The new book, health, and a few other updates

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It’s past time that I wrote an update about… Well, about everything. I’ve really only been waiting for my situation to be somewhat changed. It’s hard to motivate myself to pop up online and say Everything is good and bad in the same way as it has been for months. Here are some fun TV shows I watched recently. I hate to be dull.

First things first: Every spring, a number of SPFBO winners and finalists go on sale at 99 cents. This year, from April 13-16, there will be more than a hundred books—all having received positive reviews from the reviewers picking the contest winners—available at fire sale prices on Amazon. 

I’m posting this a day early, but most of these books should probably already be on sale right now. 

SPFBO Finalist Sale 2024

If you’re a fantasy reader, check it out. There are a lot of treats to be had (and a few of them are mine).

Progress on my new horror novel is ongoing. In fact, things have picked up a bit and I’m making better progress. In part that’s because some (but not all by any means) of the stressors in my life are letting up (more on that later) and some because I stopped throwing out the beginnings of the book and are just letting the story happen. 

I mean, I’m still going to have to throw out the beginning of this book and redo it, hopefully with ten thousand fewer words, but it’s nice to keep on keeping on. 

Recently, I read Catriona Ward’s Little Eve and reread Stephen King’s ‘Salem’s Lot. Both are amazing in very different ways. King’s novel feels like it’s all right there on the page. Everything is laid out for you and the story grabs hold of you and never stops pulling. I’ve said this before, but it reads like a thriller, which sounds like it should be a natural match for the horror genre, but my long history of discarded mass market paperbacks suggests that it’s a trick that’s actually hard to pull off. 

Ward’s novel is wonderful in a different way. It feels deeper and more upsetting, and also that more is being implied than I’m seeing. I may need to read it again to pick up all the clues to the mysteries at the center of it. Recommended if you like psychological gothic historical horror.

And I realize that I mentioned that I was in the middle of ‘Salem’s Lot two months ago when I posted my last update, so I’m publicly confessing to my ongoing reading slump. It started during the pandemic, and I’m feeling like the Ward novel is helping me break it. 

Then again, my son asked me to let him know when I finished my latest book because he wants me to try out a video game he likes. I can’t remember the name of it except that it has “Disco” in the title. Personally, my preference for video games leans toward monkeys throwing darts at balloons (in easy mode) but we’ll see. I do have Sundial and the most recent Robert Crais thriller on the shelf behind me, along with a few other options, just in case. 

A few weeks back, a number of people were pushing Netflix’s Blue Eye Samurai, and I bounced off it in my first attempt. It starts in the most boring way possible, with Our Mysterious Badass showing up in a restaurant and is then forced to deal with a violent narcissist and blah blah blah. It’s supposed to make us like the main character, but it feels like the usual bullshit. 

Still, the praise was steep enough that I sat down to try again with my wife. She loved the animation. I’ve said before that she really wants to see beautiful imagery in the shows she watches, and BES is honestly a step above. The story is goes to interesting places, too. Also recommended. (Trailer)

Finally, in a personal note, twelve years ago I started getting full body hives every time I did anything that raised my body temp. Cooking a meal, a hot shower, a tense conversation with my wife. Anything could trigger it. Over the counter allergy meds helped but not all the way. It became impossible to exercise or to even consider a job that was physical in any way. I went online to look into it and saw that there was no cure. The only relief I could hope for was that it might go away on its own, which could happen in 3-30 years(!)

As a result, I became more sedentary and more unhealthy over that time. 

Last fall, my new doctor arranged for me to see a specialist. At that visit, the specialist told me that there was an effective new treatment. His wife had the same issue that I do, and since starting this medication, her quality of life has completely turned around. 

He also told me that these reactions are an immune system problem and were not caused by environmental exposure like I’d thought. It feels weird that I find relief in that, but I do. 

Anyway, I need to get the first few doses of this injectable medication at the doctor’s office and, with luck, I will soon be active again. It’s been a lot of years of wearing long sleeves to hide the awful red blotches, or to sit in a cafe with my eyes closed waiting for the itches to subside. Things really could be looking up. 

It’s hard to express how excited I am about it. 

