Waste into power

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I don’t normally blog about this sort of thing, but I do maintain an active interest in it, but I was pretty excited to read that Audi has built a plant (a small one so far, but they have plans to expand) that creates diesel fuel out of water, atmospheric carbon dioxide, and renewable energy sources like solar or wind.

I’ve been waiting for this sort of thing to become feasible. Sure, people all over the world have been working on better forms of power generation using natural forces (like the people who are trying to drive turbines with artificial tornadoes, which seems like a cool idea but might work better in a story than in real life) but storing that energy for use in a mobile vehicle is still a huge issue. Better battery technology would be great, but 100% clean diesel would be preferable.

Then again, I’m still waiting for large scale versions of this guy’s machine that turns old plastic back into oil (video), except powered by wind or solar so some entrepreneur could start “drilling” the Pacific trash vortex.

Technology to turn waste products into power is pretty exciting, (says the guy who, many years ago, nearly bought a device that purportedly turned urine into household electricity).

You might know them, but they don’t know you.

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So, apparently Anne Wheaton started to receive harassment because she offered cash support to Feminist Frequency, and once the inevitable creepy tweets started, she decided to donate extra for every jerk she had to mute.

Then, inevitably:

Apparently, this ridiculous threat is a copypasta meme, and that supposedly means that it’s not supposed to be taken seriously. Wheaton was supposed to recognize it, then dismiss it as a non-issue.

But really, even if she’d recognized it (I’d never heard of it before), why should she write it off? It’s coming from a (now-suspended) user account that she knows nothing about. Why’s the burden on her to make assumptions about strangers?

Yeah, a big part of the answer to that last question is “Sexism,” but other more knowledgeable people can address that better than I can. I’d rather talk about illusory internet friendships.

I’ve seen people on social media shit-mouth writers, artists, and actors as though they were old college pals who talked trash all the time. I’ve seen fans of a TV show criticize the creators in the most outrageous ways. And I’ve seen authors and other non-celebrities asking people not to glom onto them in public spaces.

Yes, the anonymity of the internet contributes to these problems, but too often I’ve seen people insisting they were not trolling, not trying to be awful. They’re just being friendly with someone they know, and were treating the person the way they treat their friends: with good-natured ribbing and straight talk. Sometimes the harassers act like casual acquaintances; not friends, but people who know you and feel they have the social capital to set you straight.

And that’s the problem: because they have someone in their social media, they think they have them in their social circle.

The thing is, it’s only friendly trash-talk if the recipient thinks it is. And while the trash-talker might have donated to cover a vet bill, or have closely followed months of complaints about a contractor, or a child’s learning disability, or a new job, the recipient might not know that person at all.

Now, to be clear, it’s unlikely that Wheaton’s harasser was simply misguided, treating her like a pal. It seems pretty obvious that he’s a straight up shit eater. The people I’m talking about are the hangers-on, who slide into her mentions telling her how she’s supposed to feel about a threat against her life. I’m also talking about the times John Scalzi has posted pictures out his hotel room windows while on book tours, then had to ask people not to track him down and stalk him in the lobby. I’m talking about the people who drove Damon Lindelof off Twitter because they didn’t like the last episode of LOST; in fact, if Lindelof’s harassers had faced, in real life, the sort of contempt they showed, over something as minor as their shoes or their haircut, they’d have been griping about it to their friends for a week. But they felt perfectly comfortable lashing out at him over a project he spent years of his life creating, which they got to watch for free.

This isn’t to say that people should never try to interact with others online–or that they should be obsequious about it–just that it’s important to understand that it’s the recipient who decides how “jokes” and criticisms will be interpreted.

Actually, that’s a useful writing tip in general, but never mind.

Randomness for 4/23

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1) The day Hank Aaron’s bodyguard didn’t shoot.

2) Onlookers mistake fallen construction crane at Dallas Museum of Art as an art installation.

3) Yelp reviews of new-born babies.

4) A person is creating 3d printing templates for every creature in the Monster Manual.

5) The simple brilliance of David Aja. This dude is half of the reason that the Hawkeye comic has been so amazing. I really love the design sense that artists bring to comics now. They’re so much more interesting than they used to be.

6) Why don’t our brains explode when we see movie cuts? (What a sensible way to phrase that question.)

7) Pictures of food that very little kids “can’t eat” and why.

Get signed and numbered copies of a new anthology I’m in

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So, I’m going to be in an anthology called Unbound (which I’m assured will not be sold as sheets of loose paper–the authors are not constrained by a shared theme, but the book will be thoroughly bound) which will be coming out later this year. The publisher is offering a signed and numbered edition, and I’m told it’s not yet sold out.

Curious? Find out more, including a list of the other authors and how to get yourself a copy, right here.

