Ten Things Writers Shouldn’t Do

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Sherwood Smith mentioned this conversation she heard while attending Fourth Street. It interested me, because I’ve always thought there were a thousand ways a writer could fail. Make a list of ten? What could be easier!

But to make a list of ten things that most people wouldn’t? Something beyond “Follow the guidelines,” “Don’t play video games when you should be writing,” and “Don’t respond to reviews”? Something beyond the usual? I don’t know. Let’s see:

1) Don’t try to be a brand.

Companies are “brands.” Brands get slapped on products. But writers? They’re people, and what they create is more than a “product.” They’re works of art. Yes, the art is sold as a product, and maybe it’s bad art, or low art, or pop art, but it’s still art.

Brands guarantee a consistency of product, like frozen pizza, and you don’t want people to think your books are the same things every time, maybe with some minor variations in features or flavorings. I always catch shit when I say this, but novels are art. You may want to think of them as mere entertainment or whatever, but they are always art as well.

What writers have instead of a “brand” is a “reputation.” Have a reputation for being interesting, fun, sane, and humane. Have a reputation for writing great characters and surprising stories. Instead of putting out the same old work every time (that matches your “brand”) be amazing.

2) Don’t blame other people.

It’s hard to be rejected, to have your queries bounced, to get bad reviews, to have poor sales. What’s more, it’s tempting to put the fault on external forces. Your publisher didn’t market you enough, that agent doesn’t know good writing, blah blah blah.

But here’s the deal: The person who takes the blame is the person who takes the credit–because that’s the person who has the power. Do you want to break into publishing (or a bestseller list) or do you want to be discovered? Do you want to be an active or passive participant in your career.

I say: If you can’t reach your goals, blame yourself. Even if it’s not true. Behave as though the power to reach your goals is yours. You might as well, right?

3) Don’t have contempt for the market.

Crap Plus One. It’s death and failure all wrapped up in one. Don’t look at the bad books and try to do a little bit better, and don’t tell yourself, “My work may not be great, but it’s better than [published/successful book]!” Aim high instead.

4) Don’t have writing rituals.

I used to have writing rituals. I used to need a certain arrangement on my desk, a certain type of music, etc etc. What happened? My life conspired to strip those rituals from me one by one. I had to learn to be creative without them.

Don’t make cigarettes part of your process, because someday you may want to quit and you’ll find that you’ve quit writing, too. Don’t be precious about the kind of paper or the color of the ink in your pen. Sure, it’s fine to have favorites–to indulge yourself a little-but you really don’t want to fetishize the process. Just get the words from your brain into the world.

5) Don’t come to the page cold.

Writing time shouldn’t be just while you’re writing. Spend a little of your day thinking and planning what comes next. It makes the work easier than if you just turn up at the keyboard and think “What now?”

6) Don’t shit-mouth yourself.

This different from blaming yourself. When you blame yourself for a failure, you’re taking control of it and resolving to do better next time. When you talk crap about yourself–what you can’t do, what you can’t write–you diminish yourself.

And it must seem funny coming from me, since I’m the king of self-recrimination. But the truth is that shit-mouthing myself has hurt me. It’s limited me. I’ve convinced myself I could only do X words a day when I should have been pushing myself to do X+1 and as a result I’m still a slow writer. It’s held me back.

Which means I get to bad mouth myself about bad mouthing myself. That’s pretty much a dream come true.

7) Don’t write sitting down.

This is a hard one and I can’t do it all the time, especially since I do so much of my writing at the library or a coffee shop. But sitting for hours and hours is really awful for your body. I use my little standing desk whenever I can. You should try to do the same.

8 ) Don’t make other people’s mistakes.

It’s easy to let other people guide your choices. Sometimes they do it overtly by giving notes or criticism. Sometimes they do it second hand by creating something compelling you want to emulate.

Don’t be guided by other people’s ideas. Their responses? Sure. That’s useful feedback and you never stop learning from useful feedback. But if you’re going to make mistakes and fail, do it with your own work.