That’s all. I’ll try not to take so long for my next update. Thanks for reading. 

A few years ago I wrote a bank robbery scene in passive voice

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A few years ago I wrote a bank robbery scene in passive voice and the result was pretty funny. The robbers themselves completely vanished from the story–only the effects of their actions remained and honestly, I was laughing by the time I got to the end of the first and only paragraph.

I posted it online because I had gotten caught up in a (deeply stupid) argument about the subject. What exactly is passive voice, and is it always terrible?

To answer the second question first, no, of course it’s not always terrible. There are times when passive voice is exactly what a sentence needs. The whole point of studying writing as an art form is to recognize that words and sentence structures are tools that we can put to use. So, there’s nothing inherently bad about passive voice. It just has to be used correctly.

As for what passive voice is, the question gives me flashbacks to the person who argued “Blood pooled on the floor” was in passive voice because blood is an inanimate object and how could it therefore be doing the action? The active force was gravity, which might have been absent from the sentence but was the active force causing the blood to pool. Therefore: passive.

Which… sure. But we’re talking about literary structures here, and that argument misses the point.

Another sentence that’s not passive? “He was tall.”

Which brings me to Prosecraft, (link deliberately excluded) a service offered by a company using an AI called Shaxpir (a joke name that I didn’t get until I said it aloud.) Supposedly, you submit your work of fiction to them and they use Shaxpir to run a linguistic sentiment analysis to compare it with other previously published works in their database.

There’s one work by me in there. The Twisted Path.

Some authors are contacting the guy behind it all with angry demands to pull their works from his site as though this was another free pirate library. I’m not sure it is, though. If he’s bought these works legally, then run them through his dumb (more on that later) algorithm to analyze and compare them, I’m not sure that’s a copyright violation. If he’d been doing the same analysis and comparison with a notebook and sharp pencil, I doubt anyone would complain.

Others are unhappy by the idea that he’s using their works to “train” his AI, Shaxpir. But when I look at the site, Shaxpir seems to be another a word processor with some publishing and analytical bullshit thrown in. It doesn’t appear to be one of those enter a prompt and the AI will vomit a novel manuscript for you places. It looks a bit like Scrivener.

Maybe I’m wrong, but I’m not going to look any deeper into it, considering the quality of the analysis it does.

Judging by the Prosecraft page about my own work, I see problems with the service. First, listing adverbs–broken out into adverbs with an -ly at the end and those without–as a percentage of the total word count, then ranking the book in a “percentile” with other books in the database tells you nothing about the quality of the book. Adverbs are not a metric for quality. They’re a tool, and the only measure that really matters is whether the tool is used correctly.

Second, the service breaks down the text into “vivid” and “passive” words, then using the aforementioned sentiment analysis determines where your book is more of one of those things than the other. There’s even a little color coding for the text: the words the system codes as vivid are red, and the deeper the color the more vivid they’re supposed to be. Passive is the same but blue.

And state of being verbs are all rendered in the most intense blue.

Maybe the creator of prosecraft was a little careless with the way he labeled things. Maybe he liked the word vivid because he thought Vivid books are good books, and so he wanted to put something with a negative connotation at the other end of that scale. Therefore: passive. Passive is bad, right?

Except, in his blog post on the software, he posts an analysis of some text from one of his favorite authors, says it rates in the 99th percentile for Passive, then talks about how much he likes the guy’s writing, esp his use of “passive-voice constructions.”

No surprise then that, out of all that blue text indicating passive voice, only one of those sentences is actually in passive voice. The rest just use state-of-being verbs, which are not themselves passive voice, although there’s an argument to be made that they are not particularly vivid.

But you know what state of being verbs are? They’re really easy to identify.

So it’s a mess, really. The Passive label is being stuck on words/sequences that are not in the passive voice, and passive is used as a binary opposite to the Vivid label, which it absolutely is not.

If the books are being shared like a library, that’s bad and it shouldn’t happen. If they’re being entered into an AI so the algorithm can pull them apart and regurgitate them as works of fiction, that’s also bad and shouldn’t happen.

But as I see it, the main problem is that the service Prosecraft offers is a mess and is basically useless.

