“Seriously: this is epic fantasy unlike anything I’ve ever read.”

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So, the hunt for blurbs for The Great Way is going pretty well. Author C.E. Murphy has even written a preview review (Hey, I should trademark that) that is really positive and spoiler-free. I could probably grab a couple of nice blurbs out of there. Even nicer is that she wrote this on the day after the last book in her Walker Papers series came out. Seriously, I turn into a narcissistic maniac when my books are released, so I’m incredibly grateful that she took the time.

This also makes me hopeful that these books won’t pass through the market like shit through a goose, and you know what I think about hope.

“So what then is an indie author to do?”

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I’m linking to a blog post from last January, but I think this is worth talking about. Besides, I only saw a link to it from @EvilWylie this morning. It’s supposed to be advice about reviews and what an author should do about them, but it’s the worst advice you could ever find, short of kidnapping reviewers so you can hunt them on your private game reserve.

[Update: that link leads to a 404 page now. Apparently he’s pulled it down.]

Context: apparently the author sometimes receives Amazon reviews giving his books only one or two stars, and that is not allowed.

He starts by saying he never leaves reviews with less than four stars, which is perfectly sensible as policies go. There are a lot of people who prefer to be silent rather than talk a book down. Positivity, amirite?

Then he starts talking about the sort of people who *would* leave a two- or one-star review, and immediately it becomes about “holier than thou Grammar Nazi[s]” who don’t understand how hard indie authors work on their books! And are just like those awful elitist college professors. Or something. Plus, all books have errors in them, so why do these reviewers have to be so fussy?

But what to DO? The first suggestion he makes is, if it’s the first review, to unpublish and republish the book so the review will be lost. Also, maybe–just maybe–the author should consider the possibility that they need to take another editorial pass.

Next, he suggests talking to the reviewer, maybe asking for their help, because it’s possible that a person leaving a negative review is not a bad person.

No, seriously, that’s what he says:

Often a reviewer doesn’t take into consideration of the impact a bad review can have on your sales. They may not even be bad people.

Look at that fuckery. In fact, let’s highlight something: They may not even be bad people.

Let’s get to the point, because this is the point right here: Just because someone does something you don’t like and/or is actually harmful to you, does not mean that person is attacking you personally. How people manage to bumble into adulthood without learning this, I’ll never know, but it’s a simple fact. Okay? “I feel pain” does not necessarily lead to “You tried to hurt me” even if they’re college professors.

So the author suggests talking to the reviewer politely, asking for tips to make things better. In his first example, this works out fine because the reviewer takes the time to respond, offer help, and improve the author’s work. Wasn’t that kind of them? They even changed the review.

But what happens to a reviewer who leaves a negative review but doesn’t respond to the author’s request for help? What if they don’t want to take time out of their day to point out the errors they found or beta-read a project?

So what then is an indie author to do? Well this is where we as indies have to stick together. This is trench warfare people… anything goes.

Clearly, the solution is to find a bunch of other authors to go on the attack:

I called on some friends to discredit the review, promising to do the same for them should the need ever arise. I’ve made a lot of friends in indie author community through kindlemojo. I asked some of fellow authors to write comments in this fellow’s review.

OMG, I had no idea that some of them were going to be as vicious as they were. The looked up this guys history and saw that he mostly liked to review video games and painted him as a mommy’s boy living in her basement with nothing better to do. They got personal with him as well – it was getting quite ugly – but in a good way. One of the comments even accused him of being a mole of the big 6. However most were simple rebuttals to the unfair review. Someone even pointed him to the article I reblogged about how the first mass marketed Harry Potter novel had over 200 typos. After a few days of the onslaught he took the review down.

Let’s highlight something else here: They got personal with him as well – it was getting quite ugly – but in a good way.

Hey, there is no good way to get personal with a reader who left a negative review. The author includes a quoted text of the review in question (not a screencap, because as they said they bullied the reader into dropping it) that states the one-star is because the reader found four typos, but even if we were assume the review really was that extreme, it doesn’t matter. It doesn’t matter who posted the review or why, you leave it alone.

I have a one-star review that I know for a fact was payback for an online scuffle. Whatever. I leave it alone. There’s a one-star review on the Goodreads page for Game of Cages that mocks the book for an error that doesn’t actually exist: the reviewer misread the scene. What’s more, she has a ton of likes for that review and it pops up at the top of the page. Whatever. I leave it alone.

One thing indie authors like the dude I linked above could learn from traditionally-published ones is professionalism regarding reviews: Leave them alone. They’re written for the benefit of other readers, not for the author (or the author’s marketing efforts).

Don’t attack people because they say they don’t like your book. Even if you think they didn’t read it or they’re just taking a dig at you–even if you know both of these things for a fact–it’s completely unprofessional to silence readers’ opinions in readers’ spaces, whether by unpublishing the book or through an “onslaught” when they refuse to help you fix your mistakes for free. If it bothers you so much, do what other authors do: stop reading your reviews.

John Scalzi’s take on Yog’s Law

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So, John Scalzi had a response to my post about Yog’s Law, and we still disagree.

As I mentioned in the comments over there, the beauty and power of Yog’s Law is in its simplicity. Once you start talking about spending money with your publisher hat on rather than your author hat, that’s when things get conditional, and Yog’s Law stops being so useful.

And, by my reading, Scalzi’s Self-Pub Corollary boils down to “Keep your rights and spend wisely,” which is straight up normal business advice, as far as I’m concerned.

