Kameron Hurley’s post on persistence

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Last week, Kameron Hurley wrote a long guest blog on writers and persistence. If the descriptor ‘long’ makes you hesitate to click, be assured that she does that writer trick of being interesting the whole way through.

She makes a good point: Persistence is how it’s done. And by “it’s” I mean “become a professional writer”.

However, there are a few things I want to add, because I don’t think “You have to be persistent” is enough. I think it’s useful to talk about how, as well, and that sometimes persistence is bullshit because the goal is bullshit. So:

1. Persistence is just the pursuit of the goal via managed expectations and the certainty that writing professionally is a thing that can be learned. That’s it. If you can stop yourself from thinking “This book I’m writing is going to win an award/make me rich/get me laid/win the admiration of the right people” that’s half the battle. The other half is recognizing that, even if you fail this time, you can do better next time.

Okay, not everyone can improve. If you’re in a coma, no. If you’re so convinced you’re already a genius that you think every rejection Proves What Fools They Are, no. If you’re incapable of learning that text affects readers in ways that the writer might not intend, no. But for someone who can pick up a manuscript they “finished” last year and think “Look at this paragraph! I’m not still making this mistake, am I?” there’s no reason to expect they can’t make their goals.

Plus, it’s the big goals–that vile four-letter word: hope–that breaks the will to write. Like a weary traveler, writers think their destination is just over this next hill. And the hill is so steep and muddy and exhausting, they force themselves to push on, only to discover that the other side is just more road leading off into the distance.

If you fervently hope this is the book that will win an award or become a bestseller, and it doesn’t? That shit is disheartening as hell.

Plus:

2. Nothing bad happens to you if you give up.

Sure, you probably won’t finish that book, but if you get more time to spend with your friends, go hiking, maybe volunteer at a food bank? I can’t really see how that’s a bad thing.

The point has to be this: Do you want to write more than you want to do other things? Video games/TV shows/Other time wasters notwithstanding, if creating literature is not really what you want to do, you might as well be doing something else. You’ll be better off. Fuck persistence.

3. I know some people will bridle at the word “literature” but that’s what writers make, even if it’s Bigfoot pron. Maybe it’s not great literature, maybe it’s rote, or trite, or commercial or derivative. Maybe it’s a big steaming pile of goatshit. Who cares?

4. The point is, it’s really really hard to put aside those big expectations, but one of the best ways to do that is to drill your focus on the book. Whenever I start daydreaming about the reception my book might get (basically, whenever I get weird, starry-eyed high hopes) I stop, remind myself that those thoughts are poison, then refocus my attention on the characters, the voice, the plot. Whatever. Not only does this help throttle the strength out of Hope, that miserable enemy of all good things, but it helps keep my energy and effort where it belongs.

5. What’s more, the idea of a “successful writer” (earning enough to forsake all other employment) is a really strange thing. As Ursula Vernon says, pro writers are simultaneously “fetishized and devalued.” As soon as you start finding fans for your work, people encourage you to toss your day job. Then they complain to you in emails that they got a computer virus from a pirate copy of your book and where can they find one that’s safe and free?

The truth is, writing as a day job is completely awesome and completely nerve-wracking. Not everyone wants to spend harrowing hours wondering if they can pay their rent, or tightening their food budget yet again until that check turns up. Add to that the unhappy fact that a great many writers outlive their own careers and you have a pretty stupid career choice.

And, even if you keep the day job, Persisting can take up a helluva lot of your free time.

But let’s say you want to go for it anyway and stick with Persistence:

6. As I mentioned above: big daydreams are poison. If you can be zen about how well the book will do after you finish, that’s great. If you can’t, there are a few tricks that can help distract us from inflated expectations: first, pay attention to how much a mid-list author makes and how many copies they sell. That’s where realistic expectations should be set. Whatever genre you work in, someone out there is sharing their numbers. Check them out.

Second, a trick I use is that I don’t write for a large audience. I pick three people to write for. They become my primary readers. I choose new ones for each book and never tell them, but when it’s time to ask myself how a scene will play for the reader, I don’t have to picture a long line of people in line at B&N. I have specific people in mind: Will she feel cheated by this revelation? Will he like the way this character changes?

Even if I don’t know anything about them except what they post on their blogs (and yeah, some of the primary readers are pretty much strangers to me) I can do the important work of imagining the effect of the story without poisoning myself.