Edit: He took the website down. I knew I should have just been lazy and ignored all this. Now I’ve blogged about nothing.

Audiobook for The Flood Circle available for pre-order, plus a very happy surprise

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On Tuesday, June 20th, the audiobook for The Flood Circle will be available. This is the Amazon/Audible link. Links to other vendors are already in the main post for this book.

If you want to pre-order it, you can do that now.

In other, unrelated news, the next issue of The Magazine of Fantasy and Science Fiction will have  a review of A Key, an Egg, an Unfortunate Remark, which I (self-)published more than eight years ago. Even more surprising is that it’s a positive review, from multi-award winning author Charles de Lint!

I have said a lot about this book over the years, but for once I’m going to let common sense take hold and shut the hell up. I’m extremely pleased to see this review and I refuse to bad mouth myself for a joke that no one will laugh at.

Please check out the review when the next issue drops, on June 27th, and the rest of the issue, too.

Newsletter Problems

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When I sent out that last newsletter with the free promo codes for The Iron Gate audiobook, I got an unprecedented number of error messages. At the time, I had more than 1450 subscribers and I got more than 180 bounces.

A few of those were the usual stuff: this email address doesn’t exist/please fill out this form to have your email whitelisted/this server doesn’t exist. But most of the bounces–more than 150 of them–were from gmail telling me that I haven’t set up some kind of special new email authentication.

Which has to be written in a kind of code.

What do I know about coding? Nothing.

Does my domain host have a little “set up SPF for this site” box for me to check. No.

Was it something I could just copy and paste? Absolutely not, and nothing about the little codes they required made sense to me.

Luckily, my son is teaching himself to program. He helped out (meaning that he took over while I did dishes) and set up something that erased the big red X error messages that popped up when I ran a check on my mail server. There were exclamation points in a circle though, so I contacted the domain host help desk and asked them to look it over.

They wrote back to say that they’d made some changes to the SPF my son created.

I checked again. A big red X error message appeared again. This one, in fact:

domain must have at least one mail server error message

“Domain must have at least one mail server.”

When I sent this screencap to my domain host help desk, they told me it wasn’t their fault. They had done everything correctly, even though it was a change they’d made that triggered this error message. They suggested I read that “help center article,” which of course I’d already tried to do.

Basically, it felt like they had washed their hands of me.

Anyway, I’m expecting another newsletter to go out when The Flood Circle comes out in audio. Will gmail users receive it? Honestly, it’s hard to say that this point. I hope so.

Free audiobook codes for The Iron Gate from Audiobooks.com

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Tantor, my audio publisher, has released The Iron Gate as an audiobook, and I have promo codes for Audiobooks.com for the first six people who snap them up.

Here’s how to use them:

HOW TO REDEEM: Your free audiobook(s) can be enjoyed via Audiobooks.com. Existing Audiobooks.com account holders can visit their My Account page to redeem, while new listeners can follow the below instructions. 1 Visit www.audiobooks.com/promo 2 Input your promo code and hit "apply" 3 Continue creating your FREE account and then hit "Start Listening" 4 Download the free Audiobooks.com app for Apple or Android devices (see below for links), or listen on your desktop through Audiobooks.com 5 Login and start listening! Your free audiobook(s) will be waiting for you in the My Books section

And here are the codes:

Z7NS0842UFJY7YDF3CMBKT42G3T1NY2JDKL70RPNE6GYTMZXXQRD4HUZ7W30BMYX46T2N107

Each can only be used once.

Hope you guys enjoy it.

All I ask is that you tell your friends, share this on social media, and/or review it online. Frankly, I could use a little extra word of mouth.

As a Sequel to a Recent Post: One Kay for The Flood Circle

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The Flood Circle reached one thousand copies sold (counting Amazon sales only) as of yesterday, 11/29. The Iron Gate hit this same milestone on in early November, so copies of TFC have moved a little faster.

I’m sure that’s because of the cumulative effect of promoting the previous book.

And while reviews of The Iron Gate have been terrific, I was concerned that some readers would have been dissatisfied with the plot and would just quietly stop buying. That doesn’t seem to be happening.

