One Man at One Week

Standard

Publication day for One Man was Tuesday, November 26th, which means that yesterday marked the end of the first week of sales. Honestly, it’s the most important week.

So how has it gone?

Honestly, not all that great!

First Week Sales for One Man

 

“But Harry,” you say, “that’s eight days.”

Yes, but I’m on Pacific time, and the pre-orders ship out on midnight of publication day, so people in New York, for example, were getting their pre-orders while it was only 9pm on my time. Therefore, 211 pre-orders out of 249 were delivered (and registered) on the day before.

My usual practice when posting these sales graphs is to cut off the Y-axis to obscure the actual numbers. That’s because I usually talk about trends. But let’s talk numbers

Ebook sales through Amazon for the first week: 492
Paperback sales through Amazon: 4
Ebook sales through B&N: 19
Ebook sales through Kobo: 24
Ebook sales through Smashwords: 14 (higher than expected, honestly)
Paperbacks shipped from Ingram Spark: 26

Those Ingram Spark paperbacks are heavily discounted and fully returnable, so they should also be available to anyone who walks into a bookstore and asks the clerk to check for it on their computer. I’ve also added Powell’s, Mysterious Galaxy, and Indiebound to the bottom scroll of online vendors to give paperback buyers a few options other than Amazon.

What does this mean? Well, my newsletter, which is designed specifically for people who want to know about my new releases w/o following me on social media, went to 1349 addresses, announcing the pre-order. These are the people who presumably want to buy my new work, and I was hoping to turn at least half into sales.

One Man is, I believe, the best work I’ve ever done. The thought that it might reach a portion of my existing readers and only a scant few beyond that is, frankly, disheartening.

On the upside, that graph slopes down and then up again. The upsurge in sales corresponds with the appearance of early reviews.

I don’t have a big marketing budget here. The book is out for reviews at a few places, but the only way it’s going to reach new readers is through word of mouth. Reviews, recommendations to friends, a thumbs up on social media… that’s what drives sales.

So, if you have bought the book, please read it. Then please give it a review. I think this is the best book I’ve ever written, and I hope it reaches the widest circle of readers possible.

I think that’s called “burying the lede” but there you go.

Thanks.

Welp, It’s Black Friday

Standard

Today is Black Friday, and if you’re planning to visit a bookstore to do any of your holiday shopping, I just want to make note that you ought to be able to order One Man through Ingram.

I hope so, at least. That’s how it’s supposed to work.

Thanks very much to everyone who bought the book and everyone who has written an online review. Right now, the book is selling to people who already know and like my work, but spreading the word will help this book (and my backlist) reach a larger audience.

At which point I should just say: Happy Leftovers Day. As soon as I finish this, I’m having a turkey sandwich and a slice of apple pie for breakfast, then I’m heading out to work on The Iron Gate.

One Man Sample Chapters

Standard

CHAPTER ONE

On the day after the summer solstice in the year 403 of the New Calendar, Kyrionik ward-Safroy defe-Safroy admir-Safroy hold-Safroy attended his own funeral.

As a noble family, the Safroys were expected to hold two ceremonies. One would be private, reserved for family, close political allies, those in the High Watch who thought it prudent to show respect to a member of a rival faction currently out of power, and however many of Kyrionik’s former friends his mother felt obligated to invite.

By tradition, it should have already happened. Somber guests would have worn their mourning whites. Servants wearing hoods of muslin gauze would offer each a cup of bitter tea, to represent grief, followed by drams of honeyed brandy, which represented happy memories of the loved one who had passed. After a few moments of silence, polite guests would talk about family, friends, newborn babes, aging parents—anything concerning the way people live their lives—to remind the grieving family that life goes on. Impolite people would try to talk business.

Kyrionik’s mother was a former member of the High Watch, the parsu of the Safroy family, and a rich, influential woman. She was always surrounded by impolite people.

The private ceremony was ordinarily held at home, usually in a garden or courtyard. For the Safroys, that meant everyone would be high enough on the slopes of Salash Hill that the family could mourn in direct sunlight, without the unpleasant tint of the light from Suloh’s bones. Perhaps they’d gather in the east hall, with its floors made from smooth white marble imported from Koh-Gilmiere. Or maybe on the southern deck, with its skywood and commanding view of the sea. Or the gardens, where Kyrionik and his brothers used to—

No. Those memories were from his old self. The one who lived among the wealthy, high-born Salashi. That man was long gone. Kyrionik had a new name now.