7. Not matter what anyone says about talent, inborn ability, natural aptitude, or whatever, people can teach themselves to write better. I mean, seriously, if there’s a placebo effect for sleep, there’s a way to improve writing, too. Obviously, that subject is too big for this post, but knowing it to be true is the important thing. You don’t have to give up after any one particular failure.

8. But what if you do all these things but still can’t make persistence work?

Hey, for a person struggling with depression, who’s caring for a sick loved one, who is utterly freaked over impending job loss, or who is generally overwhelmed by life, no worries. Writing is secondary to all sorts of other things, like health and family. Don’t be hard on yourself.

If you’d like to be writing but you seem to spend all your time hanging with friends, checking Twitter, watching TV, or shooting zombies on your Xbox, see about about nothing bad happening if you give up that dream of being a writer. It’s kind of a dumb dream and you clearly would rather be doing something else.

9. Oh, what’s that? You really would like to put aside the games and internet and do the persistence thing, but it never seems to happen?

First, put the distractions away. Alternately, take yourself away from your distractions. I write outside my home b/c my family is very disruptive. I also have an app that blocks my internet for a set period of time. Maybe that will work for you or maybe not, but give it a try.

Second, keep in mind that it is much easier to fail in the face of luxury than in adversity. For many of us, adversity spurs the spirit to strive, but luxury gives us excuses to seek pleasure right now. (I used to have a sign in my office cubicle that read “Hard work pays off in the future. Laziness pays off now.” My boss didn’t get it.) Take a hard look at the luxuries in your life–even if it’s something as simple as Bejeweled or Twitter on your phone–and limit them.

Last, friends of mine used to have this game they played every day called “Fresh Ten”. Every day they would write ten new words in the WIP, then post them online. After they did that, they could close the word processor and be done for the day, or they could write a little more.

Maybe even a little more than that. Just having to do ten new words a day gave them an excuse to sit down and start. Not every day was productive (and not every writer works every day) but it’s how we build our habits.

Well, that was longer than I would have liked, but I liked Hurley’s post and wanted to respond. I’ve struggled with persistence, too, and thought it might be helpful to offer a few mental tools that I’ve used to keep going.

Like Hurley, I hung a sign at my desk regarding persistence, but mine was a quote from Calvin Coolidge:

Nothing in the world can take the place of Persistence. Talent will not; nothing is more common than unsuccessful men with talent. Genius will not; unrewarded genius is almost a proverb. Education will not; the world is full of educated derelicts. Persistence and determination alone are omnipotent.

If you’ve been kind enough to read this far, you deserve a reward: Kameron Hurley’s book GOD’S WAR is available on Amazon and Indiebound

“If I were more trite I’d be successful!”

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I’ve been neglecting this space lately except for link salads and new announcements (Twenty Palaces print edition! Buying from B&N earns more for me than Amazon orders do!) mostly because I’ve been on a big push to finish initial major revisions for all three books in The Great Way.

That’s done and I’ve sent them to my agent. Next I have a short story to revise and more Kickstarter work to wrap up. Unfinished tasks unrelated to actually making the trilogy include:

* Fate game supplement for TGW.
* New revision for A KEY, AN EGG, AN UNFORTUNATE REMARK.
* Fate game supplement for KEY/EGG.
* Straighten out notes for Twenty Palaces short story.
* Write Twenty Palaces short story.
* Compile that story plus others (with introductions) into a collection.
* Assorted tasks associated with all that shit, including covers.

Actually, that list doesn’t look too bad from here.

However! In an attempt to remake the habit of posting here, let me resurrect a post that I started and abandoned last July(!) regarding British crime writer John Connor, spurred by this advertisement interview.

Mostly, I was annoyed by this quote:

He says: “It’s been a struggle all along. If you come at it from the point of view of wanting to write something interesting and worthwhile and entertaining, well, those are the three things that makes it hard if you want to produce something other than some stupid trite piece of content.

“You set yourself a goal of doing any of those things in one genre. It’s easy to do two of those, but doing all three feels like one long compromise. It ended up being a long way from doing what I wanted to do at the start.”

See, Connor (actually a pen name, for some reason) is a former prosecutor, and he pretty much hates the way popular mystery and thriller writers portray crime and its effects.