::dabs brow with hanky::

Also, I’ve posted a note on Twitter about the order of the stories in the Twenty Palaces series. Here it is

With luck, that embed won’t be a dead link in two weeks.

Anyway, the reading order is the order on the front page of my website. The only exception is the novelette “The Homemade Mask”, which is included with my short fiction collection. It comes after Circle of Enemies but before The Twisted Path.

“The Homemade Mask” isn’t what I’d call “essential” to the series as a whole, but if you’d like to read a story told (partially) from the POV of a predator, that’s the place to go.

I’ve also dropped, for a short time, the price of the first book in the series to 99 cents. At this point, there isn’t a lot of promotional stuff left for me to do, unless I start buying ads or whatever, and that has been a decidedly mixed bag for me. I mean, I have basically one social media platform that I use with any regularity, and there’s only so many times I can tell the same group of followers that I have a new novel out.

Which is why I ask once again that, if you haven’t already, please post reviews on your online spaces, on the sites where you bought the book, and even in face-to-face encounters in the real world, assuming that still happens.

Finally, I’m currently at work on my next book, which I’ve mentioned before will be a stand alone. The story and tone are coming together slowly, but I knew this new project would be challenging, and a new challenge is just what I need.

A Milestone, of a Sort: One Kay for The Iron Gate

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Two days ago, sales for The Iron Gate at Amazon crossed the 1000 copies mark. That’s print and ebook combined and it’s just the one vendor.

An ordinary sales run for traditionally published midlist sf/f can be between 2K and 5K, so that puts me on pace to be pretty average. That isn’t a bad goal for me at this stage of my non-career. It also assumes that sales will keep chugging along a pace that will let me pass the “You must sell this many copies to ride this ride” sign. Otherwise, I lose even the pretense of being midlist.

Some other works have done better. The Way into Chaos has sold nearly 14K at Amazon. Those would be respectable numbers at pretty much any publisher, and they don’t count the copies “sold” through the Kickstarter. It makes me wish I could take those numbers back in time to show the editor who rejected that novel because it was a fantasy, had a portal in it, but the protagonists didn’t go through the portal. Only the antagonists did. It was a story about being invaded, not about invading somewhere else. The editor called that “bad worldbuilding.”

Then again, that trilogy came right on the heels of the books Del Rey published, and which they marketed and publicized heavily. As of my last royalty statement, Child of Fire has sold almost forty thousand copies. It would have just earned out its advance if the contract didn’t call for basket accounting for all three books. To this day, those books from Del Rey outsell anything in my backlist that I’ve self-published.

So were the sales for The Way into Chaos so good because of residual effects of all that money and hard work Del Rey put into the Twenty Palaces books? No doubt.

Were sales so good because of that incredible Chris McGrath cover? Absolutely without a doubt. I’ve always known cover art is really important, but I’m thinking I should have put a couple of extra reallys in there.

And then there’s the very real possibility that this is just a slow fading of a career that never really took off. I have readers who enjoy my work, but it seems like there are fewer every year, as later books make readers lose interest without bringing new ones in. I used to think that my creative instincts could appeal to a broad audience, but now that I’ve been writing for a while, it seems not.

Not sure where I’m heading with this, except to say that I’m not going to stop writing and that I will write Twenty-One Palaces at some point. I’m grateful for the readers I’ve got. I’m grateful for the chance to write my books and a system that allows me to publish them in the face of widespread publisher disinterest.

But I still feel that my non-career is aging the same way that I am. Things don’t work as well as they used to. Everything is slower. It hurts more. People fall away, leaving you with a smaller circle. And there’s really nothing to do but work hard to slow the decline while also coming to terms with its inevitability.

The Flood Circle

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Buy links:

Ebook:  Amazon  |  Apple Books  | Barnes & Noble  |  Kobo  |  Smashwords

Print:  Amazon  |  Barnes & Noble

Audiobook: Amazon  |  Apple Books  |  Barnes & Noble  |  Bookshop.org  |  Kobo

Audiobook cd:  Bookshop.org  | Indiebound  |  Mysterious Galaxy


I have already described the origin of The Flood Circle in my post about The Iron Gate. Kickstarter. Backers. Fulfillment. Novel. A few people have expressed surprise that I am releasing another book so soon after the previous one. Well, I wrote both together, sort of. First draft and revision for The Iron Gate. First draft and revision for this one. Second revision then second revision. Beta read and then beta read, and so on. The real question is why has the delay between books been so long?