Now he was Kyrioc, child of No One, which marked him as lower than a commoner. He was an orphan. Unlike the high-born Kyrionik, poor Kyrioc had no family, no titles, and no inheritance.

But he did have an obligation.

The public funeral for hapless young Kyrionik was being held in High Square, at the southernmost end of the Upgarden deck, and Kyrioc, child of No One, stood in the long, long line of complete strangers waiting to pay their respects.

Kyrioc could not have attended the private ceremony without revealing himself. Without reclaiming his old name. The idea of reuniting with his family, of the joyful tears, the celebrations, the calls that he explain where he’d been and what had happened…

What he’d done…

And they would embrace him. His hands, responsible for so much death, would touch his mother’s small frame. They would feel her warmth and movement. Her breath. Her life.

Just the thought of it made him flinch and close down. He shut his eyes and stopped shuffling forward with the rest of the line. He could hear screaming, as fresh in his memory as if he’d heard them that morning. Then he remembered burning figures running through the jungle at night, then the darkness itself coming to life, and the sound of steel on flesh, and the smell of blood, and—

“Good sir?”

Kyrioc jumped, hand reaching for a weapon he no longer trusted himself to carry.

The woman who had spoken was a Free-Cities merchant. She’d dressed in an open green linen robe over cream-colored tunic and trousers. They complemented her bronze skin, setting her apart from the dark-brown faces all around her. Instead of a hat, she had pinned a small block of perfumed wax atop her rather ordinary bun. It had barely begun to melt into her hair, but the sharp, flowery smell was overbearing in the still air.

Her right eye was surrounded by a web of scars and was dark brown. Her left eye was hazel. If she could afford to replace her eye, she probably did not spend much time around people like him, but funerals bring together the high and the low.

She was gaping at him. He lowered his hand.

“You stopped walking,” the woman said with more kindness than he deserved. “Are you all right?”

“I’m sorry, good madam. Bad memories.”

“Ah. I thought you were grieving, and that perhaps you knew the deceased personally.”

Kyrioc wasn’t sure how to respond. “I would have been a stranger to him.”

The line was still shuffling forward without them. Kyrioc mumbled another apology and hurried to close the gap.

For the day, Kyrioc had worn simple black trousers with a black cotton tunic and vest. They were the funeral clothes of a poor man—a man with disfiguring scars and shaggy black hair hanging in his face—and they were supposed to let him blend in with the crowd.

High Square, where the Safroys awaited the long queue, was nearly two blocks away. Kyrioc could not let himself fall into a reverie again, not if he was going to hide himself in this long line of stitches.

He wished he could summon his cloak of mirrors, but that was impossible in the midday sun.

Kyrioc looked up and down the street, checking for Safroy guards. There were none this far from the square itself. Instead he saw city constables, private shop security, and the usual flash and bustle of the main street of the Upgarden deck.

Here at the southern end, with High Square and the terminus of The Freightway nearby—and with the gate to The Avenue just behind him—Upgarden was at its most luxurious. Not only were the streets themselves constructed from pale, beautiful skywood, so were many of the stores. This close to High Slope, the shops sold only the finest goods from around the Semprestian: silks from Carrig, spices from the Free Cities, furs from Katr nomads, jewels from Koh-Benjatso, Koh-Gilmiere, and Koh-Kaulma. If there was a piece of finery with the poor taste to have been made right there in Koh-Salash—or anywhere along the shores of the Timmer Sea—it was sold downcity, where the shops were made of ordinary wood and people walked about in the pale orange like of Suloh’s bones. Continue reading

The One Man Post

Standard

One Man is a superbly realised story set in a rich and fascinating world. The horror grips, the fantasy delights and the characters remain vivid and real to the end.” — Justina Robson

It’s been four years since I released a new novel.

Four plus, actually, and I’m a little embarrassed that it’s been that long. There was the Twenty Palaces novella, The Twisted Path, of course, but still. Four years.

This book is the reason.

I spent two years writing One Man. It’s is a big book, over 150,000 words. It’s complicated, with lots of POV characters and locations. The setting is limited–almost every chapter takes place in a single city–but it’s complex.

Which is another way of saying that a lot of time and sweat went into this novel, and I’m proud of the result.