Which is completely fair. He has real world experience and he can call bullshit on what he (and others, too) call the torture pron aspects of the genre. Frankly, I’m not such a big fan of torture pron either, so I’m sympathetic.

And getting the emotions right–that is, treating tragedies like tragedies and not excuses for heroic rage–is a laudable goal. He earned another measure of sympathy with that one.

Still, it’s painful to see him blaming his perfectly ordinary midlist career on his integrity. Without having read any of his books:

First of all, as pen names go, “John Connor” is terrible. It’s bland. It’s easily misspelled (as “Conner” or “Jon”). It doesn’t even let the cover designer set his last name in huge type; six letters isn’t bad, but a four-letter long last name has size. It would be more memorable if he followed Donald Westlake’s advice of using a super-common last name and an unusual first name. “Connor Johns” is a better pen name than what he’s chosen.

Second, I’ve read plenty of books by actual cops and other people with law enforcement day jobs, and while it’s great for marketing, for the most part I prefer books by outsiders.

It’s not that I’m against realism; it’s that realism often has a certain plodding flatness to it. Every job comes with a certain amount of tedium, even the sort they make hit TV shows of. That’s why you don’t give the boring rote work to the lead character; that’s for the supporting cast to explain with a phone call. That’s why you don’t have them wander aimlessly through the clues; make that shit into a trail. Be fun.

Third, if you approach your own genre with this attitude:

“I have experienced those crimes – that’s half my problem. I’ve experienced them and I know what they’re like which makes me think: ‘You can’t do that just for entertainment!’”

Maybe you should be writing something else.

#sfwapro

Randomness for 1/21

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1) The flowchart of medieval penitent sex.

2) Gorgeous high-magnification sand photos.

3) 15 Massive corporate logo fails. It’s amazing how many of these look like people having sex.

4) Researchers compare language in successful and unsuccessful Kickstarters and discover trends.

5) I’m old enough not to be up on the latest music (and feel perfectly comfortable with that) but I have to offer this: a band called Prodigy did a music video called Firestarter (video) and here’s the same video, but musicless (video). Reader, I lol-ed. h/t to @robertnlee

6) Hero Forge lets you design an rpg character, then print it in 3D. Gaming miniatures aren’t really my thing, but I suspect a few of you will be interested in this.

7) Hatchet Job Of The Year Shortlist – 2013’s most negative reviews in quotes. I confess to a weakness for savage reviews and these are pretty acid.

(I’ve been seriously neglecting this space. I plan to write a note explaining why soon.)

Randomness for 12/17

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1) The Walking Dad jokes.

2) Hippie Boardgame Forever!

3) How English got its current alphabet, and why people say “Ye Olde”. I’m showing this to my son.

4) The origin of common user interface symbols.

5) Kitchy old ceramic statues turned into horror art.

6) Poems made by stacking books.

7) Father makes posters out of strange things he’s said to his kids. I wonder if he’d make one for me: “Do not drink water out of the duck’s butt.”

Project Ditch Smashwords Distribution and Fatten My Bank Account: Completed!

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Like a lot of authors, I uploaded my self-published ebook to Amazon, B&N, and Smashwords a long time ago. The benefit of Smashwords is not the direct sales they make (which are pitiful) but that they distribute to many other book vendors who, generally speaking, sell only marginally better than Smashwords itself: Kobo, Flipkart(?), Sony, Oyster(?)… actually, you can tell that I haven’t visited my Smashwords Dashboard in a while because some of these I haven’t even heard of before. Yeah, they pay quarterly instead of monthly, and yeah, their “meatgrinder” requirements are tedious and annoying, but once the hoops are properly jumped through, they do what they’re supposed to do.

They also upload to Apple’s iBooks.

However, I recently pulled my books from iBooks distribution and created an iTunes Connect account. You have to be vetted by Apple and of course you can’t sell your book by simply uploading a file and filling in some data. Apple makes you download a special program to enter all the metadata, select the proper files, then upload in one go.

Why go to all this trouble? For this:

Mac Discount

This year, we might be forced to buy two iMacs (low end ones, but still) to replace my rapidly-aging current equipment and I’m hoping we’ll qualify for the 20% discount for both.