But when I sat down to work out the story, I had to ask myself: Is this the last Twenty Palaces novel?

I could have cut things short. Definitely. I could have tried to arrange the story so that the finale of this book was the midpoint of another, very different book. Then I could have wrapped everything up in a single novel.

It was tempting. I recently discovered that I am not, in fact, growing younger as the years go by. In addition, I like a fast-moving story. Why not put Ray and Annalise through the ringer? Why not… I don’t know… turn my final idea for a novel into a ten thousand word epilogue or something?

It wouldn’t work, though. There was still too much story to tell. There was too much I wanted to get done, and the danger of rushing a story is that it loses its emotional impact.

So there’s going to be one more book after this one, called Twenty-One Palaces. I know the general setting but I have zero plot beats figured out. The stakes, the tone, the supporting cast are all a mystery.

But that’s for the future. For now: The Flood Circle

The Flood Circle Cover

Here’s the synopsis:

The three original spellbooks, source of all magic in the world, have been found, and Ray Lilly has already “acquired” one. Now he and Annalise are on a historic mission to get the other two and they’re ready to kill anyone who gets in their way.

If they succeed, the Twenty Palace Society will become more powerful than it has ever been and could truly safeguard humanity from both extra-dimensional predators and the people who summon them.

But this time their enemies are more formidable than any they’ve ever faced before. What starts as a covert mission to hunt sorcerers quickly collapses into a desperate—and very public—struggle to survive. Can Ray and Annalise track down and kill these sorcerers before they execute a plan to drive the human race to the edge of extinction?


As usual, I’ll be turning the buy links below into actual links as the book appears on each site.

Tantor is still doing the audiobooks, and they’re planning to keep the narrator from previous editions of Twenty Palaces. I’ll add those links as they appear.

You may have noticed fewer options for a print copy this time around. Normally, I set up a print version within Amazon and through Lightning Source’s Ingram Spark system. Ingram’s distribution system is very wide, allowing you to walk into pretty much any bookstore in the English-speaking world and say “Can you order a copy of The Flood Circle for me?”

It also gave readers a lot of choices (for print) that were not Amazon. Bookshop.org and Indiebound both explicitly support independent bookstores. And while the markup at those two shops can be intense, supporting indie stores is a worthwhile goal.

Except it mostly never happens. My most recent bestselling book through LSIS has been Twenty Palaces, and that book sold only twenty copies. Over two years.

What’s more, LSIS wanted to charge me eighty dollars to put the book up for sale.

The POD print editions are already too expensive for readers, and the system is too expensive for me. It’s weird to think of a $80 fee as a negative advance that I’ll never recoup, but I’m sitting here facing facts and accepting it for what it is.

I’m also thinking that they set the price that high to discourage long-tail idiots like myself, and I’m a guy who can take a hint.

So this time around, the only print options will be Amazon and B&N. Sorry about that.

And please, if you like my books, please tell your friends. In person, on social media, posting a review somewhere. Anything. Please spread the word.

 

Buy links:

Ebook:  Amazon  |  Apple Books  | Barnes & Noble  |  Kobo  |  Smashwords

Print:  Amazon  |  Barnes & Noble

Audiobook:  Amazon  |  Apple Books  |  Barnes & Noble  |  Bookshop.org  |  Kobo

Audiobook cd:  Bookshop.org  | Indiebound  |  Mysterious Galaxy

How Not To Do It: Why I’m Not Much of a Publisher

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Friday was the release date of my newest novel, The Iron Gate. It was my return to the Twenty Palaces series, the books that landed me a publisher and a fanbase, and it’s the first new novel in that series since 2011.

And I have really borked the release.

Did you preorder a copy of the book? Did that preorder never show up?

That was my fault.

Let me back up.