Here’s the back cover description:

———–

One Cursed City. Two Dead Gods. Ten Thousand Murderers and Thieves. One Orphaned Girl.

As a child, Kyrioc was groomed to be the head of one of the most powerful noble families in Koh-Salash, a city built inside the skeletons of two murdered gods. Kyrioc himself dreamed of becoming head of the High Watch, the highest political position in the land.

Those dreams have turned to dust.

Presumed dead after a disastrous overseas quest, Kyrioc now lives in a downcity slum under a false name, hiding behind the bars of a pawnshop window. Riliska, a nine-year-old pickpocket who sells stolen trinkets to his shop, is the closest thing he has to a friend.

When a criminal gang kills Riliska’s mother and kidnaps the little girl, Kyrioc goes hunting for her.

He doesn’t care about the forbidden magic the gangs are fighting over—the severed ear of a glitterkind, a creature whose flesh contains astonishing healing powers. He doesn’t care about the bloody, escalating gang violence. He doesn’t care about the schemes of power-hungry nobles.

In a raging city on the verge of civil war, Kyrioc only wants to save his friend. He will risk anything for her, even awakening the powers that murdered the gods so long ago.

———–

See, I wanted to try an experiment. Most fantasy novels have huge stakes: A Dark Lord trying to conquer all. A usurper seizing the throne, pushing a kingdom toward civil war. A world-shattering magical cataclysm. Invasion of monsters. Return of monsters. Whatever.

But what if I wanted to create a fantasy story about a quest for something small. Something important, but not world-shattering. For instance: the life of a single little girl. Not even his own, just someone he knows.

I wanted to see if I could make a story like that as compelling as one where millions of lives were at stake. The consequences of the protagonist’s actions were wide-ranging. They had ripple effects. The other POV characters have their own quests, and as the status quo of the city crumbles, the dangers escalate.

But for the protagonist? He just wants to save one life.

If I’m being honest with myself, I felt sure that NY publishers would really respond to this novel. I expected the mix of genres, characters, and setting to hit the bullseye. Probably, you could say that I was being ambitious.

I was wrong. One Man was on submission for over a year and a half and, while it earned me the nicest rejection I have ever seen (or even heard about) no one wanted to publish it.

It’s probably a mistake to admit that, but fuck it. I think it’s a good book. A thriller with strange magic, desperation, betrayal, and murder. But it’s an odd book, too, with bourgeois hobbit vampires, and sleeping giants whose flesh can heal you, and a sprawling city built inside the skeletons of two gods who were murdered while fucking.

What I’m hoping, if you’ve read this far down the page, is that you’re interested in a big, odd, ambitious book about crime and magic and a screwed-up guy who has one last chance to do something decent in this world.

Cover for One Man

The trade paperback should be available to order from Ingram, if you want to buy from your local bookstore, but obviously you could also buy from one of the online vendors below.

Sample chapters here.

Amazon | Barnes & Noble | iBooks | Indiebound | Kobo | Mysterious GalaxyPowell’s | Smashwords

Cover for The Iron Gate

Standard

It occurs to me that I have shared this all around but not here, which is dumb.

On the first morning of the campaign, Fred Hicks sent me a mockup he’d done of the cover and I liked it so much that I’m going with it. Here we go:

Cover for The Iron Gate

And that’s why Ray Lilly will be wearing a tie in the new book.

The campaign is winding down, obviously, but it’s already met its goals. What’s the opposite of “stressing about it”? Hmm, it seems like there should be a word for phrase that means the opposite of stressed but gosh, I haven’t had a use for it in so long…

Anyway, the lack of stress is thanks to everyone who backed the campaign and shared it with their friends.

Other updates: Writing on The Iron Gate continues at a decent clip, and the copy editor is hard at work on One Man. Later today I hope to work on the cover for OM with my son. Work continues.

Here’s the latest status on the campaign:

Long Time Readers Will Know What This Photo Means

Standard

Arrogant Bastard

But damn… A can?

I used to buy Arrogant Bastard Ale in a 22 oz bottle, but everything’s in cans now.

Maybe this makes me an old, but cans still feel cheap. The beer tastes fine, but it’s not as pleasurable to drink.

But yes, this means that my latest WIP is sitting in my agent’s inbox, after 8+ months of work.