Anyway, we obviously haven’t ditched Smashwords completely. It turns out that Flipkart is an ebook seller in India, which is nice since I refuse to let Amazon take a 65% commission or force my book into their Select program to sell there. Oyster turns out to be a subscription-based book service like Netflix or Spotify: users pay $X a month and read as many listed books as they like. I get my money if they read 10% of my book. (So hey, Oyster-users, why not slowly page through my ebook while you’re watching TV or something. My bank account will be grateful.) I’m pleased to be distributed to both services plus Kobo, plus Sony, plus whatever.

But I do my work on Apple computers and the savings I will get this Giftmas was worth a little extra fussing with the distribution of my books.

It’s a Cyber-Monday Non-surprise!

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The day when everyone, supposedly, starts their holiday shopping online. Try not to be surprised by what I write next:

I have a new book out that you can order.

The short version is that it’s the pulp adventure game tie-in I wrote. If you’re reading this on my blog, the cover is just to your right at the top of the sidebar. If not, click through that link: it’s full of pulp adventure nonsense like shrinking beams, infra-purple light, Aztec mummies, and a certain giant ape movie from 1933. Fun!

If you already have that one, don’t forget that I have a page full of books for kids recommended by my own son. Nothing in that list is there because I thought it should go there; everyone got the thumbs up from the incredibly fussy kid who sleeps down the hall from me. As they used to say: Kid-tested, kid-approved.

What’s more, there are new entries on the list. Check it out.

Randomness for 11/25

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1) Parents convince kids their toys come alive at night and take pictures. Actually, there’s no proof these toys are owned by kids or their parents. They might belong to a lonely middle-aged guy who figured out a way to get page views. Still: fun.

2) English has a new preposition, because internet.

3) Male novelist jokes.

4) Shit Roleplayers Say. Video. Why does “I attack the darkness” sound so familiar?

5) An extremely funny and very short video: Carpark. Video. h/t +Jonathan King

6) Marvel, DC, and The Problem, a really great longread by Chris Sims about the history and evolution of superhero comics. Even if you’re not a comics fan, you might be interested in the history of two behemoth competitors in a creative field.

7) Six ways to beat reader’s block. I needed this.

The Beatles, 10K Hours of Practice, Arrogance, and more.

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So, Malcolm Gladwell has (in)famously accredited The Beatles’s success to the fact that they put in 10,000 hours of practice while they were in Liverpool and touring in Germany. It’s a nice, tidy idea but it isn’t correct. In fact, they were also very talented. In fact, they were also persistent. In fact, they had more than their fair share of arrogance.

To quote the article:

I don’t mean that in a pejorative sense. Arrogance—a kind of foolish, adolescent self-belief; an ignorant, intuitive certainty that your way is the right way—is the root of all great art.

If you read the article linked above (and if you’re a creative person working in a creative field, you should) you learn about the times The Beatles were turned down standard opportunities. The biggest was the offer to record their first song, something someone else had written, but they insisted on “Love Me Do”. Because of that (and a million other choices) they became The Beatles.

However, one thing the article dances around but never explicitly lays out: They were a group of friends. It wasn’t just one person, struggling away at their art. They supported each other, taught each other, and listened to each other when one of the others said they should stand firm.

How many times has a proto-John Lennon found himself among dilettantes, their passion to create slowly undermined by the fact that no one in their circle shares it? How many of those people get discouraged, give up and find jobs at insurance companies or whatever?

That’s why it’s important to have a circle of friends who are passionate about the same things you are and who are creating that you think is amazing. Foolish self-belief is a delicate bubble for most rational people, and it helps to have a community around you to help protect it, because the world is full of people who want to shred the happy arrogance of creative people.

About the scene I call “The Sentence”

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A reader requested that I write a bit about the climactic fight in the food bank in GAME OF CAGES. On the off chance that you haven’t read that book and don’t want it spoiled, here’s a cut: Continue reading

Happy NaNoWriMo. Once again, I won’t be taking part this year.

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But this doesn’t mean you shouldn’t! Go to town, have fun with it, and if it seems that 50K is a lot of words to write in a month, use this as an opportunity to stretch your boundaries. Some writers do that much in a week, and if you want to be more prolific, you can work on that.

I’ve written about NaNoWriMo before; if you want to read my thoughts on it (and links to other people’s thoughts that I think are worth looking at), please do.