Randomness for 6/21

Standard

1) A kiddie mecha for real! Video.

2) George Lucas as OLDBOY? Video.

3) Repulsive Soviet monument rebooted.

4) The 100 best first lines of novels.

5) In my non-academic interest in book trailers, I offer this: Video. Graphic novels make it easy to be lazy with a trailer, but these guys did something more.

6) Nathan Fillion, photobomber.

7) A word cloud showing the 500 most common passwords. Those passwords make up 79% of a database of 6 million users. And I can’t believe that one of them is “8675309”. via @RodRamsey

Books packed for NYC

Standard

I’m leaving for my trip as soon as I finish and rinse this cup of coffee, but here are the three books I’ve packed for my trip:

The Talented Mr. Ripley by Patricia Highsmith. This is very very good, but I’m having a hard time stealing reading time for it.

The Fox by Sherwood Smith. I stopped reading this ages ago because of the craziness of getting an agent. It’s past time I dove back in.

Sacred by Dennis Lehane. Someone I’ve wanted to read for a long time.

I won’t have time to read all three, but still: books!

“They’re so funny. They use the subjunctive when they ought to use the nupative.”

Standard

Let’s make this a quick list of items of interest, okay?

First of all: Hey New Yorkers! I’m going to be in New York City next week, visiting Manhattan with my wife and son. Yes, I’m also going to meet up with my agent (first time face to face) and my editor (not first time). And others, too, if things go well.

Publishing people! Who use the subjunctive correctly! And who probably also know how to use the nupative, even though that doesn’t even exist, except in last night’s dream about condescending NY grammar fundamentalists. (See subject header)

Anyway, I’m also planning to attend the KGB Fantastic Fiction Reading Series on June 15th. I don’t know either of the authors who’ll be reading there, but that just makes it more exciting.

Are you in New York? I’d like to meet there, and maybe do something after. I look like this. If you see me there, don’t hesitate to introduce yourself.

Second: I mentioned this on Twitter last week, but haven’t here; Twenty Palaces, the prequel to Child of Fire, is 100% done! Well, unless Del Rey buys it and my editor has notes. And except for the copy edits. And galleys. And another polish, if I want to give it one, (and I always do).

Still: One. Hundred. Percent. Done. I’m back at work on A Key, An Egg, An Unfortunate Remark (aka: The Auntie Mame Files). I like this book, although I suspect it’s going to be a stand alone. We’ll see.

Third: On the advice of a friend, I’ve started polishing up some old short stories to self-publish them. I mean, why not? Several have been published before and several will need substantial rewriting, but it will be nice to have something new to put out into the world.

Fourth: Look what came in the mail over the weekend?

IMG_2698

It had this in it:

IMG_2699

I’m going to assume he meant “this book,” to mean “the book for Harry Connolly.” Seems obvious, right?

I sorta expect a significant proportion of this text to be right out of his LiveJournal, but with luck I’ll pick up some extra tips for writing short work for small checks, rather than doing these months-long projects on spec, which sucks.

Fourth: Is it completely ridiculous for me to record all the Bookscan numbers I get from Amazon.com into a spreadsheet? I mean, I can’t even keep my characters’ names straight, but I’m fastidious about this?

Fifth: I still have a lot to do before I head to NY. Good thing I finished those Dungeon Quest books (by Joe Daly). Now that the hilarity is over, I can get some shit done.

Helpless in the face of luxury

Standard

(I’m posting this to share my experience, not to solicit advice. If others want to share their experiences, too, I’d love it, but no advice, please.)

“It’s called willpower,” Colson Whitehead says in this PW article about… well, about many things, only one of which is the need some writers have of hiding themselves away in a hostage pit because they can’t handle distraction.

I’m one of those writers, and I freely admit that it embarrasses me. When the writing gets really difficult, I find it very difficult to focus on the problems and opportunities there, and all too easy to check my emails, or Twitter, or my LiveJournal friends list.

It used to be that I could hide at Starbucks. They charged for wi-fi and I’m too cheap to pay for my procrastination… then they backed down and offered it for free. Soon I was checking my emails, just in case something important came in, and are there new posts on LJ? Oh, what crazy shit has so-and-so said about books this time? An article on health care reform! It’s my duty as a citizen to stay up-to-date on politics, and besides I can read it while this funny video loads.

And don’t forget that I need things to blog about other than the usual I’m-tired-my-butt-itches crap. Links for the Randomness posts! Op-eds to disagree with! Movies to pick apart!

Except that I didn’t really need any of that. What I needed was time and quiet space to work. I don’t need a physically quiet space, but I do need one where my jump-around brain won’t latch onto something interesting and easy, like my Twitter timeline or the book I’m reading.

There was a Radiolab from a while back that talked about the bargains creative people have to make. It’s worth listening to, maybe while you’re doing dishes or something. For me, it’s helped me work out a new plan to increase my productivity: just like all those people who put A WOMAN UNDER THE INFLUENCE in their Netflix queue as something they’ll watch someday way out in the future while continually picking THE HANGOVER or DRIVE ANGRY for what they want to watch right now, it’s easy for me to plan virtue way in advance, but nearly impossible to grasp it in the moment. If I could be trusted to back up my own material manually, I’d crack the case of my laptop and pith my wi-fi connection. Since I can’t, I use Dropbox.

So I turn my laptop on the night before and set Mac Freedom for six hours. Maybe eight, but usually six.

That’s long enough for me to do my pages, then revise one of my old short stories for a self-pub collection I’m considering, and that’s it. I can reboot if I want to check my email at the library or whatever, or I can come straight home and wait for the timer to run out, at which point the household wi-fi handles all the backing up.