It may seem that I haven’t released much new work in the last few years, and you’re not wrong. Since putting out The Great Way and Key/Egg in 2015, I’ve only released that new Twenty Palaces novella. One Man took nearly two years to write, and it floated from publisher to publisher for a year and a half before the submission process ended.

I have to give it another revision before I decide what to do with it, and it’s going to take at least as long as my revisions for the WIP. One Man just needs another polish, I think, but it’s also 50K words longer…

Plus, there’s a mystery that I need to polish and release. (This is going to sound weird, but I can’t remember the title for it. I’ve had so many they’ve become a blur.) It’s a good book, but I’m going to have to publish it myself.

Once those are done, I can pounce on the next Twenty Palaces novella, which exists as a rough idea in my head but needs a bit of work to tease out. And mixed in with all of that is the next draft of the WIP… based on my agent’s notes.

So, I’m busy and things have not been auspicious in my writing career. Still, it’s important to celebrate the little milestones.

But cans? Sheesh.

The State of the Author Address

Standard

Let’s talk briefly about where things stand for me as an author in the fall of 2018. There’s some personal stuff here and an update on new books.

First of all, my wife and I have been living in this apartment for 24 years come Oct 3. And sometime in the upcoming months we’re going to be evicted.

The eviction will come in one of two ways: a massive rent hike, or a straight order to get out so the building can be demolished. Our landlord passed away, and his heirs would rather sell than collect rent, so the building is up for sale. (And no, I can’t afford to make an offer.)

My entire marriage has played out in this apartment. It’s the only home my son has ever known. But we don’t own it, so we don’t control it. That means we’re going to be moving on.

In a way, it’s fine. Moving will suck but at least it’ll force us to deal with our clutter, and the unit was old when we moved in, so it’s in a bit of disrepair. Still, I’ve never lived anywhere as long as I’ve lived here and if you stay somewhere long enough, the rent sometimes lags behind the market, so a new place will cost.

And yet, move on we must. That means higher rents and longer commutes, probably from a brand new neighborhood.

To that end, I whipped up a resume and submitted it to a video game company who had expressed interest in hiring me about five years ago. At the time, I thought they wanted to talk to me about writing a book for them, but then I met the novelists they already have working for them and I was all What am I doing here?

But I actually play some video games now (thanks to decent recommendations from my son and the fact that he’s old enough for me to have more free time) whereas I did my best to avoid them when he was small. And while the writing has been going pretty well over the years, this year has been tough. If I have to move, too, it’ll be day job time.

Books what about those books?

Let’s take a look at where things stand:

City of Fallen Gods has made its rounds among the major NY and UK publishers without generating any interest. I need to do another revision and decide whether to send it to small presses or just self-publish it and let it out into the world.

When my agent took this one to the market, I told myself (and a few others) If this book doesn’t sell, I’m not going to write fantasy any more. Well, it didn’t. However, I am already in the middle of…

Untitled WIP, which is over 90k words in a first draft. It’s meant to be a light-hearted adventure, similar in tone (if not in plot) to Key/Egg, but I confess that I’ve been struggling with it. Soon enough, I expect to finish first-pass revisions on it and then I can return to City….

Hard Choices, previously titled Jack of Angels, Tiger Things, The Llewellyn Report, and One Last Favor, is a mystery/crime thriller I wrote last year as a sort of break from magic and monsters. It’s the sort of old-fashioned mystery novel that you can only self-publish now, and I intend to do exactly that as soon as City… is out in the world.

The [Adjective] [Noun] is the next Twenty Palaces novella I’ve been meaning to tackle. Earlier this year, I was saying I expected to get to it before the end of the year, but City… has bounced back at me and the WIP… has been fighting me with every word, so that’s got to be pushed into 2019.

What will probably happen is:
1. Send WIP to my agent
2. rough draft The [Adjective] [Noun]
3. revise City
4. revise Choices
5. revise [Noun]

And somewhere in that timeline is a pause to execute my agent’s notes on the WIP so it can go out to publishers, plus another Bookbub promotion for The Way into Chaos, plus cover designs for Choices and City, plus scheduling copy edits and so on and so forth.

Plus looking for a regular job (hopefully not simply more temp work, although I’m not exactly brimming over with marketable job skills) plus shedding extraneous possessions in anticipation of our move plus packing things for our move plus plus plus.

