I’m looking forward to my speed-reading book (which I’ll start any day now!) is that it will let me get back into epic fantasy. This book was over seven hundred pages of great story, wonderful characters, and fully-textured setting. The tone is very visceral and real, even when the subject is a giant eagle and rider.
I was a little disappointed by one or two things (I’m rarely a fan of prophecies, except when they’re really done well) and the pace lagged in the middle. The characters pulled me through, though. Fun stuff.
I have the second book sitting by the desk, waiting for me to learn to read at 40,000 words a minute or whatever, so I don’t have to spend three months on only one book.
Second is Locke & Key: Welcome to Lovecraft by Joe Hill (and some artist guy). I haven’t read any of Hill’s other work, but this was a very effective scary little comic. The structure of the story is jumbled in a pleasing way, hopping around in time to tell the story from several angles. No, it’s not especially revolutionary, but it’s good which hasn’t always been a given in the comics I read lately.
It’s also grim. It’s a horror story, after all, although Gabriel Rodriguez’s art (see? I can copy off the cover) undercuts that a bit. The art’s not bad at all–in fact, it’s awfully good–but I’m not sure it’s appropriate. I mean, it’s very comic-booky art, in the way he draws eyes, hair, tears, and so on. It’s very traditional superhero.
But it’s also incredibly expressive, and each character has his own look beyond the color of their hair and outfit (readers of superhero comics know what I mean). So I can’t say it’s bad art, just that it feels wrong.
This one is well-recommended, too, if you don’t mind stories that are a little on the dark side.
Bruce Bartlett, one of the people who developed the theory of supply-side economics and a long-time conservative economist, on why the current economic difficulties–deficit included–should be laid at the feet of President Bush, not President Obama.
He also touches on a topic that isn’t often mentioned: how much better the economy does under Democratic administrations than Republican ones, for rich and poor.
via: tnh’s Particles.
via Jay Lake:
Yes // No // Cannot be determined
Answer in the article, and yeah, I got it wrong.
A disturbing (fake) leaked iPhone commercial.
Did I mention that it’s funny? Because it is.
I wrote this as part of the promotional stuff I’m doing for Del Rey/Random House, but they asked me to cut it way, way down. So I did, and now I’m posting the full version here.
This is what it’s been like for me to be a debut author.
It’s funny; years ago, when Miss Snark was blogging (all her entries are still online–every aspiring writer should read them) she made a point to tell people, several times, that signing with an agent would not make the agent your new best friend. It was a business relationship, not a personal/emotional one.
At the time, I thought that was weird. Is that really something people need to be told?
Much, much later, when I was about to ditch the whole idea of writing professionally–because a life of daydreaming about monsters and filing rejection slips was fine for a yutz like me, but my wife and son deserved so much more, and hello, grad school, I’ve heard you offer this thing called a “career”–at that point, I received offers of representation from a couple of agents.
Each one of them felt like a hug. Weird, but true.
(Quick note to my agent, in case she ever reads this: I don’t actually expect or want a real hug. I don’t much like hugs except in very specific circumstances, and like Miss Snark said, business, not personal. I hope that’s not creepy.)
Actually, that only covers the first few seconds and doesn’t really answer the question. For me, being an unpublished novelist was like being stranded on a desert island. I was stuck there for years, hoping that someone would see the huge “GET ME OUT OF HERE” messages I dug into the beach. Year after year I survived on berries and wild pigs while planes flew overhead and never circled back.
Then one day I looked up to see a helicopter setting down on the beach. Out jumped my agent with a set of clean clothes and a pepperoni pizza. “We’ve found you,” she said. “Now we can take you away from here.”
And then I was looking out the chopper window as we lifted off. I had put my new suit on, and the pizza was way better than the charred pork I’d been eating. The only reason I wasn’t weeping like a beauty pageant winner was because I was in total shock.
At which point the helicopter touched down on the mainland and someone slapped a shovel into my hands. “This trench has to be finished by the end of the year,” they said, and I stumbled off the helipad into a huge crowd of rescued castaways, all working with their picks and shovels in the blazing sun. Get busy! There’s digging to be done!
So what I’m saying is, it’s the most fantastic thing ever.
Many of you have already heard the appalling story of Jaycee Lee Dugard, the 11-yo girl who was kidnapped 18 years ago and was just rescued from her imprisonment now at the age of 29. She was taken from the street right in front of her house–her stepfather saw it but was too far away to do anything to stop them–and help prisoner in Phillip and Nancy Garrido’s backyard.
She was raped, bore him two children, forced to live in hiding behind a fence in the back yard, under a tarp, with an outdoor toilet and shower. The two children had never been to a doctor in their lives.
They were only caught because Garrido found Jesus and was questioned by campus security while passing out religious literature with his two daughters. The guard notified his parole officer, and Garrido brought his wife, daughters and Jaycee to the parole office, where he was questioned until he admitted his kidnapping.
I imagine his stay in prison will be short, and not because the criminal justice system will release him, either.
However, he sees his story a little differently:
“If you take this a step at a time, you’re going to fall over backwards and in the end, you’re going to find the most powerful heartwarming story.”
Obviously, the man is dangerously insane. Here’s his blog. But it’s amazing what people can get away with. Seriously. I want to see what this “hidden backyard” looks like.
I get stuck when I’m writing a story, sometimes even “mired.”
You have writers block, which doesn’t even exist.
I struggle with a story because of “because of something I’m doing, or not doing.”
You get “Nerves and Vapors.”
I work hard to solve problems.
You lie on a couch eating bon-bons and wailing. Or you sit on a bar stool drinking booze and wailing. But there’s definitely wailing.
I put on my “big girl panties and deal.”
You are simply afraid and probably looking for sympathy.
I am a hard-working professional who deals rationally with my problems. Did you hear me? I’m regular folks.
You are an elitist artistic wannabe who behaves like a seven-year-old.
::is annoyed::