9) Don’t be impressed by “talent.”

Talent is a really nebulous concept, and personally I think it’s pernicious. We slap the “talented” label on people as an honorific, because their work is original, subtle, and most of all, accurate.

But the truth is that the text on the page is the end result of many influences, with “study” and “careful practice” at the top of the list. “Talent”–as it’s normally thought of–isn’t something you can control, and it will never, ever be enough. The best thing a writer can have is a willingness to practice intelligently and the ability to learn without preconceptions. If you have talent (whatever it is) great; if not, no big. Keep practicing and trying new things.

10) Don’t sweat anything but the writing.

Don’t worry about awards. Don’t worry about theory. Don’t worry about valuing character over plot. Don’t worry about the “hardness” of your setting. Don’t expect to be liked by everyone. Don’t expect anyone to care what you’re doing. Don’t fret your feelings for Jesus, or Obama, or Dr. Who. Don’t fret over submission guidelines (which are simple to follow). Don’t fret over internet arguments.

Can you write things that people want to read? If so, you’re doing what you need to do. Go you. If not, all the internet squabbling about art and genre or who deserved what award won’t do a damn thing for you.

Bonus 11th thing: Don’t take advice from people like me.

Instead of listening to people’s advice, pay attention to what they do. Examine things for yourself, with an open mind. The things you learn by your own study will be worth more than 100 blog posts and lists.

And… yeah. I wrote about writing again. On my blog. What the hell is wrong with me?

Auction almost over

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The charity auction of an ARC of Circle of Enemies is almost over. It ends about 11:30 PST. If you want to bid (knowing your money–less PayPal fees–will go directly to the Ballard Food Bank, do not delay.

Thank you to everyone who has bid so far!

Norway first and only

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There are a lot of things I want to talk about, but Norway is just too big right now. It overshadows all sorts of other discussions I might want to have.

My sympathies to the families who have lost loved ones, especially their children.

Last Day of the Charity Auction for a Circle of Enemies ARC

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If you want to read Circle of Enemies before everyone else (and would like to help a worthwhile charity, the Ballard Food Bank), there’s only one day left in the benefit auction of a CoE ARC.

Win the auction and I’ll pay shipping to send you the book by priority mail, plus all proceeds (after PayPal fees) go directly to the Ballard Food Bank.

One day left, and thank you to everyone who’s already bid!

“A cowboy in a world without guns…”

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That looks crazy-awesome.

Spend money at Borders?

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I’m downtown today so I can work at the central library (my local branch is closed on Fridays) and of course I dropped in to the liquidation sale at Borders.

Borders was good to me, if you know what I mean. They ordered my books and stocked them, and judging by what I could see on the shelves, they took more than B&N. So I’m grateful that they stocked my books.

But I couldn’t bring myself to buy anything from them now. Once they’re in liquidation, you KNOW that nothing spent in that store will be going to the publishers or authors. Every penny is going to secured creditors and executive bonuses, and if I’m going to live with the guilt of that, I’m going to need 50% off, at least.

Anyway, in fun human games, today I witnessed a woman astonished to discover that she would have to buy something in the cafe if she wanted to site down in there and use their wireless internet. Shocking, I know.

Finally, I need to get off the web. For some reason I can’t connect to the library wifi, and I’m forced to log on with one of the library’s computers. And! since creepy motherfuckers use these computers to look at pron videos all the time, I feel like washing my hands.

Have a great weekend you guys. If you’re at SDCC, have a greatest weekend.

Stay hydrated!

Barnes & Noble catches up.

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The promo price for Child of Fire finally reaches the B&N website (for all you Amazon.com haters).

Why make a book trailer?

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As promised, here’s a quick note about why I made the trailer, (Vimeo | YouTube) then I’ll let it lie for a bit. But first!

A big “thank you” to everyone who helped spread the word about the 99 cent promo price for Child of Fire. Yesterday was pretty great, and the book climbed to #159 on the Paid Kindle list, was #16 in Fantasy overall and made it to #3 in Contemporary Fantasy. In fact, it’s still #3 as I write this even as the main Kindle List sales ranking has slipped back. Now it’s up to word of mouth and momentum.