Which is not a slam against Yog or his law. Some years ago, it saved me when I was a noob looking for any way in. I just think it is not as useful as it once was.

“Do you ever feel ground-down by this business”

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Authors who are way more successful than me talk about how difficult publishing can be.

The original tweet is directed to male-identified authors because the discussion sprang from another one about the difficulties female-identified authors have getting reviews, tours, etc.

What this tells me is that I should be working on my book, not going online to have my blissful ignorance shattered.

[Also, this is my first post with my new blog theme. I’m still getting used to it.]

Both hilarious and important

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Maybe other people are talking about this all over the web and I’m not seeing it, but LAST WEEK TONIGHT has been really great right from the first episode.

Net Neutrality is an incredibly important principle and Oliver drives that point home while being 100% hilarious. He really is great.

Vox.com has a series of their explainer cards laying out the subject, and I’ve been waiting for an excuse to post these two links:

Yes, Your Internet Is Getting Slower: Your provider likes it that way. And the government doesn’t care.

Why The Government Should Provide Internet Access.

But even if you don’t agree that the internet should be treated as a public utility, you should watch the video. It’s damn funny.

I’ve already shared my opinion with the FCC right here.

New Kickstarter update

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Is here.

The manuscript for The Great Way (the entire trilogy) has been turned over to the copy editor, which is good news for me. I’m pleased to be working on something else for a while.

The update also includes a (very) rough schedule for Kickstarter rewards.

Anyway, I’ve been superbusy–so busy, in fact, that I can’t even keep up with my Twitter timeline when I open it during “down” moments.

Back to it.

A note to my readers re: Amazon

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I haven’t been online all that much (and shouldn’t be right now, either–I have books to finish) but apparently Amazon has stepped up its pressure on Hachette by yanking buy links for all their books. Beyond that, they’re also screwing with search results, messing with book categorizations, and pushing readers who want to buy Hachette books toward Hachette’s competitors. And the reason they can do this is you.

Now, if your response to all this is to say “Amazon is an independent company and they can legally do whatever best serves their interests,” let me assure you that I agree. They can legally do all these things, just as Wal-Mart can legally include information on sighing up for food stamps during their new employee orientations. There are a lot of things powerful people and corporations can do that are both legal and deeply, deeply shitty.

And why is Amazon doing this? Because Hachette won’t accept a new, lower rate on their ebooks.

But the thing is, this wouldn’t matter so much without you.

It’s the readers who give Amazon all this power. It’s people who click through Amazon links but never do for any other bookstore, and who impulse buy like crazy online but no where else.

Some years ago, I tried an experiment: For a full month, I wrote about books constantly and all the buy links I put in my posts went to indiebound. Not one person bought a book.

The next month, the only buy links I posted went to Mysterious Galaxy, a terrific store in San Diego that ships books just like any other seller. Not one person bought a book.

Which isn’t to say that no one clicked those links. They did. But those clicks didn’t translate into sales.

More recently, I posted links for the new paperback POD edition of Twenty Palaces. The link pointing to Amazon and Barnes & Noble. The link to Amazon got more sales than the link to B&N got clicks. When I’m talking about sales ebook sales for the same book, B&N provide about a fifth what Amazon does, with all the rest in negligible numbers.

Now, this is what the general public has chosen. When people go looking to buy something online, they turn to Amazon. Hell, when I want to send a purchase request to my local library, I use the Amazon page to dig up the publication date and the ISBN.

But at this point it’s hurting authors. (Here’s the website listing Hachette’s authors, highlighting bestsellers, of course, but like most publishers they have a mob of midlisters.) Anyone could be next. Small presses are already being squeezed. Self-published authors have been so happy with their “70% royalties” (which is really a 30% sales commission for hosting/delivering a file and processing payments) but as soon as Wall St decides the company needs to start turning profits, I’ll bet that’s the first place they start to squeeze.

But this raises questions for me: Do I remove the links to Amazon for all my books, as other authors have done? Like Fred Hicks, I’ve already emptied my Amazon cart of the obscure crap I was planning to buy when The Great Way was finished.

What’s the point of doing all that, of linking to other book sellers large and small, if readers won’t buy from them, even for paper editions?

New Kickstarter Update posted (with cover art)!

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It’s the beginning of the month, so it’s time for an update on my Kickstarter.

This one includes the cover art for the first novel, The Way Into Chaos, by Chris McGrath!

Check it out.

No, seriously, check out that cover art! It’s gorgeous.

Sample of new Veronica Mars audiobook, read by Kristen Bell

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Posting an audiobook segment to YouTube is a great idea. Give it a listen.

Social Media Creates Sleeper Hit, a case study

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Last weekend, a new low-budget movie called CHEAP THRILLS opened in LA and Austin, as well as on iTunes, Amazon and whatever. It’s about a guy who gets fired from a shitty job and finds himself desperate for money to avoid eviction… on the night he and his buddy meet a couple willing to pay them to do crazy stuff.

Here’s the trailer.

It looks intense.

It’s also a surprise hit, with great per-theater earnings, terrific VOD revenue, and a 94% fresh rating on Rotten Tomatoes. What makes this movie different from any number of terrific indie films? A great social media campaign. Check out this article on how they managed it. I have a non-academic interest in how this sort of thing is accomplished, of course, but it seems the short version is: great movie, enthusiastic friends with huge social media footprints, and a little craziness to attract attention.

Anyway, interesting stuff.