It’s a busy time, is what I’m saying, but I’m planning to do everything I can to get these books to you guys (especially the 20P novella).

Last note! I have that Patreon going (which you can see in the sidebar of my website) because of recent rent hikes and dips in book sales but, if I land a regular full-time job, I plan to shutter it, for the obvious reasons.

State of the Self, Feb 2017

Standard

Let’s talk about where things stand in general with me.

1. Last night I posted fiction onto my Patreon. It’s the first scene of ONE MAN, the novel I’ve been working on, and I thought my patrons deserved a sneak peak. Just my way of saying “Thank you.”

Someone immediately cancelled their pledge.

Can’t please them all, I guess.

2. My gaming group has been playing MASKS, which is a genuinely great game about teenage superheroes. For the longest time, we couldn’t settle on a team name, so I’ve been throwing out joke suggestions (The Integriteens!)

The other players have latched onto one of my jokes as the name they actually want to adopt.

It starts with a hashtag.

3. I shipped my latest revision of ONE MAN to my agent last weekend, and I feel pretty good about it. She may have additional tweaks, but maybe not. If she does, I’m not sure how long it will take me to do them, because

4. I’m sick and getting sicker. Low-grade fever. Body aches. Exhaution.

And a cough that could shatter marble. At this point, I’m coughing so hard that my vision goes fuzzy and my extremities tingle. I honestly feel close to fainting. Which sucks.

Now that I’ve gotten older, it’s common for me to suffer a lingering cough after a cold, and I mean that it lingers for months. My wife hates it, because I cough big. BIG. She tells me to see a doctor, but they never do anything except prescribe cough suppressants and try to placebo me into thinking they’re super powerful. That never works and I’m sick of going. This time, though…

5. I’m not doing too much social media right now, because HACKING. It’s too hard to focus, which is why I’m doing Lemony Snicket and PI shows on Netflix.

6. My rent just went up.

7.Buy my books.

First Scene of New Novel Going Live on Patreon

Standard

Folks have been very kind about my Patreon, so I thought I’d do something nice for my patrons. On Feb 1, I’m going to post the first scene from ONE MAN, my new novel which (with luck) will be published sometime next year.

It’s about 2.1K words and it’s not an entire chapter. It’s just to show folks what they are supporting.

If you’re not a patron, you can become one (and see what I’ve been working on these past two years) by pledging a dollar. After you see the new scene, you can always cancel your pledge. I hope you won’t, obviously, but if you do that’s on me.

Thanks, and take care of yourselves.

Three Things Make a Post

Standard

If you subscribe to my Patreon, you’ve already seen this, but here’s one for everyone else:

1. Long time readers of my blog and/or social media will know what this picture means. I’ve reached another major goal in my current work-in-progress. The book is ONE MAN, which is the fantasy/crime novel I’ve been working on for OVER TWO YEARS. The goal is that I’ve incorporated my agent’s notes and I think the book is much stronger and therefore ready to send to publishers.

There will be new drafts later on, whether publishers bite or not, but for now it’s off the table.

That means I can spend the week leading up to Giftmas doing family stuff, cleaning, cooking, and otherwise refilling the well.

2. I took the wife and son to see ROGUE ONE (no spoilers) on Friday afternoon. I liked it more than they did, but I’m more inclined to forgive the clunky, awkward moments so I can have space ships and shoot-outs. We all watch Star Wars as generic but enjoyable mass media entertainment, not as a fannish fetish object. But it’s more my kind of thing than theirs.

And the clunkiness was there–hoo boy–along with the plot problems that come with the way the films have used The Force. They also struggled with the constraints of being a prequel to “A New Hope:” Darth Vader is there, but he’s not the main villain. They need their own antagonist who can lose at the end (see above re: generic but enjoyable mass media entertainment) and not outshine the villains in ANH, but still seem powerful and effective. They might have had a better film if they’d managed it.
Still, it’s an enjoyable diversion from holiday stress.

3. Speaking of Giftmas, I’ve dropped the Amazon ebook price of the first novel in my Great Way trilogy to $2.99. If you know someone who likes ebook adventure fantasy, you might want to grab it for them. Also, once you own the ebook, the audio book becomes super cheap. That, too, might make a nice gift.

And that’s it. I hope everyone has a wonderful holiday, however you celebrate. And if you don’t celebrate at all, I hope your days are wonderful anyway.