After I ran a Kickstarter campaign in 2013 for The Great Way, I told myself I was never going to run a crowdfunding campaign again.

I’m not what you would call an organized person. I can never keep a calendar or a journal. Even a to-do list can be a challenge. So, when I published that epic fantasy trilogy, I made a bunch of mistakes, missed important deadlines and paperwork, and generally made life harder for the people I was working with. And myself, too.

I told myself I wasn’t going to do that again.

Then 2019 came along and up popped an opportunity to do things differently. I thought This new Kickstarter will be different. It’ll be simple in the extreme. No pledge levels. No stretch goals. I’ll put together some ebooks and email them around.

I thought that would be so simple that even I couldn’t screw it up.

Cut to this week and my attempt to get The Iron Gate on sale. I was dealing with one ebook vendor that would not upload my book, would not tell me that it had not worked, would not tell me why it wouldn’t work, would not tell me what I had to change to fix the problem. I’m usually pretty good with Googling up answers to my problems, but this took way longer than it should have to fix.

I also discovered several ebook vendors had more than one copy of the book, even though I’d only uploaded it once. I had problems with the cover art that had never cropped up before, and I wasn’t sure if standards at the printer had changed or if this time I’d done something different.

All these problems got handled, thanks to some totally normal and non-frantic wtf google what should I do? activity, but it was still frustrating as hell and wasted a bunch of my time.

I also found myself locked out of my Kindle Direct account the day before the book launched because Amazon decided to impose two-factor authentication. They wanted to send a special code to a landline I don’t even have any more. Was there an alternate to the special code to a non-existent number? Sure. All I had to do was upload a picture of my ID and wait 1-2 business days for someone there to look at it.

That was not how I wanted to discover I had yet another online account that I should have updated with my correct contact information when I moved more than 15 months ago. And yeah, two-factor authentication is great. But they need to let me set it up, not drop it on me.

But what about those preorders?

Here’s the deal. I fucked that up. There’s no other way to say it. I arranged for the books to be available for preorder. I asked people to preorder them, because the publication date was Sept 30, and vendors usually wait sixty days to pay the author, and I was hoping to get a decent chunk of sales revenue to arrive in the same tax year as my expenses.

But I fucked up. I was trying to do something else (at this point I can’t even remember what it was), I was not being careful and I was all click click click until I realized I had inadvertently cancelled more than 150 preorders from the Amazon listing.

Did you preorder from Amazon? Did that order never arrive? Well, it’s never going to, because of my error. You won’t be charged for it, but you won’t get it, either. If you still want the book from Amazon, please buy it from this working link.

Here’s another fun fact: after I stupidly cancelled those preorders, I got on the help chat with Amazon and spent more than two hours trying to get straight answers out of two different people. What I really wanted to know was whether the book I’d uploaded, and had set to publish at midnight that night, would still come out as scheduled even though I’d cancelled the preorders.

In other words, did I need to upload a new copy of the book?

After all that time, I couldn’t get a direct answer. Eventually, I was promised a call back which never came. The midnight publication time came and went without an actual publication, and I did in fact have to upload the book again to a new listing so people could buy it. Which meant the book was published late on that site and that the people who had preordered had to buy the book elsewhere.

I think I’d be better at publishing if I did it more often. The last thing I released was One Man, which was three years ago. There’s no way I’m going to remember all the little everythings I need to do to get this done. I mean, maybe if I journaled the process, I’d… oh shit. Nevermind.

Sometimes I think my chaotic, jump-around brain is helpful for my writing. Sure, it makes me slower than most, but a lot of my readers tell me my work feels different/ unusual/ original, and that’s great. To me, the stories feel like they’re playing out the only way they could, but other people are surprised and that pleases and startles and confounds me a little.

But if I had a more organized thought process, wouldn’t I be able to publish these books better? And write cleaner first drafts? And plot everything out in advance? And make a menu for the week when I’m getting my grocery list together? And go to the gym, wear shorts that can’t be described with the word “cargo”, and grow a full head of hair? The answers are unclear.