But that’s the best work around I can come up with at the moment. My brain has a hard time staying on task, and talking about willpower misses the point. If I’m hungry, tired, cold, or depressed, I can write. Adversity I can handle. What I have a hard time with, apparently, is fun, luxury, pleasure, and comfort. Those are the things that will ruin me.

Update: An article on the limits of willpower.

How I write a book synopsis

Standard

Elseweb I saw someone ask about tips for creating a selling synopsis for the book they were about to start querying. The thought of typing up my advice yet again made me feel all tired, so I decided to just link to the post on my blog. Easy, right?

Except, I’ve been so reluctant to do the writing-advice thing here that I never actually put it on my blog. Duh.

So! I’m going to type up my personal methodology for writing a selling synopsis, and when I come across this question in the future I can respond with a link. (I know I’ve promised a post about my personal writing shame; it’s coming.) I’ll put in a cut, because this crap is boring. Continue reading

Hand-wringing over kids nowadays

Standard

Last night, Twitter blew up (check the hashtag “#yasaves”) over this WSJ article about modern YA literature. Apparently, it’s not full of happy fun kids scampering through meadows or whatever.

There’s a lot to be annoyed about in the article (which is why it has a rel=”nofollow”) including a list of books the writer thinks would be appropriate for kids–which naturally is split into a boy’s list and a girl’s list.

Whatever. There are quite a few writers, readers, and publishing people taking the article apart and pointing out the power of downbeat, even grim, stories. They’re more knowledgeable and more articulate on the subject that I could be. I just want to address one thing:

The article writer manages to nod her head toward the fact that books about, say, cutting would be helpful for kids who cut themselves. She thinks they’d show kids how to heal themselves and move on. Instructional manuals, basically, although she’d never say it so baldly. Still, her talk of kids who don’t cut themselves, but who might start to think of it as a legitimate option after reading about it (“normalizing” as it were) makes it clear this is where her argument is going.

This isn’t just ridiculous, it shows that the WSJ children’s book columnist doesn’t understand how books work. Are books about surviving rape only for rape victims? Are addiction memoirs only for addicts?

No one would suggest this for adults, of course. No one would airdrop boxed sets of Lord of the Rings to Libyan rebels. But with teenagers, there’s this idea that someone else’s kids might be screwed up enough to need screwed-up books, but our kids are perfectly fine, thanks, and don’t need to be exposed to helplessness or pain.

Not only is that wrong, it’s as wrong as wrong gets. Everyone, young and old, needs to experience a wide variety of emotions in the safe space that books provide. It’s not about normalizing, or processing your own shit; it’s about being human and understanding other humans. It’s about seeing your own dark impulses–which even your angelic little honor club teen feels–played out through fictional characters.

Personally, I hate the idea that fiction is supposed to be part of some self-improvement project. I don’t hate it because I think fiction is (or should be) fun fluffy nothings that you enjoy and toss aside; I honestly believe that reading fiction enriches us. I couldn’t write it if I didn’t.

I hate the “What do we learn from this novel?” garbage because it’s always trotted out to confirm someone’s pre-existing prejudice. It’s a tool of disapproval, and it’s used against fantasy, romance, downbeat stories, upbeat stories–everything, frankly. Sure, one person might understand perfectly well that his Kindle full of crime thrillers won’t “normalize” bank robbery, but those women and their romance novels have such unrealistic alpha male expectations, amirite? (Because this is the internet, let me say that last sentence was sarcasm. Thanks for playing along.)

And it’s so short-sighted! What if that novel about murder, war, battle, and revolution is not a rehearsal for violence, but a rehearsal for bravery? What if that addiction memoir isn’t spurring kids to give that heroin thing a try, but is simply giving them a safe space for compassion? Why not trust that your own kids, the ones you raised to know right from wrong, to draw something valuable from the books they love?

They won’t do it, but the Wall Street Journal should fire and replace that columnist. Maybe they can even find one who understands what censorship is.

Randomness for 6/1

Standard

1) Negotiating with the British.

2) http://www.blackpeopleloveus.com/ I really can’t do better than show that URL.

3) Who shot the serif? If you’re curious about fonts and typography, this is a good place to start learning about them.

4) A Tumblr devoted exclusively to Facebook status updates from people who believe stories from The Onion are real.

5) Autobiography of a vampire (former). This shit is why I’m careful to explain to my son that “non-fiction” doesn’t mean “true.”

6) This is cool: a library in NZ opens a public recording studio.

7) THE LESSER BOOK OF THE VISHANTI: A Companion to the Dr. Strange Comic Books. The spells, artifacts, world-building, and more to the Sorcerer Supreme’s end of the Marvel Universe.

New short story!

Standard

Black Gate #15 is out, and I have a story in it. The story is called “Eating Venom” and it’s about political rivalries, bitter resentment, and basilisk fugu. Order your copy here.

If you’ve never read BG before, know that it’s a fat magazine: 384 pages long, with over 150,000 words of adventure fiction. The print edition is $18.95 plus s&h (you can get a discount w/ a 2-issue subscription) or you could order a .pdf for nine bucks.

Suvudu Writing Contest

Standard

The winner of the Suvudu Writing Contest (who will receive an edit from my editor, Betsy Mitchell) comes from my county. Check it out. The book he wrote sounds pretty cool.

Randomness for 5/18

Standard

1) Better book titles, Strunk and White ed.

2) Brilliant street fliers.

3) Why SyFy cancelled SGU, in numbers.

4) Angry comic book fans are good for sales, apparently.

5) U.S. cities where women (childless, between 22-30 years old) earn more than men.

6) Mysterious “Surfing Madonna” mosaic appears in Encinitas, but city mayor calls it “graffiti”.

7) My son calls this the guy-cycle. Video.