Anyway, I’m tremendously grateful, to the point that I’m a little befuddled by it all. It’s always difficult for me to ask favors, and now I find myself full of gratitude, and… that’s difficult. I don’t want to gush. I don’t want to be standoffish or brusque. Maybe if I’d been more in the habit of asking favors I’d have worked this out by now.

Trailer! Here’s the thing: Trailers are terrible for promoting books. Seriously, I have never bought a book because of a trailer, and I’ll bet you haven’t either. So why make one? Most importantly, why spend just shy of five grand on it?

Well, it’s not for the promotion, clearly.

But what if you knew someone who was an amazing painter, and you wanted to hang their work in your home? What if your friends were accomplished musicians and you wanted to commission a song? Wouldn’t it be cool to let them run with it?

Well, my friends are filmmakers–good ones, too. Everyone who’s seen LOVECRAFT, FEAR OF THE UNKNOWN knows that. So when I got a little unexpected money (French and German foreign sales) I thought Why buy a car? This will last longer and won’t make me fat(ter).

At first I considered asking them to make a short film–pick a scene from one of the books, dramatize it, the whole deal. But when I sat down to think about it, I was paralyzed with options. Which scene would be doable? How would we deal with stunts? How do we handle exposition?

I could have done the opening to Child of Fire, but there was some stuff there that wouldn’t translate well to film. So I decided to ask them for a book trailer.

And of course I’m treating it as though it’s a book promotion; that makes it tax deductible. Still, to me, it’s about hiring my friends to make something cool for me, about them showcasing what they can do (and maybe get some work out of it), about seeing Ray and Annalise onscreen, and sharing that with all of you guys.

Because you know what? A lot about this industry is changing, and people who think they know everything about it or think they can predict what is the right /wrong move to make are kidding themselves. It seems to me that the best thing to do is whatever seems cool. That’s what I take away from the way others have found success: they had their interests and obsessions, and they didn’t “promote” so much as create stuff they thought was cool.

Okay, I think I’m done talking about the teaser trailer for a while. Back to the usual natter later.

Forgot to mention:

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As I write this, the charity benefit auction of the Circle of Enemies ARC is already at nearly $150. Thanks to everyone helping out with this.

Also, the 99 cent promotion for the ebook of Child of Fire has pushed it to sales rank 254 on the Paid Kindle Store at Amazon.com. Yes, I’m obsessing about it. A little

Something funny about that teaser trailer

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You know the old truism that, in film, a writer’s work always gets changed? Well, it’s true. Even in the teaser trailer I just released yesterday, the fact is that what ended up on the screen was not at all like what was on the page.

First, for those who missed it yesterday, the teaser trailer: It’s now on Youtube in High Def and in not High Def. (what’s the term for “not High Def”? Regular?)

Okay? Did you watch it (either yesterday or today)?

Right then, here’s how it breaks down: there was one shot in the script saying Ray cut through a padlock with the ghost knife, but for the rest of it, this is what the script said:

INT. OFFICE – DAY

A MAN kneels on the floor, weeping.

MAN
Oh God, I’m so sorry!

Ray knocks him down, yanks his jacket over his head and puts the barrel of a gun against his skull.

That’s it. That’s all it said. From those words, the guys at Wyrd created that trailer.

Maybe some other writer would be upset about that, esp if they were writing the check[1], as it were. Not me; I knew the guys would have to change and adapt things to make this work, and I made sure they knew I was cool with that when we started. What I didn’t expect was that they’d take the ball and run with it as far as they have.

Tomorrow I want to clarify a bit why I did this. (It’s not for promotional purposes. Really.) Today I have to take my son to the gym and teach him swimming.

[1] In this context, “writing the check” is a laughable claim to authority, since the guys at Wyrd are putting in way WAY more work than I could have ever paid them for.