I guess what I’m saying is, if you enjoy my books, thank you for your support. As for my publishing process, I apologize for putting hurdles in your way to getting these books. I hate that I make these mistakes, find them both embarrassing and dispiriting, and am incredibly grateful to anyone who perseveres and buys a copy anyway. You guys are the best.

The Iron Gate

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Buy links:

Ebook:  Amazon  |  Apple Books  | Barnes & Noble  |  Kobo  |  Smashwords

Print:  Amazon  |  Barnes & Noble  |  Bookshop.org  |  Indiebound  |  Mysterious Galaxy  |  Powell’s

Audiobook download:  Apple Books |  Audible  |  Barnes & Noble  |  Indiebound  |  Kobo

Audiobook cd:  Bookshop.org  | Indiebound  |  Mysterious Galaxy

—-

Some time ago I started wondering how much actual interest there was in a continuation of the Twenty Palaces series. I’d tried the novella route with The Twisted Path, but sales were unremarkable. When I first started publishing with Del Rey, I’d thought I was a mid list writer. Later, it seemed I’d become a writer with a small following, then maybe not even that.

What was the point of trying to plan a career when my choices kept sending me in the wrong direction?

When Kickstarter got around to their brief “Break Kickstarter” idea, I had a really dumb idea: What if I started taking pledges for new Twenty Palaces fiction, but instead of offering a specific goal, I let the backers choose it. Break Kickstarter was meant to encourage people to use the service in a new way, so I set a rate of five cents a word and promised to revisit the series at whatever level of enthusiasm readers chose. No stretch goals. No pledge tiers. For every dollar a backer pledged, they could pick twenty words to call their own.

So, if I made a fifty dollars in pledges, I’d write a thousand-word short story. If pledges were higher, I’d write more, with a cap at two complete novels because I really had no idea how much or how little interest there was.

Well, pledges did hit that cap, and I owed my backers two full novels of at least a hundred thousand words each. The first, called The Iron Gate, is out now.

Cover for The Iron Gate

The Iron Gate

Here’s a description of the story:

Stormy Bay is a dying town nestled against an eerily placid ocean, and Ray Lilly is trapped in it. He can barely remember his name let alone his mission for the Twenty Palace society. Worse, he realizes that for some time now he’s been living as a puppet, his body and mind under the complete domination of an unknown power.

And that power can still seize control of Ray’s body at any time, forcing him and the people around him to playact in nonsense stories that center around a mysterious boy and his monster dog.

The town and its people shift and change, but only Ray seems to notice. He has no idea what sort of magic has imprisoned all these ordinary folks in Stormy Bay, but he does know he needs to get them, and himself, out.

But that might mean crossing a line he has never crossed before. While Ray has certainly taken lives in his work for the society, it was always in self-defense or in the desperate moments before impending calamity. Can he bring himself to commit cold-blooded murder, even to save dozens of lives?

Next up, after The Iron Gate, will be The Flood Circle, hopefully released sometime next month.

After that, I’ll be writing something else to let the creative energies renew. At some point later, finally, I’ll be ready to write Twenty-One Palaces, the final Twenty Palaces novel, The one that wraps up the series.

In the meantime, here are buy links to online vendors below. I’ve hit a few glitches here and there, and will connect to the books as they appear on the various sites. Apple Books is being Apple.

If you want a print edition, options are limited for the moment. I’m waiting for other vendors to connect their catalogs to Lightning Source before I can add them.

As for audio, Tantor will be creating an audiobook that combines The Iron Gate with The Twisted Path, since the latter is a novella and is too small to be on its own. I don’t know when that will be available but I will let you guys know.

And I can’t wait for the book to be fully out, so I can edit these last four paragraphs out of this post.

In the meantime, if you read the book, please write a review.

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Buy links:

Ebook:  Amazon  |  Apple Books  | Barnes & Noble  |  Kobo  |  Smashwords

Print:  Amazon  |  Barnes & Noble  |  Bookshop.org  |  Indiebound  |  Mysterious Galaxy  |  Powell’s

Audiobook download:  Apple Books |  Audible  |  Barnes & Noble  |  Indiebound  |  Kobo

Audiobook cd:  Bookshop.org  | Indiebound  |  Mysterious Galaxy