Man, it’s nice to have my website back.

More on Daredevil, this time with spoilers

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I wanted to talk more about Daredevil, and you can’t stop me. What follows is both disjointed and spoilerific, so don’t say you weren’t warned.

Continue reading

“How can I capture that in text?”

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This post by Max Gladstone demonstrates something that I ask myself all the time: How can I capture that feeling in text? One of the reasons I wrote CHILD OF FIRE was because I wanted to capture the feeling I got at the end of RED HARVEST.

Anyway, worth reading.

Amazon is having a huge sale on tabletop games

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I don’t usually pay attention to the sales that Amazon puts on, but this one is interesting: a big sale on tabletop board and card games.

“Up to 50%”, they say. I always love that “up to”. Obviously, it’s better to buy them at a local gaming shop (assuming you have access to one) because most have a library of games and let you try them out in the store.

Still, Ticket to Ride and Labyrinth are fantastic games, and I’ve become kinda obsessed with the iPad version of Sentinels of the Multiverse, since the fam doesn’t really like superheroes and I prefer to let the software track everything (SotM can be complicated to track).

And if you like RPGs, Fate Core is on the second page. Have I mentioned that I’m working on a Fate Core rpg supplement for The Great Way and Key/Egg? They’re Kickstarter rewards, and I should be typing in those documents rather than this one.

In fact, I think I’ll go do that now. In the meantime, check out my books.

Spoiler-free: Marvel’s Daredevil

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I wasn’t originally planning to stay up overnight to watch DAREDEVIL, but frustration with my current WIP and a 20% off deal on beer at my local supermarket seemed to suggest that the world was conspiring to make me blow off a little steam. Which I did.

There won’t be any serious spoilers in this post, but I do want to talk about it in a general way. The show does several things very well:

In the first few episodes, Foggy is charismatic as hell. His relationship with Matt is funny and real, and the delight they take in their interplay contrasts powerfully with the pain in disillusionment they feel as the story progresses. And he’s not the only one. This show is really well cast.

Obviously, D’Onofrio has the flashiest role as Wilson Fisk, the crimelord villain of the piece, and he plays it against type. Instead of the smooth and commanding figure of the comics (and the previous movie), he plays Fisk as perpetually awkward and uncomfortable, without any of the presence and charisma of movie crime bosses. It’s a weird choice; it undercuts the power and efficacy of the show’s antagonists, making them seem less threatening.

But this isn’t really about the power fantasy of overcoming a seemingly unbeatable foe. There are power fantasy elements, obviously, but the show wisely undercuts them. For instance, after a (blessedly brief) origin scene which lasts less than two minutes, the show cuts to Matt Murdoch in the confessional, talking for at least three times the length of that “origin” scene about his dad, his father’s boxing career, and the violence he had inside him. The show is much more concerned with the characters’ histories, their damage, and their vulnerabilities than they are in feats of power.

Not that there aren’t plenty of fight scenes. There are, and they’re also well done. Guys who choreograph ARROW, take note.

Early trailers had a lot of viewers complaining that Daredevil was sporting all black with a Dread Pirate Roberts mask rather than the costume from the comics, but once the costume shows up, it doesn’t look nearly as cool as that black suit did. Sorry, I’m a DD fan, too, of a sort, but the simple black costume was way more effective than the devil suit.

But what really makes this show work is the paranoia and helpless despair the characters have to endure in the face of wealth and power in a thoroughly corrupt system. No one can be trusted. No one is safe. The hero can venture out in a mask and kick the crap out of bad guys, but he takes a helluva beating doing it.

Frankly, this is the first superhero show/movie to capture a winning noir tone since BATMAN BEGINS. Everyone, heroes and villains alike, are in tenuous positions. Everyone has loved ones they fear for. Everyone has powers working against them. Everyone thinks of themselves as the hero.

It’s a good show. I recommend it.

Daredevil and Binge Watching

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The Daredevil Netflix series premieres today. If you see me online, it’s because it’s boring and I’m looking for something else to do.

Or that I’m taking a break or something.

Anyway, I’ve never binge-watched a TV series before. I’ve done a few episodes at a time, but a whole season? First attempt. I hope I hate it, for the sake of my productivity.

Randomness for 4/9

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1) A map of all the places mentioned in Tom Waits songs.

2) An autobiographical webcomic imagining Conan the Barbarian as a spirit guide.

3) Reader, I LOL-ed. Reaction Table: High Level Cleric of Law Asked to Raise Dead Associate(s).

4) Every Frame a Painting on film editing, video essays, and creating narrative. Video.

5) When Nerf Modding goes too far.

6) Understanding Art: The Death of Socrates. Video. Interesting to see a tool as simple as masking in Photoshop used to such good effect.

7) Risky Date: a lesson in a webcomic.